|
20702659 -
INTERPRETATION AND FILM ANALYSIS L.M.
|
Also available in another semester or year
|
|
20702662 -
THEORIES ON INTERMEDIALITY
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
20702665 -
CINEMA MOVEMENTS AND DIRECTORS
|
Also available in another semester or year
|
|
20702668 -
PRODUCTION METHODS AND STYLE IN CINEMA AND TELEVISION
|
Also available in another semester or year
|
|
20702672 -
LITERATURE AND AUDIOVISUAL COMMUNICATION L.M.
|
6
|
L-FIL-LET/14
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
20702677 -
SOCIAL ANTHROPOLOGY L.M.
|
6
|
M-DEA/01
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
|
20702679 -
HISTORY AND HISTORIOGRAPHY OF THE CONTEMPORARY AGE L.M.
|
Also available in another semester or year
|
|
20703006 -
HISTORY AND THEORY OF CONTEMPORARY ART L.M.
|
Also available in another semester or year
|
|
20703427 -
POSTCOLONIAL THEORIES AND PRACTICES OF CINEMA AND THE MEDIA
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
20703434 -
COMMUNICATION IN ADVERTSISING
|
6
|
SPS/08
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
|
20703437 -
THEORIES ON IMAGES L.M.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
20705091 -
Literature and culture in the USA
|
Also available in another semester or year
|
|
20705093 -
CULTURA TEATRALE E CULTURA LETTERARIA
|
Also available in another semester or year
|
|
20705094 -
Dance Theories and Practices
|
Also available in another semester or year
|
|
20702724 -
GENRES AND AUTHORS OF ITALIAN LITERATURE
(objectives)
S. ALERAMO, UNA DONNA; C. BERNARI, TRE OPERAI; E. VITTORINI, IL SEMPIONE STRIZZA L’OCCHIO AL FREJUS; P. MASINO, NASCITA E MORTE DELLA MASSAIA; L. BIANCIARDI, LA VITA AGRA; A. DE CÉSPEDES, PRIMA E DOPO; P. VOLPONI, MEMORIALE; P. LEVI, LA CHIAVE A STELLA; N. BALESTRINI, VOGLIAMO TUTTO; C. LONZI, VAI PURE. DIALOGO CON PIETRO CONSAGRA; M. MURGIA, IL MONDO DEVE SAPERE.
|
6
|
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
|
20703052 -
LABORATORY: FILM CRITICISM
(objectives)
The workshop, through the task of writing reviews, will face the original structure of film and filmmaking (narrative, langauage, perception) and, at the same time, will trace the theorical ad historical evolution of writing about films as it established itself since the beginning of cinema.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
|
20703051 -
LABORATORY: DOCUMENTARY CINEMA
(objectives)
Exploring archive sources and re-elaborating them through the editing process
Film archives, photographic archives, libraries, newspaper archives: from newsreels to magazines, from Super8 to photography… the theoretical and practical process of an archive-based documentary.
The objective is to make students aware of a highly creative approach to filmmaking, capable of connecting past and present in historical and anthropological terms.
Through the course students will view, analyse and discuss key films where archive is the most important if not the only component in terms of visual language. The lecturer will draw on his own experience with this genre as a filmmaker and explore the work of Italian and foreign directors: from Nicola Caracciolo to Alina Marazzi, from Peter Forgacs to Errol Morris… examining in detail the creative potential of working with archive materials.
In the final phase of the workshop the class will be divided into four groups. Each group will choose a subject together with the lecturer and embark on a research project, working online but also visiting specific archives, so as to prepare an outline of a narrative developed through the research process. For those students with an editing background we will also consider the post-production of selected archive materials (on their own personal Avid or Final Cut) to cut a sequence of 5’ maximum based on the written outline.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
|
20705086 -
Problems of Historiography of the play
|
Also available in another semester or year
|
Università Roma Tre
