Course
|
Credits
|
Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
|
Type of Activity
|
Language
|
20702648 -
HISTORY OF MUSIC
|
Also available in another semester or year
|
20710384 -
AESTHETICS OF CINEMA AND MEDIA
(objectives)
The aim of the class is to give an overview of the more relevant issues of film and media aesthetics. In particular, the class will be focused on both historically relevant perspective and more recent topics and methodologies. Moreover, a major frame will be offered by visual culture studies, in order to understand old and new phenomena in the light of a wider history of images. A particular attention will be devoted to theories of sensory and affective cinematic and medial experience.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702646 -
ELEMENTS OF FILM AND TV DIRECTION
(objectives)
The course aims to provide students with skills related to film grammar through an extended analysis from “classic cinema” to contemporary cinema, in order to investigate aesthetic and stylistic elements and their cultural and political outcomes.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' ALTRE 2 - (show)
|
12
|
|
|
|
|
|
|
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - AFFINI E INTEGRATIVE 2 - (show)
|
6
|
|
|
|
|
|
|
|
20702962 -
Legislation and Regulations Editorials
(objectives)
The course aims at providing students with a basic knowledge of copyright and the norms that regulate the world of entertainment, starting from the ideation phase of the intellectual product intended for the show, then moving to the production phase and finally to marketing. After a theoretical study, the student will deal with the main legal issues and the fundamental contracts adopted in the musical and audiovisual-cinematographic areas and finally in those intended for the theatre audience. Finally, students will deal with the functioning of the intermediation system of copyright and related rights, by examining the procedure adopted by authorised intermediaries (Siae and others).
|
6
|
IUS/09
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20710403 -
ORGANIZZAZIONE E GESTIONE DELL'IMPRESA CINEMATOGRAFICA E AUDIOVISIVA
(objectives)
The course illustrates the structure, the operation and the functioning of the companies active in the production, distribution, theatrical, television and web, of films and audiovisuals. This knowledge is not useful to those students who propose to engage in these economic activities, but also to others. Even those who want to express themselves more in terms of creativity and authorship need to better interface with those who then have to manage a film product towards the market. The course will deal with these themes, also projecting into the new digital and Internet scenarios that concern not only the production chain but also the marketing and the possible analysis with big data.
|
6
|
SECS-P/10
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' DI BASE - (show)
|
6
|
|
|
|
|
|
|
|
20702965 -
MOVEMENTS AND WRITERS IN 20TH CENTURY ITALIAN LITERATURE
(objectives)
The course aims to bring together students with authors, moments, genres and themes that characterise the Italian literature of our time, from the early twentieth century. For the specificity and the modality of interpretation of the texts that will be proposed during the course, the course provides students with the basic tools for a first contact with the works of contemporary literature.
|
6
|
L-FIL-LET/11
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20709107 -
french literature
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - CARATTERIZZANTI - (show)
|
6
|
|
|
|
|
|
|
|
20703442 -
Cinema, Electronic Arts and Intermedia
|
Also available in another semester or year
|
20702644 -
Documentary Cinema- Reality vs fiction in contemporary documentary cinema
(objectives)
The educational objectives of the course include a chronological knowledge of the history of documentary cinema in such a way that the student can move comfortably through authoritative paths, movements, aesthetic forms of a genre scarcely studied in the preparatory courses of cinema history. In addition, from year to year, the course will focus on a specific theme, proposing a moment of deepening and analysis. A further objective of the course is to bring the student into contact with the professionals of the sector, through the organization of periodic projections of documentaries followed by meetings with the authors.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
20709130 -
ITALIAN CINEMA
(objectives)
The teaching of "Italian Cinema" is part of the training activities that characterize the degree course in Dams (path "Cinema, television and new media"). It proposes to deal with the history of Italian cinema according to a multiplicity of perspectives concerning the cultural context, economic and legislative institutions, stylistic forms, critical and theoretical reflections, the interpretation of films, the relationships of cinema with other arts and other media. The goal is to provide knowledge and methodological tools that allow the student to measure himself critically with the history of Italian cinema and with the analysis of filmic texts.
|
12
|
L-ART/06
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20706080 -
Communication sociology
(objectives)
The course aims: • To introduce the main concepts of the sociology of communication, with particular reference to interpersonal communication. • Strengthen the students’ communicative competences through the participation in class laboratories and group tasks, thus enabling them to also improve their teamwork competencies. • Strengthen students’ capacities of critical analysis through interactive and laboratorial teaching strategies. • Promote the acquisition of the necessary competences to avoid the pathological forms of communication in the daily life and encourage “ecological” discursive practices.
