21010181-2 -
APPLICATION PART
(objectives)
In the second semester, the didactic foundation of the design excercise is based on the principle of indissolubility between program, aesthetic formative intention, tectonics, matter and location.
Group:
CANALE I
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PALMIERI VALERIO
( syllabus)
The applicative part of the course introduces the student to the design of a single-family residential architectural organism inserted within a lot of assigned dimensions. This lot, whose altimetric trend registers a slight slope, is located on the shores of a lake for which a specific geographical location is not provided but only some reference images. A detailed functional program is provided, the client: the designer, painter, teacher Bruno Munari, whose multifaceted aesthetic contribution and applied thought within the history of 20th century art are illustrated.
( reference books)
B. Zevi, Saper vedere l'architettura. Saggio sull'interpretazione spaziale dell'architettura, Torino, Einaudi, 1953.
L. Quaroni, Progettare un edificio. Otto lezioni di Architettura, Milano, Mazzotta, 1977. P.O. Rossi, La costruzione del progetto architettonico, Bari, Editori Laterza, 1996. H.Hertzberger, Lezioni di architettura, Bari, Editori Laterza, 1996. L. Altarelli et al., Forme della composizione, Roma, Kappa, 1997. G. Ponti, Amate l’architettura, Genova, Vitali e Ghianda, 1957, (ristampa in commercio: Milano, CUSL, 2004).
M. Bonaiti, Architettura è. Louis I. Kahn, gli scritti, Electa, Milano, 2002 R. Moneo, Inquietudine teorica e strategia progettuale nell’opera di otto architetti contemporanei, Electa,2005. B. Munari, Fantasia, Roma-Bari, Laterza, 1977. B. Munari, Da cosa nasce cosa, Laterza, Bari-Roma, 1981. M. Meneguzzo, Bruno Munari, Electa, Milano, 1986 M. Meneguzzo, Munari ’50. La bellezza come funzione, Corraini, Mantova, 1991.
Group:
CANALE II
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BURRASCANO MARCO
( syllabus)
This is the first part of an annual architectural design laboratory, in this first semester with 6 credits, 4 of architectural and urban composition and design and 2 of structures.
In the first half of the year, the commitment is 50 hours, dedicated to lectures, architectural visits and practical exercises of model building, drawing and design. The course contents are proposed and verified through lectures, exercises, educational visits, individual and collective reviews. The final exam mark takes into account all the activities carried out by the student during the course, the quality of the exercises is obviously crucial in assigning the mark itself. All processing of the work is done by hand, the use of the C.A.d.
Exercises
1-Topography (Individual) Exercise with level curves to be played by model, is assigned a building volume of date size that must be housed on the ground by creating a digging, or a podium by land reconditioning and making an access path. Scale 1: 250 Area of intervention 75m x 50m, altitude 10m, making curves with cardboard from 1mm (4 curves per 1 meter of altitude) serve 40 curves to absorb the difference in height. The volume to be inserted is a generic residential volume of 5 m for 10 m, which can be inserted as shown in the examples shown, inserting it into the ground, creating a podium, lifting it on a pilot, or by adopting hybrid solutions.
2-Redesign and reconstruction of an architecture (group 3 people) Analysis, technical drawing and realization of a scale model 1: 100 or 1:50 of the following residences:
Le Corbusier, Maison Guiette, Anversa, Belgio, 1927
Le Corbusier, Ville Savoye, Poissy, Francia, 1928 - 1931
Alvar Aalto Casa sperimentale a Muuratsalo, Finlandia, 1952-1954
Alberto Campo Baeza, Casa Turegano, Madrid, Spagna, 1988
Louis Kahn, Fisher House, Hatboro, Pennsylvania, USA, 1960-1967
3-Building System (Individual) Project of a small hut, up to 20 sqm, everywhere students want, in a place well known to the designer, using a single constructive system between: reinforced concrete, brick, stone, wood, steel. Scale model 1:50, plants and sections in scale 1:50
4-Sketches and relief from true anthropometric (individual during visits) Draw on a drawing book A5 sketches of travel, prospects, plants, sections, portraits, and assonometries, paying particular attention to the proportions of the spaces and architectural elements represented. Booklet to be delivered.
( reference books)
Testi:
LE CORBUSIER, Verso un architettura, Milano 1973
F. VENEZIA, Che cos’è l’architettura, Milano 2011
J. UTZON, Idee di architettura. Scritti e conversazioni, Milano 2011
Manuali:
A. Desplazes, Constructing architecture, materials processes structures, a handbook, Basel, 2005
F. Cellini, Manualetto, Norme tecniche, costruttive e grafiche per lo svolgimento di una esercitazione progettuale sul tema della casa unifamiliare, Palermo, 1991
Group:
CANALE III
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MENEGATTI FRANCESCO FEDERICO LUIGI
( syllabus)
A House in the Roman Countryside.
The second part of the course will be dedicated to the design of a house. The essential features are its single-family purpose, therefore of small dimensions, and its location: the Roman countryside. The specification of the context that will be useful to inspire the design theme will be the subject of specific lessons in which we will address the essential characteristics of the location.
The design theme consists of creating a small residential structure. This structure should be conceived considering innovative concepts of living, advanced spatial and construction solutions, taking into account the intended use, as contemporary society is increasingly oriented towards new professions, new forms of cohabitation, and new ways of dwelling.
Particular attention will be given to the planimetric control of the project, the section, and the volumetrics, as well as the relationships that the house should establish with its surroundings, both directly and indirectly. Nature will be interpreted as a place of origin and could be seen as a new 'Arcadia,' an ideal place for contemplation or the development of new human activities, a place of gathering and harmony in a hypothetical 'return' to ancient rituals.
( reference books)
James G. Frazer, Il ramo d’oro, Newton Compton 2009 George Leonard Hersey, Il significato nascosto dell'architettura classica, Editore: Bruno Mondadori, Anno edizione: 2001 F.Purini, Esercizi di composizione, Editore: Libreria, Melfi Anno edizione: 1996 F.Purini, Comporre l'architettura, Editore: Laterza Bari, Anno edizione: 2000 Colin Rowe, La matematica della villa ideale, Editore: Zanichelli, Anno edizione: 1992 E.H. Gombrich, La storia dell'arte, Editore: Phaidon, Anno edizione: 2008 Ulteriore bibliografia verrà fornita allo studente durante l’anno accademico. Instagram francesco_menegatti_students
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8
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ICAR/14
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100
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Core compulsory activities
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ITA |
Optional group:
COMUNE Orientamento unico DISCIPLINE A SCELTA DELLO STUDENTE 2023/2024 - (show)
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12
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21010055 -
ROME AND THE REINASSANCE
(objectives)
The course explores in depth a meaningful chapter of the history of culture, which is a pivotal element of the education and the profession of architects. The course sets two primary objectives: 1. To improve the critical knowledge of the early modern architecture 2. To offer theoretical, methodological and technical tools to reading the architectural heritage.
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MATTEI FRANCESCA
( syllabus)
In 2023-2024 the course proposes an examination of the history of ancient, medieval and Renaissance architecture with particular reference to the Mediterranean and European areas. The course is chronological, from the most ancient architecture to the architecture of the early modern age, and will include some thematic and seminar lessons, focusing on specific aspects, which may also be treated from a diachronic perspective.
PART I. COMPARED ANTIQUITIES: Architectural orders and origin of the temple; Greece and the East. From the Parthenon to the Dydimaion; ancient building techniques; the Etruscans; Roman architecture: tempio and foro; theatres and amphitheatres; domus, villa, palace. PART II. CULTURES AND CONNECTIONS. FROM THE DECLINE OF ROME TO THE BIRTH OF EUROPE: Rome, Milan, Constantinople, Ravenna; Longobards and Carolingians in Europe; "Proto-Romanesque" and "Romanesque" in Italy and Europe; Gothic in Europe and Italy. PART III. ARCHITECTURE IN THE HUMANISTIC AND RENAISSANCE AGES: Filippo Brunelleschi; Leon Battista Alberti; Giuliano da Sangallo; Bramante Raphael and his workshop; Michelangelo in Florence and Rome; Giulio Romano in Rome and Mantua, Andrea Palladio; tools of architect: drawings and treatises.