|
6
|
SPS/08
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20705270 -
FINAL EXAM
(objectives)
The final exam aims to develop students' abilities to produce a critical essay by consulting primary and secondary textual and / or audiovisual sources.
|
6
|
|
36
|
-
|
-
|
-
|
Final examination and foreign language test
|
ITA |
20710503 -
Aesthetics
(objectives)
At the end of this course the student will acquire: - A basic knowledge of several issues concerning aesthetics and the relationships between philosophy and the arts (literature, visual arts, performing arts, architecture, film) - The knowledge of one or more important texts of the history of aesthetics, and of the critical debate on these texts - A basic knowledge on the most recent literature on aesthetics, perception theory, ontology of art and related subjects - The ability to form an independent judgement on such topics and to expose it in oral and written form - Good mastery of aesthetic terminology and of the argumentative methods in the field of aesthetics and art criticism - The ability of focusing theoretical issues, analyzing information, formulating arguments in the fields of aesthetics, theory of perception, art theories, with the help of bibliographical sources The ability to contextualize in historical-philosophical perspective aesthetic debates, as well as debates on art criticism.
|
6
|
M-FIL/04
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - AFFINI E INTEGRATIVE - (show)
|
12
|
|
|
|
|
|
|
|
20702652 -
CULTURAL ANTHROPOLOGY
|
Also available in another semester or year
|
20709111 -
Clinical Psychology
(objectives)
INTRODUCTION TO THE HISTORY OF THE PSYCHOANALYTIC MOVEMENT AND THE BASIC CONCEPTS OF THE PSYCHOANALYTIC THEORY.
|
6
|
M-PSI/08
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20709112 -
FILOSOFIA TEORETICA
(objectives)
The course of Philosophy of History is part of the program in DAMS and it is included among the optional training activities. In addition to presenting the historical-theoretical lines of the theme of the course, there will be a critical analysis of the texts indicated in the program and an exposition of their effects on the context of today's philosophy. The aim of the course is: - to provide the basic tools for understanding the vocabulary and some of the main problems involved in the development of the concepts addressed in the course; -to improve the critical and argumentative skills of the students and to train them in the comparative analysis of the topics and authors taken into consideration. At the end of the course students are expected to acquire the following skills: - in-depth knowledge of the basic philosophical lexicon, also in relation to its historical evolution; - understanding of the basic problems of metaphysics, logic and theory of knowledge, with attention to the different lines of the contemporary debate; - ability to interpret and discuss the theses proposed by the philosophical texts of reference; - training in critical skills through comparison with other forms of knowledge of Western culture.
|
6
|
M-FIL/01
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20710006 -
methods of communication sciences
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' A SCELTA DELLO STUDENTE .ATTENZIONE : NON è CONSENTITO INSERIRE QUI IDONEITA' SOSTITUTIVE E NEANCHE LABORATORI DI FILMAKING - (show)
|
24
|
|
|
|
|
|
|
|
20710058 -
ATTIVITA' ESTERNA PROPOSTA DALL'ATENEO
|
Also available in another semester or year
|
20710052 -
TIROCINIO ESTERNO
(objectives)
The external internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of practical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
Non erogato nel 2019/2020
20710003 -
COMMUNICATION SYSTEMS AND JOURNALISM
|
Also available in another semester or year
|
20702644 -
DOCUMENTARY CINEMA
(objectives)
The educational objectives of the course include a chronological knowledge of the history of documentary cinema in such a way that the student can move comfortably through authoritative paths, movements, aesthetic forms of a genre scarcely studied in the preparatory courses of cinema history. In addition, from year to year, the course will focus on a specific theme, proposing a moment of deepening and analysis. A further objective of the course is to bring the student into contact with the professionals of the sector, through the organization of periodic projections of documentaries followed by meetings with the authors.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20702652 -
CULTURAL ANTHROPOLOGY
|
Also available in another semester or year
|
20702962 -
LEGISLATION AND PUBLISHING RULES
(objectives)
The course aims at providing students with a basic knowledge of copyright and the norms that regulate the world of entertainment, starting from the ideation phase of the intellectual product intended for the show, then moving to the production phase and finally to marketing. After a theoretical study, the student will deal with the main legal issues and the fundamental contracts adopted in the musical and audiovisual-cinematographic areas and finally in those intended for the theatre audience. Finally, students will deal with the functioning of the intermediation system of copyright and related rights, by examining the procedure adopted by authorised intermediaries (Siae and others).