( reference books)
- A. Bruschi et al., Lineamenti di storia dell'architettura per i corsi di storia dell'architettura: introduzione e premessa di Arnaldo Bruschi e Gaetano Miarelli Mariani, Roma, Sovera, 1994
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4
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ICAR/18
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50
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Elective activities
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ITA |
21010044 -
ROME-MADRID. HOME AND CITY - MADRID-ROMA. CASA Y CIUDAD
(objectives)
The course aims to: - consolidate the students' knowledge on the topic of the collective housing, with particular reference to the experimentations proposed by architectural culture in Rome and Madrid from the beginning of the 20th century and more recent years; - strengthen students' consciousness of the role that collective housing has had and can have for the quality of urban space, capable of inspiring in the inhabitants a sense of identification and belonging; - promote the comparison between different architectural cultures and cities as a research method useful for architectural design; - promote exchanges between European students and the internationalization of teaching.
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FARINA MILENA
( syllabus)
The course includes a series of lessons centered on the topic of collective housing, with particular reference to the experimentations proposed by architectural culture in Rome and Madrid from the beginning of the 20th century to more recent years. The lessons will tend to highlight the forms assumed by collective housing over the different periods and in the research of the protagonists of the architectural scene who have worked in these two cities, with a specific attention to the topic of urban form and the relation between dwelling and city. The case of Rome assumes an emblematic value in this context. In fact Rome was a particularly fertile field of experimentation during the 20th century, in which the collective housing took on extreme and original forms ranging from the emphasis on domestic and individual scale in the Ina Casa neighborhoods, to monumental scale of the great projects of the Seventies in which the collective dimension prevails. But during the 20th century Rome was also a field of spontaneous practices of "colonization" of urban spaces, through which domestic elements infiltrated the ancient monuments of its huge territory. The ambiguity of the relations between domesticity and the material persistence of monuments, which the city itself has promoted in the course of its history, can be considered one of the specific characters of Roman dwelling, a consequence of practices that can be analyzed and codified as a source of inspiration for contemporary projects. The long phase of experimentation on collective housing in Rome ended in the Eighties. Although the city continued to grow through the construction of residential units, there were no significant architectural researches (except for sporadic cases). On the contrary, Madrid has been interested in the last decades by a ohase of rich experimentation on the topic of the collective housing, which has involved the local and international architectural culture in the design of whole urban areas. The practices promoted by the Empresa Municipal de la Vivienda y el Suelo (EMVS) through open competitions and invitations to international architects consolidated the role of the city as a laboratory of experimentation and reflection on the new forms of collective housing. The most well-known, and even the most controversial, outcomes, such as the Mirador building in Sanchinarro or the projects by Tom Mayne (Morphosis), David Chipperfiled, Wiel Arets or Ricardo Legorreta, appeared as elements of comparison and renewal for a research in which important local architects such as Amann, Cánovas and Maruri, Soto and Maroto, Espegel and Fisac, Burgos and Garrido, Blanca Lleó, Ábalos and Herreros, or Frechilla and Peláez, participated with significant contributions. The Departamento de Proyectos Arquitectónicos of Escuela Técnica Superior de Arquitectura de Madrid – ETSAM, also stood out for its research on this topic, in particular through the activities of the GIVCO Research Groups (Grupo de Investigación en Vivienda Colectiva) with Carmen Espegel as principal researcher and with the relevant participation of professors such as Andrés Cánovas and José María de Lapuerta, and NuTAC (Nuevas Técnicas Arquitectura Ciudad), with José María Ezquiaga as principal researcher and contributions of works directed by Sergio Martín Blas. The parallel relation between research and practice built by these and other professors in the field of contemporary collective housing makes it possible to identify Madrid, and the Departamento de Proyectos of ETSAM, as a partner of extraordinary interest in promoting student training in the housing project.
( reference books)
M. Farina (a cura di), Studi sulla casa urbana. Sperimentazioni e temi di progetto, Gangemi, Roma 2009 A. Cánovas, C. Epegel, J. M. De Lapuerta, C. Martínez Arroyo, R. Penjeam, Vivienda Colectiva en España. 1992- 2015. TC cuadernos, Valencia, 2017 S. Martín Blas et al. (Editores). Holanda en Madrid: social housing and urban regeneration. Mairea libros, Madrid, 2014
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PALMIERI VALERIO
( syllabus)
The case of Rome assumes an emblematic value in this context. In fact Rome was a particularly fertile field of experimentation during the 20th century, in which the collective housing took on extreme and original forms ranging from the emphasis on domestic and individual scale in the Ina Casa neighborhoods, to monumental scale of the great projects of the Seventies in which the collective dimension prevails. But during the 20th century Rome was also a field of spontaneous practices of "colonization" of urban spaces, through which domestic elements infiltrated the ancient monuments of its huge territory. The ambiguity of the relations between domesticity and the material persistence of monuments, which the city itself has promoted in the course of its history, can be considered one of the specific characters of Roman dwelling, a consequence of practices that can be analyzed and codified as a source of inspiration for contemporary projects. The long phase of experimentation on collective housing in Rome ended in the Eighties. Although the city continued to grow through the construction of residential units, there were no significant architectural researches (except for sporadic cases). On the contrary, Madrid has been interested in the last decades by a ohase of rich experimentation on the topic of the collective housing, which has involved the local and international architectural culture in the design of whole urban areas. The practices promoted by the Empresa Municipal de la Vivienda y el Suelo (EMVS) through open competitions and invitations to international architects consolidated the role of the city as a laboratory of experimentation and reflection on the new forms of collective housing. The most well-known, and even the most controversial, outcomes, such as the Mirador building in Sanchinarro or the projects by Tom Mayne (Morphosis), David Chipperfiled, Wiel Arets or Ricardo Legorreta, appeared as elements of comparison and renewal for a research in which important local architects such as Amann, Cánovas and Maruri, Soto and Maroto, Espegel and Fisac, Burgos and Garrido, Blanca Lleó, Ábalos and Herreros, or Frechilla and Peláez, participated with significant contributions. The Departamento de Proyectos Arquitectónicos of Escuela Técnica Superior de Arquitectura de Madrid – ETSAM, also stood out for its research on this topic, in particular through the activities of the GIVCO Research Groups (Grupo de Investigación en Vivienda Colectiva) with Carmen Espegel as principal researcher and with the relevant participation of professors such as Andrés Cánovas and José María de Lapuerta, and NuTAC (Nuevas Técnicas Arquitectura Ciudad), with José María Ezquiaga as principal researcher and contributions of works directed by Sergio Martín Blas. The parallel relation between research and practice built by these and other professors in the field of contemporary collective housing makes it possible to identify Madrid, and the Departamento de Proyectos of ETSAM, as a partner of extraordinary interest in promoting student training in the housing project
( reference books)
M. Farina (a cura di), Studi sulla casa urbana. Sperimentazioni e temi di progetto, Gangemi, Roma 2009 A. Cánovas, C. Epegel, J. M. De Lapuerta, C. Martínez Arroyo, R. Penjeam, Vivienda Colectiva en España. 1992- 2015. TC cuadernos, Valencia, 2017 S. Martín Blas et al. (Editores). Holanda en Madrid: social housing and urban regeneration. Mairea libros, Madrid, 2014
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MARTIN BLAS Sergio
( syllabus)
The course includes a series of lessons centered on the topic of collective housing, with particular reference to the experimentations proposed by architectural culture in Rome and Madrid from the beginning of the 20th century to more recent years. The lessons will tend to highlight the forms assumed by collective housing over the different periods and in the research of the protagonists of the architectural scene who have worked in these two cities, with a specific attention to the topic of urban form and the relation between dwelling and city. The case of Rome assumes an emblematic value in this context. In fact Rome was a particularly fertile field of experimentation during the 20th century, in which the collective housing took on extreme and original forms ranging from the emphasis on domestic and individual scale in the Ina Casa neighborhoods, to monumental scale of the great projects of the Seventies in which the collective dimension prevails. But during the 20th century Rome was also a field of spontaneous practices of "colonization" of urban spaces, through which domestic elements infiltrated the ancient monuments of its huge territory. The ambiguity of the relations between domesticity and the material persistence of monuments, which the city itself has promoted in the course of its history, can be considered one of the specific characters of Roman dwelling, a consequence of practices that can be analyzed and codified as a source of inspiration for contemporary projects. The long phase of experimentation on collective housing in Rome ended in the Eighties. Although the city continued to grow through the construction of residential units, there were no significant architectural researches (except for sporadic cases). On the contrary, Madrid has been interested in the last decades by a ohase of rich experimentation on the topic of the collective housing, which has involved the local and international architectural culture in the design of whole urban areas. The practices promoted by the Empresa Municipal de la Vivienda y el Suelo (EMVS) through open competitions and invitations to international architects consolidated the role of the city as a laboratory of experimentation and reflection on the new forms of collective housing. The most well-known, and even the most controversial, outcomes, such as the Mirador building in Sanchinarro or the projects by Tom Mayne (Morphosis), David Chipperfiled, Wiel Arets or Ricardo Legorreta, appeared as elements of comparison and renewal for a research in which important local architects such as Amann, Cánovas and Maruri, Soto and Maroto, Espegel and Fisac, Burgos and Garrido, Blanca Lleó, Ábalos and Herreros, or Frechilla and Peláez, participated with significant contributions. The Departamento de Proyectos Arquitectónicos of Escuela Técnica Superior de Arquitectura de Madrid – ETSAM, also stood out for its research on this topic, in particular through the activities of the GIVCO Research Groups (Grupo de Investigación en Vivienda Colectiva) with Carmen Espegel as principal researcher and with the relevant participation of professors such as Andrés Cánovas and José María de Lapuerta, and NuTAC (Nuevas Técnicas Arquitectura Ciudad), with José María Ezquiaga as principal researcher and contributions of works directed by Sergio Martín Blas. The parallel relation between research and practice built by these and other professors in the field of contemporary collective housing makes it possible to identify Madrid, and the Departamento de Proyectos of ETSAM, as a partner of extraordinary interest in promoting student training in the housing project.