|
6
|
IUS/09
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703403 -
HISTORY AND CRITICISM OF PHOTOGRAPHY
|
Also available in another semester or year
|
20703410 -
LABORATORY: PERFORMING ARTS 1
(objectives)
The proposed learning objective has its cornerstone into the direct involvement of students in the experience of theater practice on the Rebibbia stage: shoulder to shoulder with actors who have found, on the common ground of poetry and art, the lost thread of their existence.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703411 -
LABORATORY: PERFORMING ARTS 2
(objectives)
The workshop aims to introduce the students to a specific procedure in making a theatre performance, providing them, together with elements of knowledge on a theoretical level, the possibility of making it a concrete experience. The work will mainly concern the awareness of the place as common and concrete ground of the creative process. Then, it will develop in the recognition of the tools and languages (light, sound, physical action) and in the experimentation of several findings and solutions, related to points of views and the interplay of skills and materials. Every participant is involved as a performer and as a designer of the collective creation. The common goal is the proposal and the public rehearsal of an accomplished score, worked out from one of the hypotheses of stage composition identified in the space.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703412 -
LABORATORY: PERFORMING ARTS 3
(objectives)
The workshop aims to increase the participants' awareness of bodily movement, by inviting them to experience the perception and performance potential of their body. Through physical training, vocal exercises and space work, participants will be able to acquire an approach to movement that uses physical action and imagination, making each movement aware of both its source and its stage effectiveness.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703414 -
LABORATORY: CREATING A CULTURAL BUSINESS
(objectives)
The workshop is part of the DAMS training activities and is aimed at developing managerial and organizational skills for the creation of companies whose main mission is cultural planning. By examining three main actions such as production, programming and promotion, we intend to provide a basic knowledge of the functioning of the cultural production sector. In a first phase, the lessons are aimed at explaining and specifying in particular the terminology and the various interlocutors of reference, to get to the guidelines and strategies that characterise the world of cultural enterprises. The goal is to highlight common elements, taking into account the complexity and diversity of both the legal and planning worlds of business and cultural bodies. The following phase has the objective of making students measure with a guided design test, aimed at verifying the realization of a creative idea. During the workshop, students will acquire basic elements of cultural planning and managerial skills for planning, analysis of sustainability and realization of cultural projects.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20705079 -
HISTORY AND ART OF THE ACTOR
|
Also available in another semester or year
|
20709107 -
french literature
|
Also available in another semester or year
|
20709109 -
FILOSOFIA DEL LINGUAGGIO
(objectives)
The course aims to highlight the convergence or even the substantial identity between the two famous Aristotelian definition of Homo sapiens animal that has language and the political animal. Through the study of the texts of some important linguists and philosophers of language, as well as the major work of Hannah Arendt, Vita Active, we would like to clarify the reasons for which the verbal language can be considered the biological organ of public praxis.
|
6
|
M-FIL/05
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709111 -
Clinical Psychology
(objectives)
INTRODUCTION TO THE HISTORY OF THE PSYCHOANALYTIC MOVEMENT AND THE BASIC CONCEPTS OF THE PSYCHOANALYTIC THEORY.
|
6
|
M-PSI/08
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709112 -
FILOSOFIA TEORETICA
(objectives)
The course of Philosophy of History is part of the program in DAMS and it is included among the optional training activities. In addition to presenting the historical-theoretical lines of the theme of the course, there will be a critical analysis of the texts indicated in the program and an exposition of their effects on the context of today's philosophy. The aim of the course is: - to provide the basic tools for understanding the vocabulary and some of the main problems involved in the development of the concepts addressed in the course; -to improve the critical and argumentative skills of the students and to train them in the comparative analysis of the topics and authors taken into consideration. At the end of the course students are expected to acquire the following skills: - in-depth knowledge of the basic philosophical lexicon, also in relation to its historical evolution; - understanding of the basic problems of metaphysics, logic and theory of knowledge, with attention to the different lines of the contemporary debate; - ability to interpret and discuss the theses proposed by the philosophical texts of reference; - training in critical skills through comparison with other forms of knowledge of Western culture.
|
6
|
M-FIL/01
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709731 -
LABORATORIO DI OPERATORE RADIOFONICO
|
Also available in another semester or year
|
20709302 -
TIROCINIO PALLADIUM- BIBLIOTECA DELLE ARTI
(objectives)
Promoting the development of theoretical and practical knowledge in the field of organization and documentation of theater activities.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710327 -
LABORATORIO DI TECNOLOGIE MUSICALI
|
Also available in another semester or year
|
20710202 -
Attività esterna proposta dall'Ateneo 1
|
Also available in another semester or year
|
20710414 -
ATTIVITA' ESTERNA PROPOSTA DALL'ATENEO 2
(objectives)
The activity aims to provide students with the opportunity to broaden the horizon of their theoretical and practical knowledge in the entertainment sectors by comparing them with external institutions and institutions with a high cultural profile. The activity includes the organization of seminars, meetings and laboratories, with mandatory attendance and with the participation of eminent personalities active in the field of performative and audiovisual arts. The conformity of the contents and the educational objectives of the proposed external activities and the adequacy of the institutional and professional profiles of the bodies and subjects involved are established by the Dams Didactic Commission, subject to specific evaluation of the individual projects. The number of hours of attendance required by the activity cannot be less than 15 and the number of scheduled meetings cannot be less than 5.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710415 -
ROMA3 FILM FESTIVAL
(objectives)
The “Roma Tre Film Festival” is founded and directed by Vito Zagarrio. From a student event it turned over the years into an event open to young professionals from ItalianDAMS or film schools, but also to authors of various generations who over time have presented their films and confronted the audience in the Palladium Theater.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710416 -
CONVEGNO CINEMA
|
Also available in another semester or year
|
20703442 -
Cinema, Electronic Arts and Intermedia
|
Also available in another semester or year
|
20710403 -
ORGANIZZAZIONE E GESTIONE DELL'IMPRESA CINEMATOGRAFICA E AUDIOVISIVA
|
Also available in another semester or year
|
20710006 -
methods of communication sciences
|
Also available in another semester or year
|
20710401 -
Tv Format and storytelling Laboratory
(objectives)
The main gaol of this laboratory is to explore the golden rules of TV storytelling, working on the analysis of TV formats.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703415 -
LABORATORY: DIGITAL MEDIA
|
Also available in another semester or year
|
20710397 -
Contemporary cinema and television series
(objectives)
The course of Contemporary Cinema and Serial Television is part of the activities that each student of the DAMS BA can choose in the free section of his/her study plan and is taught explicitly for the Film and Media Studies program. If the program generally gives the historical and theoretical background to understand all audiovisual forms, the aim of this class is the analysis of audiovisual fiction narratives produced after 1989 in Europe and the US and of their contexts. The course is dedicated to students that have already passed the classes of film and media history and analysis, and it focuses upon the most significant changes within the cultural scenario of media industries and uses, and how such transformation falls upon narratives and the experience configuration. The course aims to give to its students the framework needed to analyze the complexity of contemporary production, also considering the cultural and socio-economic context of globalization, the configuration of subjects, and the main aesthetics and theoretical tendencies.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710399 -
Food Cultures History
(objectives)
The teaching of History of food cultures is part of the free educational activities of the historical disciplines of the Degree Course in DAMS. The Degree Course aims to offer a wide humanistic education, accompanied by methodological, critical and professional tools related to the fields of theater, cinema, television, digital media, music, dance and figurative arts. The Degree Course also develops useful skills in the field of organizing cultural events and live entertainment, cinema and audiovisual. As part of this educational path, teaching aims: to introduce students to the scientific and methodological foundations of cultural history (material and immaterial cultures); to deepen the main historical processes of formation of food cultures in the contemporary age; to develop a critical attitude in the analysis and interpretation of historical sources; to equip students with an adequate lexical and conceptual heritage. The course aims to provide historical knowledge and skills aimed at developing contextualization skills, communication skills and independent judgment consistent with the educational objectives of the course.
|
6
|
M-STO/04
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710388 -
GENDER AND MEDIA
(objectives)
The course deals with a critical analysis of the gender representations in media. The first part gives a literature overview on the role and influence of media in the social construction of male and female identities. In the second part, methodological tools will be provided in order to deepen the gender perspective in the analysis of communication practices in various media environments (whether digital or not). The course aims to: • strengthen the disciplinary knowledge related to the relationship between gender identity and media; • enhance critical analysis skills through interactive and laboratory teaching; • encourage the active participation of students with presentations during the lessons, in order to practice their verbal abilities and communication skills.