( reference books)
AA. VV., L’INA-CASA al IV congresso Nazionale di Urbanistica, Società Grafica Romana, Roma 1953 L. Beretta Anguissola (a cura di), I 14 anni del Piano INACASA, Staderini, Roma 1963 R. Venturi, Complessità e contraddizioni nell’architettura, Dedalo, Roma 1966 L. Quaroni, Immagine di Roma, Laterza, Bari 1969 B. Regni, M. Sennato, Innocenzo Sabbatini: architetture tra tradizione e rinnovamento, Kappa, Roma 1982 A. Clementi, F. Perego (a cura di), La metropoli «spontanea». Il caso di Roma 1925-1981: sviluppo residenziale di una città dentro e fuori dal piano, Dedalo, Roma 1983 AA.VV., Case romane. La periferia e le case popolari, CLEAR, Roma 1984 C. Cocchioni, M. De Grassi, La casa popolare a Roma. Trent’anni di attività dell’I.C.P., Kappa, Roma 1984 AA.VV., L’attuazione dei piani di edilizia residenziale pubblica. Roma 1964-1987, Officina edizioni, Roma 1998 AA.VV. (a cura di), Guida ai quartieri romani INA Casa, Gangemi, Roma 2002 AA.VV., Abitare la periferia. L'esperienza della 167, Camera di Commercio, Roma 2007 M. Farina (a cura di), Studi sulla casa urbana. Sperimentazioni e temi di progetto, Gangemi, Roma 2009 M. Farina (a cura di), Housing conference. Ricerche emergenti sul tema dell'abitare, Gangemi, Roma 2009 M. Farina, L. Villani, Borgate romane. Storia e forma urbana, Libria, Melfi 2017
A. Cánovas, C. Epegel, J. M. De Lapuerta, C. Martínez Arroyo, R. Penjeam, Vivienda Colectiva en España Siglo XX (1929-1992). TC Cuadernos, Valencia, 2013. A. Cánovas, C. Epegel, J. M. De Lapuerta, C. Martínez Arroyo, R. Penjeam, Vivienda Colectiva en España. 1992- 2015. TC cuadernos, Valencia, 2017. S. Martín Blas et al. (Editores). Holanda en Madrid: social housing and urban regeneration. Mairea libros, Madrid, 2014. S. Martín Blas, I. Rodríguez Martín. A pie de calle: vivienda social y regeneración urbana. Arcadia Mediática, Madrid, 2018. S. Martín Blas, I. Rodríguez Martín, et al., I+D+VS: futuros de la vivienda social en 7 ciudades, Fundación Arquitectura COAM y Ministerio de Fomento (ISBN: 978-84-96656-74-1), 2011. S. Martín Blas, I. Rodríguez Martín. Arquitecturas VIS: vivienda de interés social en seis ciudades iberoamericanas. Lampreave, Madrid, 2018.
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CANOVAS ALCARAZ ANDRES
( syllabus)
The course includes a series of lessons centered on the topic of collective housing, with particular reference to the experimentations proposed by architectural culture in Rome and Madrid from the beginning of the 20th century to more recent years. The lessons will tend to highlight the forms assumed by collective housing over the different periods and in the research of the protagonists of the architectural scene who have worked in these two cities, with a specific attention to the topic of urban form and the relation between dwelling and city. The case of Rome assumes an emblematic value in this context. In fact Rome was a particularly fertile field of experimentation during the 20th century, in which the collective housing took on extreme and original forms ranging from the emphasis on domestic and individual scale in the Ina Casa neighborhoods, to monumental scale of the great projects of the Seventies in which the collective dimension prevails. But during the 20th century Rome was also a field of spontaneous practices of "colonization" of urban spaces, through which domestic elements infiltrated the ancient monuments of its huge territory. The ambiguity of the relations between domesticity and the material persistence of monuments, which the city itself has promoted in the course of its history, can be considered one of the specific characters of Roman dwelling, a consequence of practices that can be analyzed and codified as a source of inspiration for contemporary projects. The long phase of experimentation on collective housing in Rome ended in the Eighties. Although the city continued to grow through the construction of residential units, there were no significant architectural researches (except for sporadic cases). On the contrary, Madrid has been interested in the last decades by a ohase of rich experimentation on the topic of the collective housing, which has involved the local and international architectural culture in the design of whole urban areas. The practices promoted by the Empresa Municipal de la Vivienda y el Suelo (EMVS) through open competitions and invitations to international architects consolidated the role of the city as a laboratory of experimentation and reflection on the new forms of collective housing. The most well-known, and even the most controversial, outcomes, such as the Mirador building in Sanchinarro or the projects by Tom Mayne (Morphosis), David Chipperfiled, Wiel Arets or Ricardo Legorreta, appeared as elements of comparison and renewal for a research in which important local architects such as Amann, Cánovas and Maruri, Soto and Maroto, Espegel and Fisac, Burgos and Garrido, Blanca Lleó, Ábalos and Herreros, or Frechilla and Peláez, participated with significant contributions. The Departamento de Proyectos Arquitectónicos of Escuela Técnica Superior de Arquitectura de Madrid – ETSAM, also stood out for its research on this topic, in particular through the activities of the GIVCO Research Groups (Grupo de Investigación en Vivienda Colectiva) with Carmen Espegel as principal researcher and with the relevant participation of professors such as Andrés Cánovas and José María de Lapuerta, and NuTAC (Nuevas Técnicas Arquitectura Ciudad), with José María Ezquiaga as principal researcher and contributions of works directed by Sergio Martín Blas. The parallel relation between research and practice built by these and other professors in the field of contemporary collective housing makes it possible to identify Madrid, and the Departamento de Proyectos of ETSAM, as a partner of extraordinary interest in promoting student training in the housing project.
( reference books)
AA. VV., L’INA-CASA al IV congresso Nazionale di Urbanistica, Società Grafica Romana, Roma 1953 L. Beretta Anguissola (a cura di), I 14 anni del Piano INACASA, Staderini, Roma 1963 R. Venturi, Complessità e contraddizioni nell’architettura, Dedalo, Roma 1966 L. Quaroni, Immagine di Roma, Laterza, Bari 1969 B. Regni, M. Sennato, Innocenzo Sabbatini: architetture tra tradizione e rinnovamento, Kappa, Roma 1982 A. Clementi, F. Perego (a cura di), La metropoli «spontanea». Il caso di Roma 1925-1981: sviluppo residenziale di una città dentro e fuori dal piano, Dedalo, Roma 1983 AA.VV., Case romane. La periferia e le case popolari, CLEAR, Roma 1984 C. Cocchioni, M. De Grassi, La casa popolare a Roma. Trent’anni di attività dell’I.C.P., Kappa, Roma 1984 AA.VV., L’attuazione dei piani di edilizia residenziale pubblica. Roma 1964-1987, Officina edizioni, Roma 1998 AA.VV. (a cura di), Guida ai quartieri romani INA Casa, Gangemi, Roma 2002 AA.VV., Abitare la periferia. L'esperienza della 167, Camera di Commercio, Roma 2007 M. Farina (a cura di), Studi sulla casa urbana. Sperimentazioni e temi di progetto, Gangemi, Roma 2009 M. Farina (a cura di), Housing conference. Ricerche emergenti sul tema dell'abitare, Gangemi, Roma 2009 M. Farina, L. Villani, Borgate romane. Storia e forma urbana, Libria, Melfi 2017
A. Cánovas, C. Epegel, J. M. De Lapuerta, C. Martínez Arroyo, R. Penjeam, Vivienda Colectiva en España Siglo XX (1929-1992). TC Cuadernos, Valencia, 2013. A. Cánovas, C. Epegel, J. M. De Lapuerta, C. Martínez Arroyo, R. Penjeam, Vivienda Colectiva en España. 1992- 2015. TC cuadernos, Valencia, 2017. S. Martín Blas et al. (Editores). Holanda en Madrid: social housing and urban regeneration. Mairea libros, Madrid, 2014. S. Martín Blas, I. Rodríguez Martín. A pie de calle: vivienda social y regeneración urbana. Arcadia Mediática, Madrid, 2018. S. Martín Blas, I. Rodríguez Martín, et al., I+D+VS: futuros de la vivienda social en 7 ciudades, Fundación Arquitectura COAM y Ministerio de Fomento (ISBN: 978-84-96656-74-1), 2011. S. Martín Blas, I. Rodríguez Martín. Arquitecturas VIS: vivienda de interés social en seis ciudades iberoamericanas. Lampreave, Madrid, 2018.
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6
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ICAR/14
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75
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Elective activities
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ITA |
21002012 -
MATHEMATICAL DRAWING MACHINES: HISTORIC DRAWING FROM A PARAMETRIC POINT OF VIEW
(objectives)
The goal of this course is to underline the existing relations, between graphic and analytic representation, by a contemporary approach to the disciplines of drawing and mathematics. The graphic construction of a curve with ruler and compass will be followed by the analytical representation with parametric ad cartesian equations. Then the construction of historical drawing instruments will follow. The interdisciplinary goals of this course are: develop the attitude of students to understand and foresee the features of a figurative project on a two-dimensional support, from the beginning of its initial representation; provide scientific and cultural basis to handle digital modelling; strengthen their ability to integrate knowledge coming from different disciplines.
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21002012-1 -
PARTE I
(objectives)
The goal of this course is to underline the existing relations, between graphic and analytic representation, by a contemporary approach to the disciplines of drawing and mathematics. The graphic construction of a curve with ruler and compass will be followed by the analytical representation with parametric ad cartesian equations. Then the construction of historical drawing instruments will follow. The interdisciplinary goals of this course are: develop the attitude of students to understand and foresee the features of a figurative project on a two-dimensional support, from the beginning of its initial representation; provide scientific and cultural basis to handle digital modelling; strengthen their ability to integrate knowledge coming from different disciplines.
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FARRONI LAURA
( syllabus)
Presentation through 3d digital models of the spatial genesis of the conics as projections of the circle or, equivalently, plane sections of the right circular cone; definition of each conic as a geometric locus; analysis and study of the parameters which determine a conic curve and its shape through graphical and analytical methods; parametric and Cartesian formulation; construction and use of machines for drawing conics. Different types of machines will be built for each curve. Other types of curves will also be addressed: caustics, cycloids, spirals, with the study of the related drawing machine and investigation of the related treatises. Furthermore, the relationship between geometry and construction will be highlighted with the study of the use of drawing machines for tracing curves in the construction yard.
( reference books)
BARTOLINI BUSSI M.G.C, MASCHIETTO M. (2006). MACCHINE MATEMATICHE : DALLA STORIA ALLA SCUOLA.MIGLIARI R. (1983). FONDAMENTI GEOMETRICI DELLA RAPPRESENTAZIONE PROGETTUALE E TECNICA DELL’ARCHITETTURA. TOMO 2.
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2
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ICAR/17
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25
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21002012-2 -
PARTE II
(objectives)
The goal of this course is to underline the existing relations, between graphic and analytic representation, by a contemporary approach to the disciplines of drawing and mathematics. The graphic construction of a curve with ruler and compass will be followed by the analytical representation with parametric ad cartesian equations. Then the construction of historical drawing instruments will follow. The interdisciplinary goals of this course are: develop the attitude of students to understand and foresee the features of a figurative project on a two-dimensional support, from the beginning of its initial representation; provide scientific and cultural basis to handle digital modelling; strengthen their ability to integrate knowledge coming from different disciplines.
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MAGRONE PAOLA
( syllabus)
Presentation through 3d digital models of the spatial genesis of the conics as projections of the circle or, equivalently, plane sections of the right circular cone; definition of each conic as a geometric locus; analysis and study of the parameters which determine a conic curve and its shape through graphical and analytical methods; parametric and Cartesian analytical formulation; construction and use of machines for drawing conics. Different types of machines will be built for each curve. Other types of curves will also be addressed: caustics, cycloids, spirals, with the study of the related drawing machine and investigation of the related treatises. Furthermore, the relationship between geometry and construction will be highlighted with the study of the use of drawing machines for tracing curves in the construction yard.
( reference books)
BARTOLINI BUSSI M.G.C, MASCHIETTO M. (2006). MACCHINE MATEMATICHE : DALLA STORIA ALLA SCUOLA.MIGLIARI R. (1983). FONDAMENTI GEOMETRICI DELLA RAPPRESENTAZIONE PROGETTUALE E TECNICA DELL’ARCHITETTURA. TOMO 2.
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2
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MAT/05
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25
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-
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-
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-
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Elective activities
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ITA |
21010043 -
HISTORY AND METHODOLOGY OF ANALYSIS IN ARCHITECTURE
(objectives)
Aimed at a cultural audience that is not necessarily aligned with the knowledge provided by institutional History of Architecture courses, the course aims to increase students' ability to "read" architecture and to make them more aware of the role of History within the design process. In particular, the course provides an introduction to the methods and practices of historical research and the development of individual interpretative tools through the exercise on material, documentary and iconographic sources of selected architectures from the 15th century to the contemporary age.
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SCIMEMI MADDALENA
( syllabus)
The course of History of Architecture and Methods of Analysis aims at critically retracing the composition process - either ideological, methodical or procedural- at the basis of every architecture. Lessons in chronological sequence, from the Italian Quattrocento to the XX century, are dedicated to masterworks or lesser known architectures, discussing the sources required by selected "history making" processes. This section of the course aims at presenting a series of different historical analysis and interpretations, considered of significant value with respect to the scientific background of the author, to her/his methods of investigations, to research goals, patronage and chronological context. Written sources, such as texts and visual representations, as well as built architectures and urban complexes, are discussed in a critical perspective. A special focus is dedicated to the selection and interpretation of historical sources and to the use of "diagrams" in architectural representations.
( reference books)
ESSAYS (Required Reading of at least of TWO of the followings): - James Ackerman, La villa. Forma e ideologia, Torino - Rafael Moneo, La solitudine degli edifici e altri scritti, vol 1, Torino 1999. - John Summerson, Il linguaggio classico dell’Architettura, Torino 1970.
- Manfredo Tafuri, Progetto e utopia, Roma-Bari, 1973.
SOURCES (required excerpt at least ONE among the following collections, with reference to the topic of "Parallel & Contrasts" elaborate): Ulrich Conrads (a c.d.), Manifesti e programmi per l'architettura del 20. secolo, Firenze 1970.
Joan Ockman (ed.), Architecture, culture 1943-1968. a Documentary Anthology, New York 1993.
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4
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ICAR/18
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50
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-
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-
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-
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Elective activities
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ITA |
21010027 -
COMPLEMENTS ON DESIGN OF TIMBER STRUCTURES
(objectives)
The course of Complements on design of timber structures involves the participation of experts in timber structures. The main focus is the acquisition of basic knowledge about the mechanical behavior of timber used as construction material and of the main elements and structural systems made with it. Basic tools for evaluation of the structural safety and design criteria for structural elements, aimed to simplified constructions design. To this aim is required the development of a simple design of a timber foot bridge.
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4
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ICAR/09
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50
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-
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-
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-
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Elective activities
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ITA |
21010201 -
DYNAMICS IN ARCHITECTURE
(objectives)
Provide the student with the necessary skills to apply the dynamic laws of physics to architectural-structural models, with particular attention to the characterization of the oscillatory behavior and the implications on the structural morphology. Through the use of appropriate software, these skills will allow the study of structural performance in seismic areas, of soil-structure and fluid-structure interaction.
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BRUNI FABIO
( syllabus)
SYLLABUS Basics of the harmonic motion of a simple oscillator. Damped motion, forced motion, and resonance conditions. Diffusion of longitudinal/transverse waves in a fluid and in a solid, and in particular wave propagation in soils. Mechanical models of simple oscillators applied to structural problems Study of frequencies and modes of proper oscillation in structures (modal analysis) Dynamic effects of earthquake and wind on the morphological characteristics of buildings.
( reference books)
- Elementi di dinamica delle strutture, Luca Facchini, Esculapio - Dinamica delle strutture e ingegneria sismica. Principi e applicazioni, Iunio Iervolino, Hoepli - Dinamica delle strutture, Carlo Gavarini, ESA - Appunti di lezione
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SALERNO GINEVRA
( syllabus)
SYLLABUS
Basics of the harmonic motion of a simple oscillator. Damped motion, forced motion, and resonance conditions. Diffusion of longitudinal/transverse waves in a fluid and in a solid, and in particular wave propagation in soils. Mechanical models of simple oscillators applied to structural problems Study of frequencies and modes of proper oscillation in structures (modal analysis) Dynamic effects of earthquake and wind on the morphological characteristics of buildings.
( reference books)
- Elementi di dinamica delle strutture, Luca Facchini, Esculapio - Dinamica delle strutture e ingegneria sismica. Principi e applicazioni, Iunio Iervolino, Hoepli - Dinamica delle strutture, Carlo Gavarini, ESA - Lesson notes
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2
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FIS/07
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25
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-
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-
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-
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Elective activities
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2
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ICAR/08
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25
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-
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Elective activities
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ITA |
21010203 -
ADVANCED DIGITAL DRAWING
(objectives)
The proposed course, taught by two ICAR/17 Drawing teachers for a total of 4 credits, intends to broaden the students' knowledge of digital representation methods and techniques, providing advanced notions in three-dimensional modeling and visualization processes, useful for the conception, management and communication of architecture. It will consist of two coordinated moments dedicated respectively to: advanced and algorithmic three-dimensional modeling; visualization and post-production. The course is aimed at students of the Bachelor's Degree in Architecture Sciences who have already taken the exam in Geometria Descrittiva and Disegno dell'Architettura.
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CALISI DANIELE
( syllabus)
The course programme covers three thematic areas that will be addressed both theoretically and through focused exercises. 1. Advanced three-dimensional modelling The section on advanced three-dimensional modelling will explore the modelling of NURBS geometries for the handling of complex geometries (single and double curved surfaces, ruled and developable surfaces, organic surfaces) in their application to elements of historical, modern and contemporary architecture (simple, composite and skewed vaulted systems; helical staircases; ceilings and facades). 2. Algorithmic modelling The second part of the three-dimensional modelling section is dedicated to algorithmic modelling with the introduction of the concepts of 'algorithm' and 'family', the relationship between the 3D workspace and the algorithmic construction of the model, and the relationships between its constituent geometries. A learning phase concerning Visual Programming Language (VPL) tools will be followed by modelling complex curves and surfaces and experimenting with possible formal variations introduced through geometry transformation and repetition/assembly operations. 3. Visualisation and post-production The section dedicated to visualisation and post-production will examine the phase of creation and management of raster images that follow defined and conscious compositional and aesthetic rules. The first part of the section will deal with the texturing of models through qualitative materials and textures, the management of lighting in the virtual space through different types of light sources to simulate realistic lighting, and the export of render images prepared for the final post-production phase. Subsequently, the image management phase will be addressed through raster post-production software focusing on different types of post-production.
( reference books)
Albisinni, P., Chiavoni, E., De Carlo, L. (a cura di). Verso un disegno “integrato”. La tradizione del disegno nell’immagine digitale. Roma: Gangemi Editore, 2010
Calisi, Daniele. Luce ed ombra nella rappresentazione. Rilettura storica e sperimentazioni idiomatiche. Aracne editrice 2015.
De Carlo L., Paris, L. (a cura di). Le linee curve per l'architettura e il design. Milano: Franco Angeli, 2019.
Hall, S. Parallax. Architettura e percezione. Milano: Postmedia Books, 2004
Valenti, G. M. Di segno e modello. Esplorazioni sulla forma libera fra disegno analogico e digitale. Milano: Franco Angeli, 2022
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MANCINI MATTEO FLAVIO
( syllabus)
The course programme covers three thematic areas that will be addressed both theoretically and through focused exercises. 1. Advanced three-dimensional modelling The section on advanced three-dimensional modelling will explore the modelling of NURBS geometries for the handling of complex geometries (single and double curved surfaces, ruled and developable surfaces, organic surfaces) in their application to elements of historical, modern and contemporary architecture (simple, composite and skewed vaulted systems; helical staircases; ceilings and facades). 2. Algorithmic modelling The second part of the three-dimensional modelling section is dedicated to algorithmic modelling with the introduction of the concepts of 'algorithm' and 'family', the relationship between the 3D workspace and the algorithmic construction of the model, and the relationships between its constituent geometries. A learning phase concerning Visual Programming Language (VPL) tools will be followed by modelling complex curves and surfaces and experimenting with possible formal variations introduced through geometry transformation and repetition/assembly operations. 3. Visualisation and post-production The section dedicated to visualisation and post-production will examine the phase of creation and management of raster images that follow defined and conscious compositional and aesthetic rules. The first part of the section will deal with the texturing of models through qualitative materials and textures, the management of lighting in the virtual space through different types of light sources to simulate realistic lighting, and the export of render images prepared for the final post-production phase. Subsequently, the image management phase will be addressed through raster post-production software focusing on different types of post-production.
( reference books)
Albisinni, P., Chiavoni, E., De Carlo, L. (a cura di). Verso un disegno “integrato”. La tradizione del disegno nell’immagine digitale. Roma: Gangemi Editore, 2010
Calisi, Daniele. Luce ed ombra nella rappresentazione. Rilettura storica e sperimentazioni idiomatiche. Aracne editrice 2015.
De Carlo L., Paris, L. (a cura di). Le linee curve per l'architettura e il design. Milano: Franco Angeli, 2019.
Hall, S. Parallax. Architettura e percezione. Milano: Postmedia Books, 2004
Valenti, G. M. Di segno e modello. Esplorazioni sulla forma libera fra disegno analogico e digitale. Milano: Franco Angeli, 2022
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4
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ICAR/17
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50
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-
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-
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-
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Elective activities
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ITA |
21010205 -
HISTORY OF 20TH CENTURY ITALIAN ARCHITECTURE
(objectives)
The course aims to introduce students to the knowledge of Italian architecture in the first decades after the Second World War, read in relation to the international context and the crisis of the Modern.
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Derived from
21010205 STORIA DELL’ARCHITETTURA ITALIANA DEL ‘900 in Architettura - Progettazione architettonica LM-4 TALAMONA MARIA IDA, CAUSARANO FEDERICA
( syllabus)
Course 2023-24 traces the history of 20th century Italian architecture, from the Unification of Italy to the end of the century, focusing on the protagonists, works and themes of the architectural and urban planning debate. The course is divided into classroom lessons and outdoor visits. In A.Y. 2023-24 the course is dedicated to architecture in Rome, with particular attention to completed and unbuilt works, to the various movements read in relation to the international debate, to competitions and exhibitions, and to moments of continuity and discontinuity of theoretical discourse. There will be talks by specialist scholars and a seminar dedicated to the work and figure of Marcello Piacentini, held by Prof. Paolo Nicoloso.
( reference books)
Marco Biraghi, Storia dell’architettura contemporanea 1945-2008, vol. II, Einaudi, Torino 2008. Marco Biraghi, Storia dell’architettura italiana 1985-2015, Einaudi, Torino 2013. Giorgio Ciucci, Gli architetti e il fascismo. Architettura e città 1922-1944, Einaudi, Torino 1989. Giorgio Ciucci, Giorgio Muratore (a cura di), Storia dell’architettura contemporanea. Il primo Novecento, Electa, Milano 2004. Francesco Dal Co (a cura di), Storia dell’architettura italiana. Il secondo Novecento, Electa, Milano 1997. Manfredo Tafuri, Storia dell’architettura italiana 1944-1985, Einaudi, Torino 1986.
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4
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ICAR/18
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50
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-
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-
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-
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Elective activities
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ITA |
21010206 -
URBAN MORPHOLOGY
(objectives)
The purpose of the morphological studies proposed by the course is the knowledge of the characters of the built environment and the recognition of its formation and transformation having as ultimate goal the architectural design open to multiple esthetic synthesis. lt aims to teach a method of reading the built form through the understanding of the forming process common to urban fabrics and buildings. The basic notions of urban organism and process will be provided. The term "reading" not indicates the neutral recording of phenomena, but an awareness which requires the active and dynamic contribution of the reader.
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STRAPPA GIUSEPPE
( syllabus)
The course in Urban Morphology, optional, in English, provides 4 credits and is open to all students, including Erasmus ones. The purpose of the morphological studies proposed by the course is the knowledge of the characters of the built environment and the recognition of its formation and transformation having as ultimate goal the architectural design open to multiple estetic synthesis. It aims to teach a method of reading the physical form of the city through the understanding of the forming process common to urban fabrics and buildings, The term "reading" not indicates the neutral recording of phenomena, but an awareness which requires the active and dynamic contribution of the reader. The basic notions of urban organism and forming process will be provided.
( reference books)
Basic text in online format (in English) 1. G. Strappa, L’architettura come processo (translated chapters), Franco Angeli, Milano 2015 The main chapters translated into English (useful to take the exam) can be found on the teacher's website (http://www.giuseppestrappa.it/) and are indicated below: - Notes on base building - http://www.giuseppestrappa.it/?p=8400 - Learned language/everyday language . http://www.giuseppestrappa.it/?p=8340 - The aggregation process and the form of the fabric, http://www.giuseppestrappa.it/?p=8380 - Special nodal building, http://www.giuseppestrappa.it/?p=8159 - Architectural knotting, http://www.giuseppestrappa.it/?p=8414 - Territory as architecture - http://www.giuseppestrappa.it/?p=8355 (text not incuded in the book) Basic text in paper format (in English) 2. G. Caniggia, G.L. Maffei, Interpreting basic building (pages. 53 –164) , Altralinea, Firenze 2017 A good translation in French (on line) is: G. Caniggia, G.L. Maffei, Composition architectural et typologie du bati. 1 lecture du bati de base, traduit par p. larochelle, Université Laval, 2000 -http://www.giuseppestrappa.it/wp-content/uploads/2018/01/G.-Caniggia-Lecture-du-b%C3%A2ti-de-base-traduit-par-P.-Larochelle.pdf
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6
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ICAR/14
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75
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-
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-
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-
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Elective activities
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ENG |
21010207 -
TRANSITIONAL LANDSCAPES. HERITAGE MAKING AND MINDSCAPES IN TIME OF GLOBAL CHANGE
(objectives)
Transitional landscapes. Heritage making and mindscapes in time of global change The course explores the intersection among heritage (natural, cultural, built), reuse and urban wellbeing, approaching conceptual and practical examples aimed at supporting the city's transition towards preventive and crisis-preparedness qualities. Drawing on contents and results of the EU funded project CHANGES – Cultural Heritage Active innovation for Next-GEn Sustainable society, the aim is to explore the many effects generated by the activation of material and immaterial legacy, questioning the generative role of heritage matters. The course will also experiment with innovative spatial, socio-ecological and cultural design practices.
The course “Transitional landscapes. Heritage making and mindscapes in time of global change” develops within the field of urban studies. It aims to introduce some of the increasingly common tools, method, approach to urban heritage, conceived as an open, participated, performative, continuously changing artefact. In so doing, the course aims to provide students with: 1) an overview of the most updated conceptions of cultural heritage in Europe; 2) a complex and multilevel analytical capacity, both in terms of theory and practice, of heritage contexts; 3) the basic elements and tools to set heritage policy and/or design strategies.
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FAVA FEDERICA
( syllabus)
The course “Transitional landscapes. Heritage making and mindscapes in time of global change” is structured in two main parts, intersected by small scale activities that involve the students’ participation throughout the whole duration of the course (oral presentations, short texts or drawings, etc.). Individual (preferred) and group works (max two members) are admitted. The first engages in a cross-disciplinary debate intersecting heritage, architecture, social innovation, urban practice and psychology. It will include seminars held by scholars and practitioners from different fields to dive into the multiple – urban, human, non-human – layers composing the legacy of the city, considering their impact on social and mental wellbeing. The second part will present a selection of national and international case studies, with a specific focus on some historical and present-day experiences in Rome and in the Lazio region. To explore the production of new urban common by means of heritage, the course will include site visits in some Living Labs of the city. Particularly, it will consider the Vigne Nuove Lab, activated in the district with the same name, where some of the activities of the CHANGES project (EU funded) will take place, and local experiences such as Museo della Mente (https://www.museodellamente.it/museo-laboratorio-della-mente/) and Mente in rete. The course will conclude with the presentation of students’ research results, discussed in a final seminar collectively designed.
( reference books)
Boano, Camillo, and Cristina Bianchetti. 2022. Lifelines: Politics, Ethics, and the Affective Economy of Inhabiting. Berlin: Jovis. Coolsaet, Brendan, ed. 2021. Environmental Justice: Key Issues. Abingdon; New York: Routledge. DAAR Hilal, Sandi, and Alessandro Petti. 2021. Refugee Heritage. Riga: Livonia Print. Lefebvre, Henri. 2014. Toward an Architecture of Enjoyment. edited by Ł. Stanek. Minneapolis; London: University of Minnesota Press. Rodney Harrison, Caitlin DeSilvey, Cornelius Holtorf, Sharon Macdonald, Nadia Bartolini, Esther Breithoff, Harald Fredheim, Antony Lyons, Sarah May, Jennie Morgan, and Sefryn Penrose, eds. 2020. Heritage Futures: Comparative Approaches to Natural and Cultural Heritage Practices. London: UCL Press. Russo, Michelangelo, Anna Attademo, Formato, and Francesca Garzilli. 2023. Transitional Landscapes. Macerata: Quodlibet. Smith, Laurajane. 2021. Emotional Heritage: Visitor Engagement at Museums and Heritage Sites. Routledge. Winnicott, D. W. 1971. Playing and Reality. London: Routledge.
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6
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ICAR/21
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75
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-
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-
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-
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Elective activities
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ENG |
21010200 -
CIVIC ARTS
(objectives)
The studio propose an experience of a phenomenological analysis of the actual city trough a relational, artistic and transdisciplinary approach. For more info see: http://www.articiviche.net/lac/arti_civiche/arti_civiche.html Professor’s blog: http://articiviche.blogspot.it/
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Derived from
21010200 CIVIC ARTS in Architettura - Progettazione architettonica LM-4 CARERI FRANCESCO
( syllabus)
The aim of the course is the exploration and re-appropriation of the city through the arts. It will take place entirely in the urban space using walks, performative actions, installations. The Course teaches us to get lost, to recognize the arts of discovery, of the encounter with the Other. It proposes walking as a research method, with the intent to reactivate in the students and in the inhabitants their innate capacity for creative transformation of the space in which they live, to remind them that they have a body and the desires with which they can modify it. In the first days of the course there will be an introductory phase on the relationship between arts and cities, between arts and nomadism, on the practices conducted by Francesco Careri together with Stalker in Rome in the last twenty years. Then the peripatetic phase will begin, through long, aimless walks, with the intention of consciously get lost in the city. At this stage there will be some rules to follow: we don’t walk on sidewalks or asphalt; we can never go back; we don’t believes in private property; but above all: who waste time gain space. We will try to stay behind the built city, along the margins and borders, to reconstruct a unitary thread to the fragments of separate cities in which we live. But we will proceed in a cross-eyed way, towards a goal and towards what diverts it from the goal, disposing itself to road accidents, to the possibility of stumbling and of making a mistake. We will try to take the city by surprise, indirectly, sideways, playful, non-functional, to stumble into unexplored territories where new questions arise. Students will be asked to try to look at reality "with their heads under their legs", to overturn their points of view, to produce places through their actions, to transform their own living spaces with material and immaterial interventions, to find new ways to tell them.
( reference books)
molte informazioni sui contenuti e i risultati dei corsi degli ultimi anni si trovano nel blog: http://articiviche.blogspot.com/
testi da adottare - FRANCESCO CARERI, WALKSCAPES. EL ANDAR COMO PRÀCTICA ESTÉTICA / WALKING AS AN AESTHETIC PRACTICE, EDITORIAL GUSTAVO GILI, BARCELLONA 2002, TRAD IT. WALKSCAPES. IL CAMMINARE COME PRATICA ESTETICA, EINAUDI, TORINO 2006. - BRUCE CHATWIN, THE SONGLINES (1987), TRAD. IT. LE VIE DEI CANTI, ADELPHI, MILANO, 1988
Testi consigliati : - FRANCESCO CARERI, LORENZO ROMITO, CAMPUS ROM, ALTRIMEDIA EDIZIONI, MATERA 2017 - ANNA DETHERIDGE, SCULTORI DELLA SPERANZA. L'ARTE NEL CONTESTO DELLA GLOBALIZZAZIONE, EINAUDI 2012 - AA.VV., INTERNAZIONALE SITUAZIONISTA 1958-69, NAUTILUS/STAMPATRE, TORINO, 1994 - FRANCESCO CARERI, CONSTANT / NEW BABYLON, UNA CITTÀ NOMADE, TESTO & IMMAGINE, TORINO, 2001 - FRANCO LA CECLA., PERDERSI, L'UOMO SENZA AMBIENTE, LATERZA, BARI, 1988 - PETER LANG, A CURA DI., SUBURBAN DISCIPLINE, PRINCETON ARCHITECTURAL PRESS, NEW YORK, 1997 - ROSALIND KRAUSS, PASSAGES IN MODERN SCULPTURE, MIT PRESS, 1981, TR. IT. PASSAGGI, BRUNO MONDADORI, MILANO, 1998
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6
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ICAR/14
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75
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-
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-
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Elective activities
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ENG |
21010052 -
2030 UNITED NATIONS AGENDA FOR SUSTAINABLE DEVELOPMENT: BUILDING AND LIVING TOWN TOMORROW
(objectives)
Introduction to the United Nations 2030 Agenda for sustainable development in its unity and in its general articulation Analysis of the 17 SDGs (Sustainable Development Goals) Critical discussion of the agenda and the links between its different objectives, both in terms of synergies and possible trade offs Insights on some Agenda objectives, in connection with the specific interests and / or study plans of the individual students of the Department of Architecture
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Derived from
21010052 AGENDA 2030 DELLE NAZIONI UNITE PER LO SVILUPPO SOSTENIBILE: COSTRUIRE E ABITARE LE CITTÀ DI DOMANI in Architettura - Progettazione architettonica LM-4 TONELLI CHIARA
( syllabus)
The proposed training activity is divided into a common part, with an interdisciplinary slant, and in a deepening part with a disciplinary slant, differentiated in the various Departments and study courses, as described below. The common part consists of 2-hour lessons on the 17 objectives of the 2030 Agenda, supplemented by the study of the text of the 2030 Agenda, by the in-depth readings indicated by the speakers and by the tutoring of the professors in charge of each Department. The lessons, barring any exceptions, will be entrusted to one or more external speakers and one internal speaker who will discuss the topic of the lesson. The specific part will consist of a guided study, differentiated in the various Departments and oriented towards some of the topics of the 2030 Agenda; it will be of a disciplinary nature, consistent with the study programs of the students of the Departments involved.
( reference books)
Agenda 2030 ASVIS online module, uploaded on MOODLE At the end of every lesson, the teacher will suggests books and documents relating with the concerned Agenda 2030 goal and targets.
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4
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ICAR/12
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50
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-
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-
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-
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Elective activities
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ITA |
21010029 -
HERITAGE
(objectives)
Could - and should - urban space be considered cultural heritage? If so, how can we reveal the hidden properties of the spatial system, so to turn it into a cultural landscape? And how could these properties be communicated in order to integrate space as cultural heritage into contemporary and social construction processes? How can cities integrate historic layers (palimpsests) into their urban development? The project aims at critically examining and synthesizing archaeological and urban artefacts, matching them with other memories of human experience in the urban landscape. Our intention is to analyze and interpret the city of Rome following roman aqueducts (from Porta Capena to Parco degli Acquedotti) with its surroundings, hypothetically made up of five distinguishable, interrelated layers: The original landscape: the topography of the ancient city; Classical Rome (a period of ca. twelve centuries); Medieval Rome (ca. ten centuries); the Rome of the Renaissance and Baroque (ca. four centuries); Modern and contemporary Rome (after 1871). These different layers have constantly interacted through the historical development of urbanism, and their existing elements in the urban landscape will be identified, studied and described by students in different ways such as mapping, storytelling collection, archivial research.
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Derived from
21010029 HERITAGE in Architettura - Progettazione architettonica LM-4 GEREMIA FRANCESCA
( syllabus)
Thinking about heritage is thinking about time, identity, memory and storytelling. Landscape coincides with these values, it can be considered as the connective tissue: a memories repository of the material and immaterial values. In order to develop an experience of contemporary landscape and physical heritage we have to conduct a multidisciplinary analysis, both direct and indirect. Landscape and its history can be investigated through the expressions of tangible and intangible culture, through the study of visible and invisible data. Indirect and regressive analysis (archival studies, topography, geomorphology, historical and modern maps, iconography, etc.) will be integrated with the investigation on field, with the intention to recognize, distinguish, identify, and measure the place. The different layers, which have constantly interacted through the historical development, will be identified, studied and described by students in different ways such as mapping, storytelling collection, archival research etc. Diachronic analysis of the different layers will be essential to identify and distinguish shapes and permanent values compared to the structural changes introduced in the contemporary physical environment From this analysis we will begin the representation and interpretation of the landscape aiming at critically examining and synthesizing archaeological and urban artefacts, matching them with other memories of human experience in the urban landscape.
( reference books)
L.Benevolo, (1977) Roma oggi, Roma-Bari R.Funiciello, A.Praturlon, G.Giordano (2008): La geologia di Roma dal centro storico alla periferia. Memorie descrittive della carta geologica d’Italia, Firenze, S.EL.CA. P.Handke, (1995) Canto della Durata, Einaudi Milano. I.Insolera, (1965): Roma. Immagini e realtà dal X al XX secolo, Roma-Bari 1965 (Grandi opere. Le città nella storia d’Italia). R.Lanciani, (1988): Forma Urbis Romae. S.Muratori, R.Bollati, S.Bollati, G.Marinucci (1963): Studi per una operante storia urbana di Roma, Roma, Centro Studi di Storia Urbanistica. L.Quaroni (1975), Immagine di Roma, Laterza P.O.Rossi, (2009): Roma. Guida all’architettura moderna. 1909-2000, Roma-Bari. S.Schama,(2004): Landscape and memory, Harper Perennial.
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6
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36
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-
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-
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-
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Elective activities
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ENG |
21010204 -
SENTIMENTAL TOPOGRAPHY
(objectives)
To broaden the students’ frame of reference in the field of design culture, through the in-depth investigation of the experience of important figures and works of 20th century architecture. The study is aimed at the understanding of the generative process of the work, at the identification of operative categories achievable in the present time. During the course we will investigate design experiences in which the place is understood as heritage, a stratified palimpsest of material and immaterial testimonies, where collective memory takes shape through design action. The project operates as the plot for a new narrative that is necessarily discontinuous, but rooted in space: a work of interpretation and synthesis between the generality of construction archetypes and the singularity of each site. To show the direct relationship between the study of these experiences and their translation within the architectural project, with particular regard to the relationship between project and place, between old and new, between architecture and circumstance. To promote the internationalization of didactics, through the construction of a geography of correspondences between figures of architects who are distant in space and time, linked by what Henri Focillon called “affinity of spirit in relation to forms”. To invite students to directly experience the design approach investigated in the case studies through work on the existing heritage; the principle of imagining the new is affirmed through the search for the original forms, starting from the opposition between old and new, through a conscious process of rewriting, capable of defining new relationships between site and theme, artifice and nature. The past is modified by the present by revealing new concatenations between things. Collective memory takes shape through a new narrative.
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TORRICELLI CARLOTTA
( syllabus)
Sentimental Topography. Project and site in the Other Modernity. The course proposes a series of study itineraries through heterodox experiences of Modernity, in tension between the Baltic and the Mediterranean. Paths transversal to the canons crystallized by internationalism, which outline differentiated design approaches, supported by a common intention. These are investigated not so much - or not only - in terms of their relations with local building traditions and site characteristics, but rather in terms of the compositional procedures that root the design of the new to the specificity of the site, through a hand-to-hand encounter between artefact and nature. The productive force of memory feeds the design thought, grafting the interventions on a terrain treated not as inert ground - as a pattern punctuated by isolated actions - but as a stratified system of signs, traceable and measurable, revealed by the design of the new. Composition is the organization of the formal discourse, and of this the lectures - as well as the operative experiments that the students are required to carry out within the course - privilege the analysis of the criteria and procedures implemented to generate form and the study of the figurative variations that determine the character of architecture. The aim is thus to bring out that inseparable link between analytical excavation and formal research, anchoring the theoretical dimension to the operative one and restoring to the project the role of a moment of synthesis of the relations between figure, form and construction. A poetic synthesis between art and technique, which denies the adoption of standardized procedures and redefines itself from time to time, in a cyclic dimension of time. With these assumptions, the course will bring Scandinavian and from Iberian peninsula architects to the stage, passing from the Mediterranean as an obligatory reference for that search for origins that leads to another modernity, the path of which is still open today, in the topicality of its lesson.
( reference books)
Fernando Távora, On space organization (1962), in Estudo Prévio n. 20, Lisbon: CEACT/UAL Center for Studies of Architecture, City and Territory of the Autonomous University of Lisbon, 2022, p.29- 39. Jörn Utzon, Platforms and Plateaus: Ideas of a Danish Architect, Zodiac 10, Milan 1962. Christian Norberg-Schulz, Genius Loci: Towards a Phenomenology of Architecture, Rizzoli, New York, 1979. Dimitris Pikionis, architect 1887-1968: A Sentimental Topography, Architectural Association, London, 1989. Sigurd Lewerentz 1885-1975: The Dilemma of Classicism, Architectural Association, London, 1989. José Ignacio Linazasoro, La memoria del orden. Paradojas del sentido de la arquitectura moderna, Abada Editores, Madrid, 2013. Carlotta Torricelli, Classicismo di frontiera. Sigurd Lewerentz e la Cappella della Resurrezione/Frontier Classicism. Sigurd Lewerentz and the Chapel of the Resurrection, Il Poligrafo, Padova 2014. Luigi Franciosini e Cristina Casadei, a cura di, Architettura e Patrimonio: progettare in un paese antico, Mancosu Editore, Roma 2015. (Edizione Italiana e Inglese). Kenneth Frampton, The Other Modern Movement: Architecture, 1920–1970, Yale University Press, New Haven and London, 2021. Álvaro Siza, Imagining the Evident, Monade, Lisbona, 2021.
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6
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ICAR/14
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75
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-
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-
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-
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Elective activities
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ENG |
21010259 -
LABORATORY OF LANDSCAPE OBSERVATION AND INTERPLAY
(objectives)
Landscape is never still. Everything, even what is apparently inert, is permeated and modelled by a continuous work that transforms, generates, regenerates and consumes it. Regardless of the spatial and temporal scale on which it is viewed, the landscape is a vibrant matter and is constantly changing, in ways that are sometimes barely perceptible, at other times overwhelming. Assuming this awareness is useful in order to position ourselves in front of the contemporary condition of territories and environments. The aim of the course is to investigate the landscape, in its urban dimension, as a performative statute, through investigations in landscape and urban planning literature (reading) and through explorations and transformative actions (observations and interactions), which are able to train the competence of observation (knowing how to see) and of cooperation (knowing how to interact with the dynamics in progress).
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Derived from
21010259 LABORATORIO DI OSSERVAZIONI E INTERAZIONI PAESAGGISTICHE in Architettura - Progettazione urbana LM-4 METTA ANNALISA, RANZATO MARCO
( syllabus)
The course is integrated and multidisciplinary, including Landscape Architecture and Urbanism. It is articulated in a series of theoretical-critical insights referring to the contemporary culture of landscape and urbanism. In parallel, a number of interaction practices are performed that require direct observation of the landscape and interaction with it, verifying over the duration of the course the effects of human/non-human, biotic/abiotic coexistence at the site taken as a study and action case.
( reference books)
• Bee, M. (2020). Spaces of indecision Manifatture Knos Setting a Precedent in Italy. In M. F. De Tullio (Ed.), Commons. Between Dreams and Reality (pp. 102–120). Creative Industry Košice. • Care Collective, (2021). Manifesto della cura. Per una politica dell’interdipendenza. Alegre Edizioni. • Celestini, G. (2018). Agire con il paesaggio. Aracne. • Coccia, E. (2022). Metamorfosi. Siamo un’unica sola vita. Einaudi. • de la Bellacasa, Maria (2017). Matters of Care: Speulative Ethics in More Than Human Words. University of Minnesota Press. • Hirsch, A. (2014). The Landscape Imagination: Collected Essays of James Corner 1990-2010. Princeton Architectural Press. • Metta, A. (2022). Il paesaggio è un mostro. Città selvatiche e nature ibride. Deriveapprodi. • Papadopoulos, D. (2018). Experimental Practice. Technoscience, Alterontologies, and More-Than-Social Movements, Durham, NC, Duke University Press. • Pellizzoni, L. (2016). Ontological Politics in a Disposable World: The New Mastery of Nature. Routledge. • Ranzato, M., Vanin, F. (2021). Veneto 2100. Living with water. Silvana Editore.
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3
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ICAR/15
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37
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-
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-
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-
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Elective activities
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3
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ICAR/21
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38
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-
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-
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-
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Elective activities
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ITA |
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