|
6
|
SPS/08
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710412 -
POST COLONIAL FILM AND MEDIA STUDIES
(objectives)
The course of Postcolonial Film and Media Studies is part of the formative activities at free disposal of the students of the Degree Course in DAMS (Arts, Music and Drama). This Degree Course aims at offering an adequate foundation training, an extensive knowledge and appropriate methodological and critical instruments in performing arts and film, television and digital media, offering as well an adequate know how for the organization of cultural, performing arts, film and audiovisual events. The course of Postcolonial Film and Media Studies is intended to provide 1) a foundation training of key concepts and main lines of research that characterised postcolonial studies, with a specific reference to the experiences that involved the domain of film and media studies and the historical-cultural and artistic scenes in Italy; 2) the ability to contextualise, compare and critically analyse films, according to a postcolonial perspective, film texts and media narratives on the basis of a plurality of references (theoretical articles, critical contributions, interviews) and in the light of the direct vision of works; 3) the historic, critical and methodological key concepts necessary to the study of postcolonial critical thinking and to the analysis of an audiovisual narrative in a postcolonial lens.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710404 -
ORDINAMENTO DEL SETTORE CINEMATOGRAFICO E AUDIOVISIVO IN ITALIA E IN EUROPA
|
Also available in another semester or year
|
20710507 -
LABORATORIO DI SCENEGGIATURA PER IL CINEMA
(objectives)
The aim of the course is to provide basic knowledge concerning the screenwriting, including some theoretical and practical aspects and points of view; also to familiarize with the different steps of the process of a script / film project, understanding the specificities of writing for a movie in its diversity from literature and theatre. The course proposes to highlight some moments of a screenplay in a critical and constructive way. Practical work focuses on: thematic idea (high concept), synopsis (max 5 lines), subject, characters (protagonist, antagonist), obstacles and choices, step outline for three acts, first and second draft of a treatment.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20710509 -
LABORATORIO DI DISTRIBUZIONE E DIFFUSIONE DEL PRODOTTO AUDIOVISIVO
(objectives)
The workshop deals with the themes of the distribution and circulation of cinematographic and audiovisual products, from a legal, economic and marketing point of view. The workshop will also provide tools to understand the transformation of the general contexts that, with the development of digital networks, changed the production ways and the nature of the audience.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20702965 -
MOVEMENTS AND WRITERS IN 20TH CENTURY ITALIAN LITERATURE
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' ALTRE LABORATORIO 1 - (show)
|
6
|
|
|
|
|
|
|
|
20709145 -
LABORATORIO DI FILMAKING 2
(objectives)
The workshop aims to provide students with the necessary tools to implement an audiovisual product and to focus on its linguistic elements. Through the direct involvement of the participants, the lab purposes are: 1. Enabling them to elaborate an audiovisual text considering the three production steps (writing, proper production, post-production); 2. Making them aware of the audiovisual language; 3. Helping them face any unexpected problems that may rise along each of the three steps; 4. Initiating them to experiment short audiovisual stories through easily accessible media such as smartphones.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20709146 -
LABORATORIO DI FILMAKING 3
|
Also available in another semester or year
|
20709148 -
LABORATORIO DI FILMAKING 4
(objectives)
The course aims to offer an introduction to the theoretical and practical work on film making. We will analyze all the moments of the film making, from writing to production, from shooting to editing, entering into the definition of all the roles, skills and resources necessary to make a film. Students will be actively engaged to develop their own practical contribution in each of the phases, with the aim of personally experiencing the challenges and difficulties associated with film making. Through practice students will thus be able to verify their knowledge and broaden their point of view on cinema.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710050 -
IDONEITA' SOSTITUTIVA LABORATORIO 1
|
Also available in another semester or year
|
20705082 -
Laboratory of filmmaking 1
|
Also available in another semester or year
|
|
Optional Group:
ABILITA' LINGUISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
|
20710328 -
TEATRO, SPETTACOLO, PERFORMANCE
(objectives)
This course aims to provide students with tools of theoretical and historical knowledge concerning artistic, social, material and relational aspects of theatre arts, in the broader sense of the performative dimensions of human behaviour. The central objective is a wide and inclusive knowledge of the past and present of the scenic arts, oriented to enable the student to recognize, to experience and to activate creative processes, research actions and skills of practical organization within the horizon of performing arts. The first part of the course provides direct approaches to texts, profiles, documents and phenomena that during the last century changed the notion of theatre and transformed traditions, skills, values, concepts and terms of the theatre practices. In the final part the course will share materials, documents, meetings and fieldworks, in order to orientate the students to take part in ongoing projects of their cultural context.
|
12
|
L-ART/05
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702648 -
HISTORY OF MUSIC
(objectives)
The course pursues three fundamental learning objectives: 1. to introduce students to listening and to the knowledge of the great classical-romantic orchestral repertoire; 2. to deepen the language, forms and genres of symphonic music through the analysis of some masterpieces of the repertoire; 3. to provide the critical tools to understand the socio-cultural framework and the historical and aesthetic meaning of the symphonic compositions of the classical-romantic era, with particular reference to the Ninth Symphony of L.van Beethoven
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6
|
L-ART/07
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |