Degree Course: DAMS - Studies in Performing Arts
A.Y. 2023/2024
Conoscenza e capacità di comprensione
I laureati del CdS acquisiscono una conoscenza approfondita nelle discipline del cinema e dell'audiovisivo, del teatro, della musica e della danza, con particolare riferimento agli aspetti dell'organizzazione, delle tecnologie e della pratica dei mestieri connessi alle discipline studiate, anche attraverso attività laboratoriali e attività formative appositamente predisposte.
Le competenze specifiche sono accompagnate da conoscenze di tipo storico, letterario, sociologico e antropologico, volte all'approfondimento di problematiche specifiche delle aree disciplinari di indirizzo.
Conoscenze e capacità di comprensione vengono maturate dallo studente attraverso la partecipazione a lezioni frontali, esercitazioni, laboratori, seminari e/o attraverso lo studi individuale come previsto dalle attività formative proposte.
La verifica del conseguimento dei risultati nell'apprendimento avviene per lo studente attraverso prove d'esame e/o prove di verifica intermedie (esami e/o scritti, esposizioni orali).
Capacità di applicare conoscenza e comprensione
I laureati del CdS dovranno acquisire la capacità di applicare criticamente conoscenze e metodologie in rapporto ai contesti, alle opere, agli autori, agli stili delle singole arti.
Dovranno inoltre applicare le conoscenze apprese attraverso esercitazioni, laboratori e stage diretti a favorire il contatto con il mondo dello spettacolo nei suoi aspetti artistici, professionali, tecnologici, istituzionali, giuridici ed economici.
La capacità di applicare conoscenza e comprensione da parte degli studenti viene sviluppata attraverso la particolare attenzione alle attività laboratoristi e tramite lo sviluppo di relazioni con i portatori di interesse nelle discipline dello spettacolo dal vivo, del cinema e dell'audiovisivo.
La verifica del conseguimento dei risultati nell'apprendimento avviene per lo studente attraverso prove d'esame e/o prove di verifica intermedie (esami e/o scritti, esposizioni orali).
Autonomia di giudizio
I laureati del CdS dovranno avere la capacità di descrivere e interpretare in modo critico e autonomo i fenomeni artistici nei campi del cinema e dell'audiovisivo, dello spettacolo dal vivo e della musica, nonché della loro organizzazione e comunicazione.
Tali capacità vengono conseguite anche attraverso ricerche, concordate con il docente, in biblioteche, archivi multimediali e direttamente sul campo (set cinematografici, studi televisivi, compagnie teatrali, spettacoli musicali).
I laureati saranno in grado di:
- individuare e interpretare informazioni inerenti ai settori delle arti visive, del cinema, della televisione, della fotografia, della musica, delle arti performative e del teatro
- ricercare ed elaborare strumenti diretti a illustrare specifici temi, percorsi, nuclei focali e approfondimenti riguardanti le arti visive, il cinema, la fotografia, la televisione, il teatro, la musica e le arti performative anche a fini pedagogici, divulgativi e della valorizzazione delle arti;
- riflettere sul ruolo dei fenomeni artistici nell'ambito di un dato contesto socio-territoriale e socio-culturale, valorizzando specifiche interconnessioni.
La riflessione critica e analitica viene stimolata dalle attività didattiche e da seminari tematici, favorendo nello studente lo sviluppo di autonomia di giudizio.
La verifica che lo studente abbia raggiunto tali capacità avviene attraverso prove d'esame e di idoneità.Abilità comunicative
I laureati devono acquisire capacità di comunicare in maniera chiara e articolata le proprie idee negli ambiti di competenza, con riferimento anche al lessico disciplinare.
A tal fine il CdS prevede forme didattiche di tipo seminariale, esami orali e una articolata discussione della prova finale.
Devono inoltre acquisire capacità di impiegare gli strumenti informatici e la comunicazione telematica, nonché
capacità di utilizzare almeno una lingua straniera, oltre l'italiano.
A tal fine il CdS prevede corsi specifici con l'attribuzione finale di apposite idoneità.
I laureati devono inoltre sapersi relazionare in contesti diversificati.
Le abilità comunicative vengono apprese dallo studente attraverso lo studio delle attività di base e caratterizzanti e sono verificate dai docenti ad ogni livello delle prove di valutazione dell'apprendimento cui gli studenti sono soggetti (esami, verifiche di laboratorio, prova finale).
La verifica che lo studente abbia raggiunto tali capacità avviene attraverso prove d'esame e/o prove di verifica intermedie (esami orali e/o scritti, esposizioni orali, prove di idoneità), con cui vengono esaminate non solo le conoscenze acquisite, ma anche la chiarezza espositiva e la padronanza argomentativa, metodologica e comunicativa.Capacità di apprendimento
l laureati del CdS devono sviluppare capacità di apprendimento e di elaborazione critica delle tematiche della disciplina, in modo che possano intraprendere percorsi di studio specialistici e organizzare lo studio e la ricerca in modo autonomo.
Tali capacità vengono acquisite attraverso insegnamenti nei settori scientifico disciplinari L-ART/02, L-ART/03, L-ART/05, L-ART/06, L-ART/07, L-ART/08, SPS/08, L-FIL-LET/11, L-FIL-LET/10, L-LIN/03, M-STO/02, M-STO/04, SECS P-10, SECS-P/12, IUS/09, M-DEA/01, M-FIL/04, M-FIL/05.
Potranno essere acquisite anche attraverso l'attivazione o la fruizione di insegnamenti nei settori ING-IND/11, INF/01, IUS/01, SECS-P/01, SECS-P/08, ICAR/16 e ICAR/18.
La verifica dei risultati raggiunti è affidata a un esame orale o scritto con l'attribuzione finale di un voto in trentesimi, nonché alla discussione della prova finale.
Requisiti di ammissione
Per l'ammissione al Corso di Laurea in DAMS sono richieste le conoscenze comunemente acquisite in seguito al superamento dell'esame di Stato che conclude il ciclo degli studi secondari e la padronanza di una lingua straniera della UE.
Le modalità di verifica delle conoscenze richieste e gli eventuali obblighi formativi aggiuntivi previsti nel caso di verifica non positiva, saranno definiti nel Regolamento didattico.
Prova finale
La Laurea in DAMS si consegue previo superamento di una prova finale, che consiste nella presentazione e discussione di un elaborato scritto eventualmente corredato da materiali di varia tipologia: adattamento drammaturgico, cortometraggio, sceneggiatura, rassegna stampa, etc.
Dopo aver conseguito 120 cfu lo studente può scegliere il relatore tra i docenti di qualsiasi settore scientifico disciplinare presenti nel curriculum Dams.
Con il relatore concorderà l'argomento della prova finale e le modalità di preparazione.
Per essere ammesso alla discussione della prova finale, che porta all'acquisizione di 6 crediti, lo studente deve aver conseguito 174 crediti.
Le modalità dello svolgimento della prova finale sono fissate nel Regolamento del Corso di Laurea.Orientamento in ingresso
Le azioni di orientamento in ingresso sono improntate alla realizzazione di processi di raccordo con la scuola media secondaria.
Si concretizzano sia in attività informative e di approfondimento dei caratteri formativi dei Corsi di Studio (CdS) dell’Ateneo, sia in un impegno condiviso da scuola e università per favorire lo sviluppo di una maggiore consapevolezza da parte degli studenti nel compiere scelte coerenti con le proprie conoscenze, competenze, attitudini e interessi.
Per l'a.a.
2021-2022, anche utilizzando gli strumenti telematici a distanza in considerazione dell'emergenza sanitaria, si prevede di proseguire nelle attività di orientamento avviate nell'ambito del progetto POT 'LabOr, il laboratorio dei saperi umanistici.
La rete di orientamento, tutorato e opportunità tra università, scuola e aziende', finanziato dal MIUR, al quale il corso di laurea ha partecipato come unità locale.
Grazie a questo progetto sono state realizzate attività teatrali, musicali e cinematografiche di carattere pubblico, che hanno fatto conoscere da vicino le discipline oggetto di approfondimento nel corso di studi.
Le iniziative promosse si articolano in:
a) incontri e manifestazioni rivolte alle future matricole;
b) sviluppo di servizi online e pubblicazione di guide sull’offerta formativa dei CdS.
c) percorsi per le competenze trasversali e l'orientamento nel settore delle discipline artistiche (laboratori musicali, teatrali, cinematografici).
L'orientamento in ingresso prevede inoltre quattro tipologie di attività, distribuite nel corso dell’anno accademico, alle quali partecipano tutti i Dipartimenti e i CdS:
• Giornate di Vita Universitaria (GVU), si svolgono ogni anno da dicembre a marzo e sono rivolte agli studenti degli ultimi due anni della scuola secondaria superiore.
Si svolgono in tutti i Dipartimenti dell’Ateneo e costituiscono un’importante occasione per le future matricole per vivere la realtà universitaria.
Gli incontri sono strutturati in modo tale che accanto alla presentazione dei Corsi di Laurea, gli studenti possano anche fare un’esperienza diretta di vita universitaria con la partecipazione ad attività didattiche, laboratori, lezioni o seminari, alle quali partecipano anche studenti seniores che svolgono una significativa mediazione di tipo tutoriale.
Partecipano annualmente circa 5.000 studenti;
• Autorientamento, un progetto sviluppato in collaborazione diretta con alcune scuole medie superiori per lo sviluppo di una maggiore consapevolezza nella scelta da parte degli studenti.
Il progetto, infatti, è articolato in incontri svolti presso le scuole ed è finalizzato a sollecitare nelle future matricole una riflessione sui propri punti di forza e sui criteri di scelta;
• Attività di orientamento sviluppate dai singoli Dipartimenti, mediante incontri in presenza e servizi online;
• Orientarsi a Roma Tre, rappresenta la manifestazione che riassume le annuali attività di orientamento in ingresso e si svolge in Ateneo a luglio di ogni anno.
L’evento accoglie, perlopiù, studenti romani che partecipano per mettere definitivamente a fuoco la loro scelta universitaria.
Durante la manifestazione viene presentata l’offerta formativa e sono presenti, con un proprio spazio, tutti i principali servizi di Roma Tre, le segreterie didattiche e la segreteria studenti.
I servizi di orientamento online messi a disposizione dei futuri studenti universitari sono nel tempo aumentati, tenendo conto dello sviluppo delle nuove opportunità di comunicazione tramite web.
Inoltre, durante tutte le manifestazioni di presentazione dell’offerta formativa, sono illustrati quei siti web di Dipartimento, di Ateneo, Portale dello studente, etc., che possono aiutare gli studenti nella loro scelta.
Infine, l’Ateneo valuta, di volta in volta, l’opportunità di partecipare ad ulteriori occasioni di orientamento in presenza ovvero online (Salone dello studente ed altre iniziative).
Il Corso di Studio in breve
Il corso di studio si articola attualmente in 2 percorsi formativi caratterizzati da specifici profili culturali e professionali.
Il curriculum TEATRO, MUSICA, DANZA cura la formazione culturale specifica della storia e dell'interpretazione delle pratiche e degli ambienti in cui si realizza la presenza del teatro, della musica, della danza.
Il percorso indirizza alla ricerca storico-critica e a quella artistica, agli usi del teatro negli ambiti del sociale e della pedagogia.
Offre inoltre gli strumenti preliminari per accedere alle professioni dedicate all'organizzazione e alla gestione dello spettacolo dal vivo e della musica, alla progettazione e creazione di imprese e di eventi culturali.
A tal fine vengono proposti laboratori dedicati alle pratiche e alla conoscenza delle culture materiali della scena.
Il curriculum CINEMA, TELEVISIONE E NUOVI MEDIA cura lo studio storico-critico e l'interpretazione dei seguenti settori: a) il cinema, la sua storia, la critica cinematografica, le teorie estetiche, i metodi di lettura e analisi del film; b) la fotografia, la radio, la televisione; c) gli scenari innovativi favoriti dalla rivoluzione digitale e dai nuovi video, la multimedialità, la rete e i nuovi media; d) gli ambiti sociali, politici, economici, legislativi e imprenditoriali dei media e dello spettacolo.
Il percorso consente anche l'acquisizione di competenze pratiche attraverso specifici laboratori (p.
es.
filmmaking, sceneggiatura).
Il curriculum NUOVE PROFESSIONI DELL’AUDIOVISIVO cura la preparazione degli studenti ai nuovi mestieri nel campo del cinema, della televisione, dei media, della musica e, in generale, di tutti gli ambiti legati allo sviluppo delle nuove tecnologie.
In particolare vengono approfonditi i rapporti tra la dimensione visuale e quella acustico-sonora.
Lo studente espliciterà le proprie scelte al momento della presentazione,
tramite il sistema informativo di ateneo, del piano di completamento o del piano di studio individuale,
secondo quanto stabilito dal regolamento didattico del corso di studio.
Teatro, musica , danza
First semester
Course
|
Credits
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Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
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Type of Activity
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Language
|
Optional Group:
TEATRO, MUSICA, DANZA - AFFINI E INTEGRATIVI - (show)
|
6
|
|
|
|
|
|
|
|
20710575 -
Aesthetics of Music: Music and Emotions
|
Also available in another semester or year
|
20710588 -
Fisica del suono e della luce
|
Also available in another semester or year
|
20703104 -
PHILOSOPHY OF LANGUAGE
(objectives)
The course of Philosophy of Language is part of the program in Philosophy and it is included among the characterizing training activities. A critical knowledge of the fundamental contemporary approaches in philosophy of language. Students will be able to apply the knowledge acquired in the discussion and argument both from a theoretical and a historical-philosophical perspective. At the end of the course the student will acquire: -) Ability to analyze and interpret philosophical texts; -) Properties of language and argumentation; -) Ability to contextualize the acquired knowledge in the Philosophical debate.
|
6
|
M-FIL/05
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
|
Optional Group:
DI BASE percorso Teatro -- Discipline linguistiche e letterarie - (show)
|
12
|
|
|
|
|
|
|
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
|
Also available in another semester or year
|
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
|
Also available in another semester or year
|
20709107 -
french literature
(objectives)
The aim of the course will be to introduce the student to the thought and works of the Historical Vanguards, in a perspective that links them to the great romantic and anti-bourgeois thought. It seems increasingly evident that an adequate critical training can only be achieved by having a historical-cultural perspective capable of going back to the epistemic novelty marked by Duchamp and company, thanks to their reflections and their works, especially starting from the revolutionary device of the ready-made.
|
6
|
L-LIN/03
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36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
|
20710411 -
Hystory of cinema
(objectives)
The course of Film History is part of the formative activities defined as characteristic of the Degree Course in DAMS (Arts, Music and Drama). This Degree Course aims at offering an adequate foundation training, an extensive knowledge and appropriate methodological and critical instruments in performing arts and film, television and digital media, offering as well an adequate know how for the organization of cultural, performing arts, film and audiovisual events. In the context of the two training courses offered by the Degree Course, the course of Film History is intended to provide 1) a foundation training of the film language, of the reference experiences and authors/authoresses in the world film history; 2) the ability to contextualize, compare and critically analyze films according to a plurality of references (a handbook, some theoretical articles, critical contributions of the time) and in the light of the direct vision of works; 3) the historic, critical and theoretical concepts necessary to the study of film history and useful to get a good mastery of expression in oral and written form.
|
12
|
L-ART/06
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20703401 -
THEATRE MANAGEMENT MODELS
(objectives)
The main goal of the course is to provide students with the knowledge of the various theatre realities through direct analysis of Italian theatre organisations.
|
6
|
SECS-P/10
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20702652 -
CULTURAL ANTHROPOLOGY
(objectives)
General introduction and fundamentals. Methods and techniques. The fieldwork. Anthropology today: who are the others; migrations; traditional societies; societies and cultures in the globalised world. A basic course useful to teachers, professors, and social workers.
|
6
|
M-DEA/01
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
TEATRO, MUSICA, DANZA - CARATTERIZZANTI - DISCIPLINE STORICO -ARTISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
20702970 -
Contemporary Art
(objectives)
The course provides the critical methodologies and basic historical skills essential to the study of the artistic languages of modernity. The class and lectures selected for the exam program will retrace the main events of contemporary visual arts, in order to propose a methodology for the analysis of poetics, movements and different languages characterising contemporary art, and so to provide the necessary tools for reading and interpret the different types of contemporary works of art.
|
6
|
L-ART/03
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20705284 -
History of modern art
(objectives)
THE COURSE ADDRESSES UNDERGRADUATE STUDENTS AND AIMS TO TRACE THE DEVELOPMENT OF PAINTING AND SCULPTURE BETWEEN THE XVI AND XVIII CENTURIES, THROUGH THE HISTORY OF THE MAIN ARTISTS OF THE PERIOD AND THROUGH THE FIGURATIVE LANGUAGES THEY GAVE BIRTH.
|
6
|
L-ART/02
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
Optional Group:
TEATRO MUSICA DANZA - A SCELTA LIBERA- In questa sezione non è possibile inserire Laboratori di filmmaking, Tirocinio formativo e idoneità sostitutive di laboratorio - (show)
|
18
|
|
|
|
|
|
|
|
20710202 -
Attività esterna proposta dall'Ateneo 1
(objectives)
The activity aims to provide students with the opportunity to broaden the horizon of their theoretical and practical knowledge in the entertainment sectors by comparing them with external institutions and institutions with a high cultural profile. The activity includes the organization of seminars, meetings and laboratories, with mandatory attendance and with the participation of eminent personalities active in the field of performative and audiovisual arts. The conformity of the contents, the educational objectives of the proposed external activities and the adequacy of the institutional and professional profiles of the bodies and subjects involved are established by the Dams Didactic Commission, subject to specific evaluation of the individual projects. The number of hours of attendance required by the activity cannot be less than 15 and the number of scheduled meetings cannot be less than 5.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710414 -
ATTIVITA' ESTERNA PROPOSTA DALL'ATENEO 2
|
Also available in another semester or year
|
20702644 -
DOCUMENTARY CINEMA
|
Also available in another semester or year
|
20709130 -
ITALIAN CINEMA
|
Also available in another semester or year
|
20710416 -
CONVEGNO CINEMA
(objectives)
The international conferences "Cinema e..." promoted and organized since 1994 by the Dipartimento Comunicazione e Spettacolo of Roma Tre University (now Fil.Co.Spe.) aim to deepen the relationship between cinema and other arts, but also with other critical and scientific disciplines and methodologies.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20711203 -
Dance in video
|
Also available in another semester or year
|
20710591 -
Diritto privato per la musica e lo spettacolo
(objectives)
The course aims to provide students with a basic and accessible knowledge concerning the most relevant legislation that revolves around the world of music and of visual and performing arts. Particular attention will be paid to new technologies and their repercussions on artists’rights. The aim of the lessons is to provide useful skills and abilities to understand and evaluate the legal profile, especially referring to the Private Law, of the artistic careers that the students will intend to make in the future. On a methodological point of view, the course is aimed at developing the abilities of the students: - to orient themselves in the system of sources of the Entertainment Law, through in-class activities, exercises, the presence and debate of /with selected organizations and artists; - to interpret rules, principles and values characterizing the entertainment world; - and finally to solve concrete problems through the application of the main civil categories.
|
6
|
IUS/01
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710384 -
AESTHETICS OF CINEMA AND MEDIA
|
Also available in another semester or year
|
20710575 -
Aesthetics of Music: Music and Emotions
|
Also available in another semester or year
|
20710588 -
Fisica del suono e della luce
|
Also available in another semester or year
|
20703415 -
LABORATORY: DIGITAL MEDIA
(objectives)
The workshop aims to provide the elements for a methodology that allows to use creatively the normal digital equipment on the market.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710395 -
LABORATORIO DI ETNOGRAFIA
(objectives)
The aim of this laboratory is to offer to the students the theoretical and practical tools for anthropological research. Part of the work will be devoted to the study of ethnography: the definition; an overview of the most important and significant studies; the historical elements of the discipline... Another part will be used for research, so that students can practice "field work" by choosing, in agreement with the teacher, the areas of intervention in order to produce an elaborate that tells and documents their experience.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20705082 -
Laboratory of filmmaking 1
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20709145 -
Laboratory of filmmaking 2
|
Also available in another semester or year
|
20709146 -
Laboratory of filmmaking 3
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20709148 -
Laboratory of filmmaking 4
|
Also available in another semester or year
|
20710327 -
LABORATORIO DI TECNOLOGIE MUSICALI
|
Also available in another semester or year
|
20709107 -
french literature
(objectives)
The aim of the course will be to introduce the student to the thought and works of the Historical Vanguards, in a perspective that links them to the great romantic and anti-bourgeois thought. It seems increasingly evident that an adequate critical training can only be achieved by having a historical-cultural perspective capable of going back to the epistemic novelty marked by Duchamp and company, thanks to their reflections and their works, especially starting from the revolutionary device of the ready-made.
|
6
|
L-LIN/03
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710590 -
Musica e immagine
|
Also available in another semester or year
|
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
(objectives)
The course aims to bring together students with authors, moments, genres and themes that characterise the Italian literature of our time, from the early twentieth century. For the specificity and the modality of interpretation of the texts that will be proposed during the course, the course provides students with the basic tools for a first contact with the works of contemporary literature.
At the end of the class, the student will be able to orient him/herself in the Italian Contemporary Literature.
|
6
|
L-FIL-LET/11
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710687 -
Palladium Film Festival
(objectives)
The festival replaces the "Roma Tre Film Festival", which has been organized by the University of Rome 3 for fifteen years now. The new name is “Palladium Film Festival / CineMaOltre”. Palladium because it traditionally takes place at the Garbatella’s Teatro Palladium; CineMaOltre (a play on words on “cinema”, “other”, and “beyond”) because its intent is to privilege all the moments of limene, of the border, of otherness: suburbs, the need to tear down the "walls", ethnic and gender differences, experimentation in cinema, television and video, hybridizations between the other arts. Following the festival (which in the 2021 edition will take place online for obvious reasons of a pandemic), the student will be able to study the problems of the audiovisual sector in the contemporary era, following new filmmakers, seeing short and feature films, attending Masterclasses of both old and young Masters of cinema.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710599 -
Produzione dello spazio e culture della performance
|
Also available in another semester or year
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
|
Also available in another semester or year
|
20702648 -
HISTORY OF MUSIC
|
Also available in another semester or year
|
20710399 -
Food Cultures History
|
Also available in another semester or year
|
20703403 -
HISTORY AND CRITICISM OF PHOTOGRAPHY
|
Also available in another semester or year
|
20709720 -
TRADITIONS, CRAFTS, LIVING THEATER
|
Also available in another semester or year
|
|
Optional Group:
TEATRO, MUSICA, DANZA - ATTIVITÀ ALTRE LABORATORI - (show)
|
24
|
|
|
|
|
|
|
|
20703410 -
LABORATORY: PERFORMING ARTS 1
|
Also available in another semester or year
|
20703411 -
LABORATORY: PERFORMING ARTS 2
(objectives)
The workshop aims to introduce the students to a specific procedure in making a theatre performance, providing them, together with elements of knowledge on a theoretical level, the possibility of making it a concrete experience. The work will mainly concern the awareness of the place as common and concrete ground of the creative process. Then, it will develop in the recognition of the tools and languages (light, sound, physical action) and in the experimentation of several findings and solutions, related to points of views and the interplay of skills and materials. Every participant is involved as a performer and as a designer of the collective creation. The common goal is the proposal and the public rehearsal of an accomplished score, worked out from one of the hypotheses of stage composition identified in the space.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703412 -
LABORATORY: PERFORMING ARTS 3
|
Also available in another semester or year
|
20703414 -
Cultural Entrepreneurship workshop
(objectives)
The workshop is part of the DAMS training activities and is aimed at developing managerial and organizational skills for the creation of companies whose main mission is cultural planning. By examining three main actions such as production, programming and promotion, we intend to provide a basic knowledge of the functioning of the cultural production sector. In a first phase, the lessons are aimed at explaining and specifying in particular the terminology and the various interlocutors of reference, to get to the guidelines and strategies that characterise the world of cultural enterprises. The goal is to highlight common elements, taking into account the complexity and diversity of both the legal and planning worlds of business and cultural bodies. The following phase has the objective of making students measure with a guided design test, aimed at verifying the realization of a creative idea. During the workshop, students will acquire basic elements of cultural planning and managerial skills for planning, analysis of sustainability and realization of cultural projects.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710327 -
Music Technologies Lab
|
Also available in another semester or year
|
20710417 -
internship
(objectives)
The formative internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of pratical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710050 -
IDONEITA' SOSTITUTIVA LABORATORIO 1
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710055 -
Workshop substitutive Activity 2
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710056 -
Workshop substitutive Activity 3
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710057 -
Workshop substitutive Activity 4
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
|
20710191 -
STORIE E CULTURE DEGLI SPAZI TEATRALI
(objectives)
Teaching Stories and Cultures of Theatrical Spaces belongs to the set of educational activities that characterise the “Theatre” curriculum of the Degree course in Disciplines of the Arts, Music and Performance. The obligatory starting point of the course is the definition of its object of study and the recognition of different types of sources and documents on which it is based. The course purpose is to introduce the study of theatre in the history, prioritising the analysis of cultural processes leading each civilisation to build specific places, designed in certain ages for the institution/monument theatre and in others for the representative forms. The morphology of these places was strictly conjoined with the society, historical period and geography in which it was born. The lessons aim to achieve the following educational objectives: 1) to enhance the knowledge of some of the historiographic knots linked to the concept of space in theatre: architecture, scenography, the relationship between actors and spectators, the different levels of the dramaturgy; 2) to stimulate students’ critical and interpretative skills by providing them with tools and sources of analysis of different nature and origin; 3) contextualise the study of theatre, in the frame of the specific and historical changes undergone by civilisations throughout time.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20705080 -
Theatrical Cultures compared
(objectives)
To provide tools to face the study of European and extra-European theatrical cultures in a historical-comparative perspective. To this end, some theatrical experiences will be examined as “models” for the research of the different cultural matrices and of their technical junction points.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702967 -
PRODUCTION PROCESSES FOR A PERFORMANCE
(objectives)
The course aims to provide the conceptual and operational instruments for the design, organization and management of performing arts productions. At the end of the course the student will: • know the different types of theater, music, dance and circus productions, the consequent models and production practices, the standards in use; • understand the dynamism of project management and processes of performing arts, with respect to their evolutionary forms; • know how to build a cognitive framework of the design environment (analytical skills), identify intervention methods (strategic, planning and service skills), manage the project (managerial capacity), measure results and outcomes (assessment skills); • being able to communicate the project in all its phases and to all stakeholders with appropriate tools; • have learned the critical sense towards organizational phenomena, the importance of systemic action, the relevance of problem setting & solving, attention to synthesis and reworking, the elements of artistic and managerial complexity.
|
6
|
SECS-P/10
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
Optional Group:
ABILITA' LINGUISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
|
20705079 -
HISTORY AND ART OF THE ACTOR
(objectives)
The course introduces the study of the actor in European theatrical cultures from the modern age to the twentieth century. In the first part, students will be provided with the necessary tools to identify and analyse the documentary sources of the art and the history of the actors. In the second part, the course will propose, through examples taken from the major experiences of theatres of the twentieth century, the processes of formation and creation of the principles of scenic life, with particular attention to the construction of the character and the composition of physical and vocal actions.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702647 -
HISTORY OF MELODRAMA
(objectives)
THE COURSE AIMS TO TEACH THE MAIN FORMS OF EXPRESSION OF ITALIAN MUSICAL THEATER (1600-1900 CA)
|
6
|
L-ART/07
|
30
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20710709 -
HISTORY OF MUSICAL PERFORMANCE
(objectives)
The course aims to offer historical and critical knowledge on the performance of Western art music, from the seventeenth century to the present day. The course will also address the performance methods (instruments, techniques, practices, organic), the respective contexts (spaces, public, institutions), the relationship of the performance with the musical texts and with the genres of the repertoire, the protagonists of the history of the performance. musical (virtuosos, singers, conductors).
|
12
|
L-ART/07
|
60
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20706080 -
Communication sociology
(objectives)
The course aims: • To introduce the main concepts of the sociology of communication, with particular reference to interpersonal communication. • Strengthen the students’ communicative competences through the participation in class laboratories and group tasks, thus enabling them to also improve their teamwork competencies. • Strengthen students’ capacities of critical analysis through interactive and laboratorial teaching strategies. • Promote the acquisition of the necessary competences to avoid the pathological forms of communication in the daily life and encourage “ecological” discursive practices.
|
6
|
SPS/08
|
30
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
Optional Group:
TEATRO, MUSICA, DANZA DI BASE: disc. storiche - teatro, musica, danza - (show)
|
|
|
|
|
|
|
|
|
20702626 -
Contemporary Hystory
(objectives)
The course of Contemporary History is part of the basic educational activities of the historical disciplines of the Degree Course in DAMS. The Degree Course aims to offer a wide humanistic education, accompanied by methodological, critical and professional tools related to the fields of theater, cinema, television, digital media, music, dance and figurative arts. The Degree Course also develops useful skills in the field of organizing cultural events and live entertainment, cinema and audiovisual. As part of this educational path, teaching aims: to introduce students to the scientific and methodological foundations of contemporary history; to deepen the main historical formation processes of the contemporary age; to develop a critical attitude in the analysis and interpretation of historical sources; to give students an adequate lexical and conceptual heritage. The course aims to provide historical knowledge and skills aimed at developing contextualization skills, communication skills and independent judgment consistent with the educational objectives of the Course.
|
6
|
M-STO/04
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20711193 -
early modern history
|
Also available in another semester or year
|
|
Second semester
Course
|
Credits
|
Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
|
Type of Activity
|
Language
|
Optional Group:
TEATRO, MUSICA, DANZA DI BASE: disc. storiche - teatro, musica, danza - (show)
|
|
|
|
|
|
|
|
|
|
20709722 -
iconography of theater and dance
(objectives)
The course aims to study the lines of convergence between visual arts and documentary images as a representational ground for the performing arts, by focusing on factual episodes of the dialogue between photography and dance.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
TEATRO, MUSICA, DANZA - ATTIVITÀ ALTRE LABORATORI - (show)
|
24
|
|
|
|
|
|
|
|
20703410 -
LABORATORY: PERFORMING ARTS 1
(objectives)
The proposed learning objective has its cornerstone into the direct involvement of students in the experience of theater practice on the Rebibbia stage: shoulder to shoulder with actors who have found, on the common ground of poetry and art, the lost thread of their existence.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703411 -
LABORATORY: PERFORMING ARTS 2
|
Also available in another semester or year
|
20703412 -
LABORATORY: PERFORMING ARTS 3
(objectives)
The workshop aims to increase the participants' awareness of bodily movement, by inviting them to experience the perception and performance potential of their body. Through physical training, vocal exercises and space work, participants will be able to acquire an approach to movement that uses physical action and imagination, making each movement aware of both its source and its stage effectiveness.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703414 -
Cultural Entrepreneurship workshop
|
Also available in another semester or year
|
20710327 -
Music Technologies Lab
(objectives)
Music Technologies Lab The Lab provides students with the basic skills in electroacoustic and multimedia technologies applied to music. In particular, students will be involved in the creation of compositional and performative projects that provide a practical use of the acquired technical skills. The Lab also aims to offer the opportunity to acquire a basic knowledge of music
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710417 -
internship
(objectives)
The formative internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of pratical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710050 -
IDONEITA' SOSTITUTIVA LABORATORIO 1
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710055 -
Workshop substitutive Activity 2
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710056 -
Workshop substitutive Activity 3
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710057 -
Workshop substitutive Activity 4
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
|
Optional Group:
TEATRO, MUSICA, DANZA - AFFINI E INTEGRATIVI - (show)
|
6
|
|
|
|
|
|
|
|
20710575 -
Aesthetics of Music: Music and Emotions
(objectives)
The course ‘Aesthetics of Music’ is part of the program in DAMS (BA level) and is included among the complementary training activities. The aim of the course is to provide students with an overview of the contemporary debate on the relation between music and emotions from both a theoretical and an aesthetical perspective. The course will investigate music’s ability to express emotions as well as music’s capacity to arouse emotional reactions in the listener. Upon completion of the course, students are expected to acquire the following skills: - capacity to read and analyse philosophical sources in the aesthetics of music; - advanced critical thinking in relation to the relevant debate; - advanced language and argumentation skills with regard to the topics discussed in class.
|
6
|
M-FIL/04
|
30
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20710588 -
Fisica del suono e della luce
(objectives)
The main educational objectives of the course are the following: - providing the basics of sound and light physics; - providing a historical and theoretical panorama on the nature of light, from the ancient world to modern theories and applications; - providing a historical and theoretical panorama on the nature of sound, from the ancient world to modern theories and applications; - illustrating the phenomena connected with generation and propagation of sound waves, with particular reference to the voice and musical instruments; - illustrating the phenomena connected with generation and propagation of light waves, with particular reference to artificial light; - understanding the perceptual processes of sound and light in relation to the physical aspects and the nature of the human ear and eye; - illustrating the fundamental mechanisms which are at the base of sound and light technical applications in the entertainment field.
|
6
|
ING-IND/11
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20703104 -
PHILOSOPHY OF LANGUAGE
|
Also available in another semester or year
|
|
20710328 -
TEATRO, SPETTACOLO, PERFORMANCE
(objectives)
This course aims to provide students with tools of theoretical and historical knowledge concerning artistic, social, material and relational aspects of theatre arts, in the broader sense of the performative dimensions of human behaviour. The central objective is a wide and inclusive knowledge of the past and present of the scenic arts, oriented to enable the student to recognize, to experience and to activate creative processes, research actions and skills of practical organization within the horizon of performing arts. The first part of the course provides direct approaches to texts, profiles, documents and phenomena that during the last century changed the notion of theatre and transformed traditions, skills, values, concepts and terms of the theatre practices. In the final part the course will share materials, documents, meetings and fieldworks, in order to orientate the students to take part in ongoing projects of their cultural context.
|
12
|
L-ART/05
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702632 -
MODERN TO CONTEMPORARY DANCE HISTORY
(objectives)
THE COURSE AIMS: A) TO REFLECT ON THE DIFFERENT TRADITIONS AND INSTITUTIONS AS PART OF WESTERN THEATRICAL DANCE, B) TO ILLUSTRATE THE CHOREOGRAPHY OF THE TWENTIETH CENTURY AND TO UNDERSTAND THE CONTEMPORARY DANCE IN ALL ITS COMPLEXITY.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
DI BASE percorso Teatro -- Discipline linguistiche e letterarie - (show)
|
12
|
|
|
|
|
|
|
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
(objectives)
The aim of the course is to give the student the knowledge of aspects, moments, issues of Italian linguistic history with a specific attention to the history of music, in an overview that highlights the distinctive features of the link between language and music: a very close link and, as regards the Italian situation, secular, prestigious and distinctive. The intentions will be descriptive with a methodological training and cannot ignore the analysis of texts (literary and other) and musical compositions considered paradigmatic from various points of view.
|
6
|
L-FIL-LET/12
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
(objectives)
The course aims to bring together students with authors, moments, genres and themes that characterise the Italian literature of our time, from the early twentieth century. For the specificity and the modality of interpretation of the texts that will be proposed during the course, the course provides students with the basic tools for a first contact with the works of contemporary literature.
At the end of the class, the student will be able to orient him/herself in the Italian Contemporary Literature.
|
6
|
L-FIL-LET/11
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20709107 -
french literature
|
Also available in another semester or year
|
|
Optional Group:
TEATRO, MUSICA, DANZA - CARATTERIZZANTI - DISCIPLINE STORICO -ARTISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
|
Optional Group:
TEATRO MUSICA DANZA - A SCELTA LIBERA- In questa sezione non è possibile inserire Laboratori di filmmaking, Tirocinio formativo e idoneità sostitutive di laboratorio - (show)
|
18
|
|
|
|
|
|
|
|
20710202 -
Attività esterna proposta dall'Ateneo 1
|
Also available in another semester or year
|
20710414 -
ATTIVITA' ESTERNA PROPOSTA DALL'ATENEO 2
(objectives)
The activity aims to provide students with the opportunity to broaden the horizon of their theoretical and practical knowledge in the entertainment sectors by comparing them with external institutions and institutions with a high cultural profile. The activity includes the organization of seminars, meetings and laboratories, with mandatory attendance and with the participation of eminent personalities active in the field of performative and audiovisual arts. The conformity of the contents and the educational objectives of the proposed external activities and the adequacy of the institutional and professional profiles of the bodies and subjects involved are established by the Dams Didactic Commission, subject to specific evaluation of the individual projects. The number of hours of attendance required by the activity cannot be less than 15 and the number of scheduled meetings cannot be less than 5.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20702644 -
DOCUMENTARY CINEMA
(objectives)
The educational objectives of the course include a chronological knowledge of the history of documentary cinema in such a way that the student can move comfortably through authoritative paths, movements, aesthetic forms of a genre scarcely studied in the preparatory courses of cinema history. In addition, from year to year, the course will focus on a specific theme, proposing a moment of deepening and analysis. A further objective of the course is to bring the student into contact with the professionals of the sector, through the organization of periodic projections of documentaries followed by meetings with the authors.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709130 -
ITALIAN CINEMA
(objectives)
The teaching of "Italian Cinema" is part of the training activities that characterize the degree course in Dams (path "Cinema, television and new media"). It proposes to deal with the history of Italian cinema according to a multiplicity of perspectives concerning the cultural context, economic and legislative institutions, stylistic forms, critical and theoretical reflections, the interpretation of films, the relationships of cinema with other arts and other media. The goal is to provide knowledge and methodological tools that allow the student to measure himself critically with the history of Italian cinema and with the analysis of filmic texts.
|
12
|
L-ART/06
|
72
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710416 -
CONVEGNO CINEMA
|
Also available in another semester or year
|
20711203 -
Dance in video
(objectives)
The course examines the relationship between the art of movement and the movement of images, analyzing dance and video in cases of documentation of performances or artistic creation and their possible combinations. In the chronological span from the second half of the twentieth century to contemporary experiences, the course is based on the vision, the commentary and the study of the main cases of dance in video. The objectives of the course are to trace a history of dance and performance of the last decades through video production, recognizing the elements of the single languages and those generated by their grafting. Through a multidisciplinary approach, the course aims at the acquisition of knowledge related to the intermediality of the languages of the scene and to the problems of the documentation of the performative experience.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710591 -
Diritto privato per la musica e lo spettacolo
|
Also available in another semester or year
|
20710384 -
AESTHETICS OF CINEMA AND MEDIA
(objectives)
The aim of the class is to give an overview of the more relevant issues of film and media aesthetics. In particular, the class will be focused on both historically relevant perspective and more recent topics and methodologies. Moreover, a major frame will be offered by visual culture studies, in order to understand old and new phenomena in the light of a wider history of images. A particular attention will be devoted to theories of sensory and affective cinematic and medial experience.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710575 -
Aesthetics of Music: Music and Emotions
(objectives)
The course ‘Aesthetics of Music’ is part of the program in DAMS (BA level) and is included among the complementary training activities. The aim of the course is to provide students with an overview of the contemporary debate on the relation between music and emotions from both a theoretical and an aesthetical perspective. The course will investigate music’s ability to express emotions as well as music’s capacity to arouse emotional reactions in the listener. Upon completion of the course, students are expected to acquire the following skills: - capacity to read and analyse philosophical sources in the aesthetics of music; - advanced critical thinking in relation to the relevant debate; - advanced language and argumentation skills with regard to the topics discussed in class.
|
6
|
M-FIL/04
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710588 -
Fisica del suono e della luce
(objectives)
The main educational objectives of the course are the following: - providing the basics of sound and light physics; - providing a historical and theoretical panorama on the nature of light, from the ancient world to modern theories and applications; - providing a historical and theoretical panorama on the nature of sound, from the ancient world to modern theories and applications; - illustrating the phenomena connected with generation and propagation of sound waves, with particular reference to the voice and musical instruments; - illustrating the phenomena connected with generation and propagation of light waves, with particular reference to artificial light; - understanding the perceptual processes of sound and light in relation to the physical aspects and the nature of the human ear and eye; - illustrating the fundamental mechanisms which are at the base of sound and light technical applications in the entertainment field.
|
6
|
ING-IND/11
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703415 -
LABORATORY: DIGITAL MEDIA
|
Also available in another semester or year
|
20710395 -
LABORATORIO DI ETNOGRAFIA
|
Also available in another semester or year
|
20705082 -
Laboratory of filmmaking 1
|
Also available in another semester or year
|
20709145 -
Laboratory of filmmaking 2
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20709146 -
Laboratory of filmmaking 3
|
Also available in another semester or year
|
20709148 -
Laboratory of filmmaking 4
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20710327 -
LABORATORIO DI TECNOLOGIE MUSICALI
(objectives)
Music Technologies Lab The Lab provides students with the basic skills in electroacoustic and multimedia technologies applied to music. In particular, students will be involved in the creation of compositional and performative projects that provide a practical use of the acquired technical skills. The Lab also aims to offer the opportunity to acquire a basic knowledge of music
|
6
|
|
-
|
-
|
30
|
-
|
Elective activities
|
ITA |
20709107 -
french literature
|
Also available in another semester or year
|
20710590 -
Musica e immagine
(objectives)
The course aims to offer historical-critical knowledge about the relationships between music and pictures. After an introduction on the presence of music in visual arts (musical iconography) the course will focus on the harder to grasp relationship between music and moving images, with particular attention on cinematography.
|
6
|
L-ART/07
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
|
Also available in another semester or year
|
20710687 -
Palladium Film Festival
|
Also available in another semester or year
|
20710599 -
Produzione dello spazio e culture della performance
(objectives)
PRODUCTION OF SPACE AND CULTURES OF PERFORMANCE
The course deals with the recent and current theories and trends in experience and creation of space in live arts, tackling practices, projects, and inventions of setting in site specific performance and the methods of discovery and reworking of urban and natural landscapes. Meetings and seminars with contemporary artists, curators and performers are planned, in order to discuss the relationship between cultures of performance and the invention of space concerning the question of sustainability in the present transformation of human environment.
|
6
|
L-ART/05
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
(objectives)
The aim of the course is to give the student the knowledge of aspects, moments, issues of Italian linguistic history with a specific attention to the history of music, in an overview that highlights the distinctive features of the link between language and music: a very close link and, as regards the Italian situation, secular, prestigious and distinctive. The intentions will be descriptive with a methodological training and cannot ignore the analysis of texts (literary and other) and musical compositions considered paradigmatic from various points of view.
|
6
|
L-FIL-LET/12
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20702648 -
HISTORY OF MUSIC
(objectives)
The course pursues three fundamental learning objectives: 1. to introduce students to listening and to the knowledge of the great classical-romantic orchestral repertoire; 2. to deepen the language, forms and genres of symphonic music through the analysis of some masterpieces of the repertoire; 3. to provide the critical tools to understand the socio-cultural framework and the historical and aesthetic meaning of the symphonic compositions of the classical-romantic era, with particular reference to the Ninth Symphony of L.van Beethoven
|
6
|
L-ART/07
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710399 -
Food Cultures History
(objectives)
The teaching of History of food cultures is part of the free educational activities of the historical disciplines of the Degree Course in DAMS. The Degree Course aims to offer a wide humanistic education, accompanied by methodological, critical and professional tools related to the fields of theater, cinema, television, digital media, music, dance and figurative arts. The Degree Course also develops useful skills in the field of organizing cultural events and live entertainment, cinema and audiovisual. As part of this educational path, teaching aims: to introduce students to the scientific and methodological foundations of cultural history (material and immaterial cultures); to deepen the main historical processes of formation of food cultures in the contemporary age; to develop a critical attitude in the analysis and interpretation of historical sources; to equip students with an adequate lexical and conceptual heritage. The course aims to provide historical knowledge and skills aimed at developing contextualization skills, communication skills and independent judgment consistent with the educational objectives of the course.
|
6
|
M-STO/04
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703403 -
HISTORY AND CRITICISM OF PHOTOGRAPHY
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709720 -
TRADITIONS, CRAFTS, LIVING THEATER
(objectives)
OBJECTIVES AND PROGRAMME Study meetings and laboratory meetings dedicated to specific areas of puppet theatre framed by scholars, artists and teachers both from an historiographical point of view and from the scenic practice's perspective. The objective is to analyse the “living” puppet theatre, its expressive possibilities and, at the same time, the great traditions included in it, that today live renewing themselves. So, traditions and crafts, but also history and modernity of a living theatre. Material theatre and, at the same time, theatre of history and memory.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
|
Optional Group:
ABILITA' LINGUISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
|
Optional Group:
TEATRO, MUSICA, DANZA - ATTIVITÀ ALTRE LABORATORI - (show)
|
24
|
|
|
|
|
|
|
|
20703410 -
LABORATORY: PERFORMING ARTS 1
(objectives)
The proposed learning objective has its cornerstone into the direct involvement of students in the experience of theater practice on the Rebibbia stage: shoulder to shoulder with actors who have found, on the common ground of poetry and art, the lost thread of their existence.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703411 -
LABORATORY: PERFORMING ARTS 2
(objectives)
The workshop aims to introduce the students to a specific procedure in making a theatre performance, providing them, together with elements of knowledge on a theoretical level, the possibility of making it a concrete experience. The work will mainly concern the awareness of the place as common and concrete ground of the creative process. Then, it will develop in the recognition of the tools and languages (light, sound, physical action) and in the experimentation of several findings and solutions, related to points of views and the interplay of skills and materials. Every participant is involved as a performer and as a designer of the collective creation. The common goal is the proposal and the public rehearsal of an accomplished score, worked out from one of the hypotheses of stage composition identified in the space.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703412 -
LABORATORY: PERFORMING ARTS 3
(objectives)
The workshop aims to increase the participants' awareness of bodily movement, by inviting them to experience the perception and performance potential of their body. Through physical training, vocal exercises and space work, participants will be able to acquire an approach to movement that uses physical action and imagination, making each movement aware of both its source and its stage effectiveness.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703414 -
Cultural Entrepreneurship workshop
|
Also available in another semester or year
|
20710327 -
Music Technologies Lab
(objectives)
Music Technologies Lab The Lab provides students with the basic skills in electroacoustic and multimedia technologies applied to music. In particular, students will be involved in the creation of compositional and performative projects that provide a practical use of the acquired technical skills. The Lab also aims to offer the opportunity to acquire a basic knowledge of music
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710417 -
internship
(objectives)
The formative internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of pratical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710050 -
IDONEITA' SOSTITUTIVA LABORATORIO 1
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710055 -
Workshop substitutive Activity 2
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710056 -
Workshop substitutive Activity 3
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710057 -
Workshop substitutive Activity 4
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
|
20705270 -
FINAL EXAM
(objectives)
The final exam aims to develop students' abilities to produce a critical essay by consulting primary and secondary textual and / or audiovisual sources.
|
6
|
|
36
|
-
|
-
|
-
|
Final examination and foreign language test
|
ITA |
Cinema, televisione e nuovi media
First semester
Course
|
Credits
|
Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
|
Type of Activity
|
Language
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' ALTRE 2 - (show)
|
12
|
|
|
|
|
|
|
|
20710401 -
Tv Format and storytelling Laboratory
(objectives)
The main gaol of this laboratory is to explore the golden rules of TV storytelling, working on the analysis of TV formats.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20703415 -
LABORATORY: DIGITAL MEDIA
(objectives)
The workshop aims to provide the elements for a methodology that allows to use creatively the normal digital equipment on the market.
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710586 -
LABORATORIO DI SCENEGGIATURA PER IL CINEMA 1
(objectives)
The aim of the course is to provide basic knowledge concerning the screenwriting, including some theoretical and practical aspects and points of view; also to familiarize with the different steps of the process of a script / film project, understanding the specificities of writing for a movie in its diversity from literature and theatre. The course proposes to highlight some moments of a screenplay in a critical and constructive way. Practical work focuses on: thematic idea (high concept), synopsis (max 5 lines), subject, characters (protagonist, antagonist), obstacles and choices, step outline for three acts, first and second draft of a treatment.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20710585 -
LABORATORIO DI CINEMA DOCUMENTARIO
|
Also available in another semester or year
|
20709731 -
LABORATORIO DI OPERATORE RADIOFONICO
(objectives)
The main goal of this workshop is to promote among the participants a deep involvement and understanding of the rules of radio production and live webcasting through the infrastructure of the college radio of Roma Tre University (see radio.uniroma3.it)
|
6
|
|
36
|
-
|
-
|
-
|
Other activities
|
ITA |
20710592 -
Laboratorio di sceneggiatura per il cinema 2
|
Also available in another semester or year
|
20710055 -
IDONEITA' SOSTITUTIVA LABORATORIO 2
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710056 -
IDONEITA' SOSTITUTIVA LABORATORIO 3
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710509 -
LABORATORIO DI DISTRIBUZIONE E DIFFUSIONE DEL PRODOTTO AUDIOVISIVO
|
Also available in another semester or year
|
20710417 -
internship
(objectives)
The formative internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of pratical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20711206 -
LABORATORIO DI FOTOGRAFIA
(objectives)
The workshop intends to provide the basic technical skills relating to photographic practice both in its analogue and digital dimension, illustrating its various articulations and its historical, cultural and artistic function.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
|
20706081 -
MEDIA SOCIOLOGY
(objectives)
The course aims to introduce students to the theories of media communication and their sociological analysis, promoting a critical comprehension of the relationship between the mass media and the traits of contemporary society.
|
6
|
SPS/08
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - AFFINI E INTEGRATIVE 2 - (show)
|
6
|
|
|
|
|
|
|
|
20702962 -
Legislation and Regulations Editorials
|
Also available in another semester or year
|
20710403 -
ORGANIZZAZIONE E GESTIONE DELL'IMPRESA CINEMATOGRAFICA E AUDIOVISIVA
(objectives)
The course illustrates the structure, the operation and the functioning of the companies active in the production, distribution, theatrical, television and web, of films and audiovisuals. This knowledge is not useful to those students who propose to engage in these economic activities, but also to others. Even those who want to express themselves more in terms of creativity and authorship need to better interface with those who then have to manage a film product towards the market. The course will deal with these themes, also projecting into the new digital and Internet scenarios that concern not only the production chain but also the marketing and the possible analysis with big data.
|
6
|
SECS-P/10
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - CARATTERIZZANTI - (show)
|
6
|
|
|
|
|
|
|
|
20710693 -
AVANT-GARDE AND EXPERIMENTAL CINEMA
(objectives)
The course of "Avant-garde and experimental cinema" is one of the activities in the free section of the DAMS BA, and is dedicated in particular to the “Cinema, television and new media” program. The course focuses on the history of avant-garde and experimental cinema according to a multiplicity of perspectives concerning theoretical reflection, cultural context, stylistic forms, relations with other arts and other media, the role of counter-culture, the notion of post-cinema and the digital landscape. The aim is to provide knowledge and methodological tools that allow to measure themselves critically with the historical and theoretical forms of avant-garde and audiovisual experimentation.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702644 -
Documentary Cinema- Reality vs fiction in contemporary documentary cinema
|
Also available in another semester or year
|
|
20710411 -
Hystory of cinema
(objectives)
The course of Film History is part of the formative activities defined as characteristic of the Degree Course in DAMS (Arts, Music and Drama). This Degree Course aims at offering an adequate foundation training, an extensive knowledge and appropriate methodological and critical instruments in performing arts and film, television and digital media, offering as well an adequate know how for the organization of cultural, performing arts, film and audiovisual events. In the context of the two training courses offered by the Degree Course, the course of Film History is intended to provide 1) a foundation training of the film language, of the reference experiences and authors/authoresses in the world film history; 2) the ability to contextualize, compare and critically analyze films according to a plurality of references (a handbook, some theoretical articles, critical contributions of the time) and in the light of the direct vision of works; 3) the historic, critical and theoretical concepts necessary to the study of film history and useful to get a good mastery of expression in oral and written form.
|
12
|
L-ART/06
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702626 -
Contemporary Hystory
(objectives)
The course of Contemporary History is part of the basic educational activities of the historical disciplines of the Degree Course in DAMS. The Degree Course aims to offer a wide humanistic education, accompanied by methodological, critical and professional tools related to the fields of theater, cinema, television, digital media, music, dance and figurative arts. The Degree Course also develops useful skills in the field of organizing cultural events and live entertainment, cinema and audiovisual. As part of this educational path, teaching aims: to introduce students to the scientific and methodological foundations of contemporary history; to deepen the main historical formation processes of the contemporary age; to develop a critical attitude in the analysis and interpretation of historical sources; to give students an adequate lexical and conceptual heritage. The course aims to provide historical knowledge and skills aimed at developing contextualization skills, communication skills and independent judgment consistent with the educational objectives of the Course.
|
6
|
M-STO/04
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' DI BASE - (show)
|
6
|
|
|
|
|
|
|
|
20709107 -
french literature
(objectives)
The aim of the course will be to introduce the student to the thought and works of the Historical Vanguards, in a perspective that links them to the great romantic and anti-bourgeois thought. It seems increasingly evident that an adequate critical training can only be achieved by having a historical-cultural perspective capable of going back to the epistemic novelty marked by Duchamp and company, thanks to their reflections and their works, especially starting from the revolutionary device of the ready-made.
|
6
|
L-LIN/03
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
|
Also available in another semester or year
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - AFFINI E INTEGRATIVE - (show)
|
12
|
|
|
|
|
|
|
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' A SCELTA DELLO STUDENTE - In questa sezione non è possibile inserire Laboratori di filmmaking, Tirocinio formativo e idoneità sostitutive di laboratorio - (show)
|
24
|
|
|
|
|
|
|
|
20702652 -
CULTURAL ANTHROPOLOGY
(objectives)
General introduction and fundamentals. Methods and techniques. The fieldwork. Anthropology today: who are the others; migrations; traditional societies; societies and cultures in the globalised world. A basic course useful to teachers, professors, and social workers.
|
6
|
M-DEA/01
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710202 -
Attività esterna proposta dall'Ateneo 1
(objectives)
The activity aims to provide students with the opportunity to broaden the horizon of their theoretical and practical knowledge in the entertainment sectors by comparing them with external institutions and institutions with a high cultural profile. The activity includes the organization of seminars, meetings and laboratories, with mandatory attendance and with the participation of eminent personalities active in the field of performative and audiovisual arts. The conformity of the contents, the educational objectives of the proposed external activities and the adequacy of the institutional and professional profiles of the bodies and subjects involved are established by the Dams Didactic Commission, subject to specific evaluation of the individual projects. The number of hours of attendance required by the activity cannot be less than 15 and the number of scheduled meetings cannot be less than 5.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710414 -
ATTIVITA' ESTERNA PROPOSTA DALL'ATENEO 2
|
Also available in another semester or year
|
20710397 -
Contemporary cinema and television series
|
Also available in another semester or year
|
20710693 -
AVANT-GARDE AND EXPERIMENTAL CINEMA
(objectives)
The course of "Avant-garde and experimental cinema" is one of the activities in the free section of the DAMS BA, and is dedicated in particular to the “Cinema, television and new media” program. The course focuses on the history of avant-garde and experimental cinema according to a multiplicity of perspectives concerning theoretical reflection, cultural context, stylistic forms, relations with other arts and other media, the role of counter-culture, the notion of post-cinema and the digital landscape. The aim is to provide knowledge and methodological tools that allow to measure themselves critically with the historical and theoretical forms of avant-garde and audiovisual experimentation.
|
6
|
L-ART/06
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20702644 -
DOCUMENTARY CINEMA
|
Also available in another semester or year
|
20711400 -
Cinema and landscape
(objectives)
The course focuses on the representation of landscape in Italian cinema and the function it assumes from both narrative and socio-cultural perspectives. The course aims to provide methodological tools to develop critical, historical and theoretical reflection with respect to this iconographical system.
|
6
|
L-ART/06
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710416 -
CONVEGNO CINEMA
(objectives)
The international conferences "Cinema e..." promoted and organized since 1994 by the Dipartimento Comunicazione e Spettacolo of Roma Tre University (now Fil.Co.Spe.) aim to deepen the relationship between cinema and other arts, but also with other critical and scientific disciplines and methodologies.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709109 -
FILOSOFIA DEL LINGUAGGIO
|
Also available in another semester or year
|
20711397 -
PHILOSOPHY OF LITERATURE
|
6
|
M-FIL/01
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710588 -
Fisica del suono e della luce
|
Also available in another semester or year
|
20710388 -
GENDER AND MEDIA
|
Also available in another semester or year
|
20703410 -
LABORATORY: PERFORMING ARTS 1
|
Also available in another semester or year
|
20703411 -
LABORATORY: PERFORMING ARTS 2
(objectives)
The workshop aims to introduce the students to a specific procedure in making a theatre performance, providing them, together with elements of knowledge on a theoretical level, the possibility of making it a concrete experience. The work will mainly concern the awareness of the place as common and concrete ground of the creative process. Then, it will develop in the recognition of the tools and languages (light, sound, physical action) and in the experimentation of several findings and solutions, related to points of views and the interplay of skills and materials. Every participant is involved as a performer and as a designer of the collective creation. The common goal is the proposal and the public rehearsal of an accomplished score, worked out from one of the hypotheses of stage composition identified in the space.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703412 -
LABORATORY: PERFORMING ARTS 3
|
Also available in another semester or year
|
20703415 -
LABORATORY: DIGITAL MEDIA
(objectives)
The workshop aims to provide the elements for a methodology that allows to use creatively the normal digital equipment on the market.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710585 -
LABORATORIO DI CINEMA DOCUMENTARIO
|
Also available in another semester or year
|
20703414 -
LABORATORY: CREATING A CULTURAL BUSINESS
(objectives)
The workshop is part of the DAMS training activities and is aimed at developing managerial and organizational skills for the creation of companies whose main mission is cultural planning. By examining three main actions such as production, programming and promotion, we intend to provide a basic knowledge of the functioning of the cultural production sector. In a first phase, the lessons are aimed at explaining and specifying in particular the terminology and the various interlocutors of reference, to get to the guidelines and strategies that characterise the world of cultural enterprises. The goal is to highlight common elements, taking into account the complexity and diversity of both the legal and planning worlds of business and cultural bodies. The following phase has the objective of making students measure with a guided design test, aimed at verifying the realization of a creative idea. During the workshop, students will acquire basic elements of cultural planning and managerial skills for planning, analysis of sustainability and realization of cultural projects.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710509 -
LABORATORIO DI DISTRIBUZIONE E DIFFUSIONE DEL PRODOTTO AUDIOVISIVO
|
Also available in another semester or year
|
20710401 -
Tv Format and storytelling Laboratory
(objectives)
The main gaol of this laboratory is to explore the golden rules of TV storytelling, working on the analysis of TV formats.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20711206 -
LABORATORIO DI FOTOGRAFIA
(objectives)
The workshop intends to provide the basic technical skills relating to photographic practice both in its analogue and digital dimension, illustrating its various articulations and its historical, cultural and artistic function.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20709731 -
LABORATORIO DI OPERATORE RADIOFONICO
(objectives)
The main goal of this workshop is to promote among the participants a deep involvement and understanding of the rules of radio production and live webcasting through the infrastructure of the college radio of Roma Tre University (see radio.uniroma3.it)
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710586 -
LABORATORIO DI SCENEGGIATURA PER IL CINEMA 1
(objectives)
The aim of the course is to provide basic knowledge concerning the screenwriting, including some theoretical and practical aspects and points of view; also to familiarize with the different steps of the process of a script / film project, understanding the specificities of writing for a movie in its diversity from literature and theatre. The course proposes to highlight some moments of a screenplay in a critical and constructive way. Practical work focuses on: thematic idea (high concept), synopsis (max 5 lines), subject, characters (protagonist, antagonist), obstacles and choices, step outline for three acts, first and second draft of a treatment.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710592 -
Laboratorio di sceneggiatura per il cinema 2
|
Also available in another semester or year
|
20710327 -
LABORATORIO DI TECNOLOGIE MUSICALI
|
Also available in another semester or year
|
20702962 -
LEGISLATION AND PUBLISHING RULES
|
Also available in another semester or year
|
20709107 -
french literature
(objectives)
The aim of the course will be to introduce the student to the thought and works of the Historical Vanguards, in a perspective that links them to the great romantic and anti-bourgeois thought. It seems increasingly evident that an adequate critical training can only be achieved by having a historical-cultural perspective capable of going back to the epistemic novelty marked by Duchamp and company, thanks to their reflections and their works, especially starting from the revolutionary device of the ready-made.
|
6
|
L-LIN/03
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20711207 -
Media and youth music cultures
|
Also available in another semester or year
|
20710006 -
methods of communication sciences
|
Also available in another semester or year
|
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
(objectives)
The course aims to bring together students with authors, moments, genres and themes that characterise the Italian literature of our time, from the early twentieth century. For the specificity and the modality of interpretation of the texts that will be proposed during the course, the course provides students with the basic tools for a first contact with the works of contemporary literature.
At the end of the class, the student will be able to orient him/herself in the Italian Contemporary Literature.
|
6
|
L-FIL-LET/11
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710590 -
Musica e immagine
|
Also available in another semester or year
|
20710404 -
ORDINAMENTO DEL SETTORE CINEMATOGRAFICO E AUDIOVISIVO IN ITALIA E IN EUROPA
|
Also available in another semester or year
|
20710403 -
ORGANIZZAZIONE E GESTIONE DELL'IMPRESA CINEMATOGRAFICA E AUDIOVISIVA
|
Also available in another semester or year
|
20710687 -
Palladium Film Festival
(objectives)
The festival replaces the "Roma Tre Film Festival", which has been organized by the University of Rome 3 for fifteen years now. The new name is “Palladium Film Festival / CineMaOltre”. Palladium because it traditionally takes place at the Garbatella’s Teatro Palladium; CineMaOltre (a play on words on “cinema”, “other”, and “beyond”) because its intent is to privilege all the moments of limene, of the border, of otherness: suburbs, the need to tear down the "walls", ethnic and gender differences, experimentation in cinema, television and video, hybridizations between the other arts. Following the festival (which in the 2021 edition will take place online for obvious reasons of a pandemic), the student will be able to study the problems of the audiovisual sector in the contemporary era, following new filmmakers, seeing short and feature films, attending Masterclasses of both old and young Masters of cinema.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
|
Also available in another semester or year
|
20710709 -
HISTORY OF MUSICAL PERFORMANCE
|
Also available in another semester or year
|
20703403 -
HISTORY AND CRITICISM OF PHOTOGRAPHY
|
Also available in another semester or year
|
20705079 -
HISTORY AND ART OF THE ACTOR
(objectives)
The course introduces the study of the actor in European theatrical cultures from the modern age to the twentieth century. In the first part, students will be provided with the necessary tools to identify and analyse the documentary sources of the art and the history of the actors. In the second part, the course will propose, through examples taken from the major experiences of theatres of the twentieth century, the processes of formation and creation of the principles of scenic life, with particular attention to the construction of the character and the composition of physical and vocal actions.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710399 -
Food Cultures History
|
Also available in another semester or year
|
20710412 -
POST COLONIAL FILM AND MEDIA STUDIES
|
Also available in another semester or year
|
20711208 -
Popular music theory and analysis
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' ALTRE LABORATORIO 1 - (show)
|
6
|
|
|
|
|
|
|
|
20705082 -
Laboratory of filmmaking 1
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20709145 -
Laboratory of filmmaking 2
|
Also available in another semester or year
|
20709146 -
Laboratory of filmmaking 3
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20709148 -
Laboratory of filmmaking 4
|
Also available in another semester or year
|
20710050 -
IDONEITA' SOSTITUTIVA LABORATORIO 1
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
|
20702646 -
ELEMENTS OF FILM AND TV DIRECTION
(objectives)
The course aims to provide students with skills related to film grammar through an extended analysis from “classic cinema” to contemporary cinema, in order to investigate aesthetic and stylistic elements and their cultural and political outcomes.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
ABILITA' LINGUISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
|
20706080 -
Communication sociology
(objectives)
The course aims: • To introduce the main concepts of the sociology of communication, with particular reference to interpersonal communication. • Strengthen the students’ communicative competences through the participation in class laboratories and group tasks, thus enabling them to also improve their teamwork competencies. • Strengthen students’ capacities of critical analysis through interactive and laboratorial teaching strategies. • Promote the acquisition of the necessary competences to avoid the pathological forms of communication in the daily life and encourage “ecological” discursive practices.
|
6
|
SPS/08
|
30
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20709110 -
text analysis film and audiovisual
(objectives)
The course is part of the mandatory classes for the Film and Media Studies program of the DAMS BA. If the program generally gives the historical and theoretical background to understand all audiovisual forms, the aim of this class (dedicated to first-year students) is to teach the main frameworks for the analysis and interpretation of film and audiovisual texts. The class opts for a historical perspective, which accounts for the different theories, aesthetics, and cultural models involved in the analysis of the various linguistic solutions, film styles and forms from different moments in film history (i.e., classical Hollywood cinema, modern art cinema, postmodernism, post-classic cinema). The course aims to give to its students the framework needed to understand by themselves which modes of analysis are more effective in considering a specific audiovisual text. In conclusion, the class aims to explain how films and images produce their meaning.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702970 -
CONTEMPORARY ART - L.M.
(objectives)
The course provides the critical methodologies and basic historical skills essential to the study of the artistic languages of modernity. The class and lectures selected for the exam program will retrace the main events of contemporary visual arts, in order to propose a methodology for the analysis of poetics, movements and different languages characterising contemporary art, and so to provide the necessary tools for reading and interpret the different types of contemporary works of art.
|
6
|
L-ART/03
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Second semester
Course
|
Credits
|
Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
|
Type of Activity
|
Language
|
20702642 -
TV and Radio Broadcasting: cultures and formats
(objectives)
This course provides students with an overview on formats, storytelling and production forms of contemporary radio and television broadcasting, now almost entirely digitized, in a mediascape characterized by a vast offer of audiovisual contents on various platforms, with several delivery patterns. Contemporary broadcasting is characterized by a large amount of audiovisual contents proposed (pay o for free) to the audiences, available on a wide range of devices (TV screens, tablets, outdoor), both domestic and mobile. The audiovisual contents proposed by broadcasting media are also challenged by grassroots contents production and delivery through social networks, YouTube, web radio and TV stations.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20710384 -
AESTHETICS OF CINEMA AND MEDIA
(objectives)
The aim of the class is to give an overview of the more relevant issues of film and media aesthetics. In particular, the class will be focused on both historically relevant perspective and more recent topics and methodologies. Moreover, a major frame will be offered by visual culture studies, in order to understand old and new phenomena in the light of a wider history of images. A particular attention will be devoted to theories of sensory and affective cinematic and medial experience.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702648 -
HISTORY OF MUSIC
(objectives)
The course pursues three fundamental learning objectives: 1. to introduce students to listening and to the knowledge of the great classical-romantic orchestral repertoire; 2. to deepen the language, forms and genres of symphonic music through the analysis of some masterpieces of the repertoire; 3. to provide the critical tools to understand the socio-cultural framework and the historical and aesthetic meaning of the symphonic compositions of the classical-romantic era, with particular reference to the Ninth Symphony of L.van Beethoven
|
6
|
L-ART/07
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20710503 -
Aesthetics
(objectives)
At the end of this course the student will acquire: - A basic knowledge of several issues concerning aesthetics and the relationships between philosophy and the arts (literature, visual arts, performing arts, architecture, film) - The knowledge of one or more important texts of the history of aesthetics, and of the critical debate on these texts - A basic knowledge on the most recent literature on aesthetics, perception theory, ontology of art and related subjects - The ability to form an independent judgement on such topics and to expose it in oral and written form - Good mastery of aesthetic terminology and of the argumentative methods in the field of aesthetics and art criticism - The ability of focusing theoretical issues, analyzing information, formulating arguments in the fields of aesthetics, theory of perception, art theories, with the help of bibliographical sources The ability to contextualize in historical-philosophical perspective aesthetic debates, as well as debates on art criticism.
|
6
|
M-FIL/04
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' ALTRE 2 - (show)
|
12
|
|
|
|
|
|
|
|
20710401 -
Tv Format and storytelling Laboratory
|
Also available in another semester or year
|
20703415 -
LABORATORY: DIGITAL MEDIA
|
Also available in another semester or year
|
20710586 -
LABORATORIO DI SCENEGGIATURA PER IL CINEMA 1
|
Also available in another semester or year
|
20710585 -
LABORATORIO DI CINEMA DOCUMENTARIO
(objectives)
The course wants to analyse the problems of making a documentary and give to the students the instruments to make a documentary film. The course will discuss problems and the complexity making a documentary. The use of interview, the management of the time, the distance from the subject, the relationship between the observer and who is under observation, the manipulation of reality, are some point necessary to explore an ethical documentary practise.
During the lab the students will realize some individual and common exercises.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20709731 -
LABORATORIO DI OPERATORE RADIOFONICO
|
Also available in another semester or year
|
20710592 -
Laboratorio di sceneggiatura per il cinema 2
(objectives)
The aim of this course is to provide students with tools for both theoretical analysis and practical realization of film scripts, with a particular consideration of different genres and formats, and references to mainstream as well as low budget productions. The course will take into account the main methodologies of scriptwriting; it will address the main stages of the screenwriting process, from the early concept to the script and the final treatment; it will consider the historical evolution of cinematic narrative forms; and it will offer insights into the relationship between cinematic narration and contemporary crossmedia storytelling.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20710055 -
IDONEITA' SOSTITUTIVA LABORATORIO 2
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710056 -
IDONEITA' SOSTITUTIVA LABORATORIO 3
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20710509 -
LABORATORIO DI DISTRIBUZIONE E DIFFUSIONE DEL PRODOTTO AUDIOVISIVO
(objectives)
The workshop deals with the themes of the distribution and circulation of cinematographic and audiovisual products, from a legal, economic and marketing point of view. The workshop will also provide tools to understand the transformation of the general contexts that, with the development of digital networks, changed the production ways and the nature of the audience.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20710417 -
internship
(objectives)
The formative internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of pratical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20711206 -
LABORATORIO DI FOTOGRAFIA
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - AFFINI E INTEGRATIVE 2 - (show)
|
6
|
|
|
|
|
|
|
|
20702962 -
Legislation and Regulations Editorials
(objectives)
The course aims at providing students with a basic knowledge of copyright and the norms that regulate the world of entertainment, starting from the ideation phase of the intellectual product intended for the show, then moving to the production phase and finally to marketing. After a theoretical study, the student will deal with the main legal issues and the fundamental contracts adopted in the musical and audiovisual-cinematographic areas and finally in those intended for the theatre audience. Finally, students will deal with the functioning of the intermediation system of copyright and related rights, by examining the procedure adopted by authorised intermediaries (Siae and others).
|
6
|
IUS/09
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20710403 -
ORGANIZZAZIONE E GESTIONE DELL'IMPRESA CINEMATOGRAFICA E AUDIOVISIVA
|
Also available in another semester or year
|
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' DI BASE - (show)
|
6
|
|
|
|
|
|
|
|
20709107 -
french literature
|
Also available in another semester or year
|
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
(objectives)
The course aims to bring together students with authors, moments, genres and themes that characterise the Italian literature of our time, from the early twentieth century. For the specificity and the modality of interpretation of the texts that will be proposed during the course, the course provides students with the basic tools for a first contact with the works of contemporary literature.
At the end of the class, the student will be able to orient him/herself in the Italian Contemporary Literature.
|
6
|
L-FIL-LET/11
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
(objectives)
The aim of the course is to give the student the knowledge of aspects, moments, issues of Italian linguistic history with a specific attention to the history of music, in an overview that highlights the distinctive features of the link between language and music: a very close link and, as regards the Italian situation, secular, prestigious and distinctive. The intentions will be descriptive with a methodological training and cannot ignore the analysis of texts (literary and other) and musical compositions considered paradigmatic from various points of view.
|
6
|
L-FIL-LET/12
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - CARATTERIZZANTI - (show)
|
6
|
|
|
|
|
|
|
|
20710693 -
AVANT-GARDE AND EXPERIMENTAL CINEMA
|
Also available in another semester or year
|
20702644 -
Documentary Cinema- Reality vs fiction in contemporary documentary cinema
(objectives)
The educational objectives of the course include a chronological knowledge of the history of documentary cinema in such a way that the student can move comfortably through authoritative paths, movements, aesthetic forms of a genre scarcely studied in the preparatory courses of cinema history. In addition, from year to year, the course will focus on a specific theme, proposing a moment of deepening and analysis. A further objective of the course is to bring the student into contact with the professionals of the sector, through the organization of periodic projections of documentaries followed by meetings with the authors.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
|
20709130 -
ITALIAN CINEMA
(objectives)
The teaching of "Italian Cinema" is part of the training activities that characterize the degree course in Dams (path "Cinema, television and new media"). It proposes to deal with the history of Italian cinema according to a multiplicity of perspectives concerning the cultural context, economic and legislative institutions, stylistic forms, critical and theoretical reflections, the interpretation of films, the relationships of cinema with other arts and other media. The goal is to provide knowledge and methodological tools that allow the student to measure himself critically with the history of Italian cinema and with the analysis of filmic texts.
|
12
|
L-ART/06
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20705270 -
FINAL EXAM
(objectives)
The final exam aims to develop students' abilities to produce a critical essay by consulting primary and secondary textual and / or audiovisual sources.
|
6
|
|
36
|
-
|
-
|
-
|
Final examination and foreign language test
|
ITA |
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - AFFINI E INTEGRATIVE - (show)
|
12
|
|
|
|
|
|
|
|
20711198 -
LETTERATURE E CULTURE USA DEL NOVECENTO
(objectives)
The course focuses on the most significant literary and cultural movements in the XXth and XXIst centuries. We will consider in particular the relation between literature and the arts (cinema, theater, television, music, etc.) by selecting specific case studies.
|
6
|
L-LIN/11
|
30
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20702652 -
CULTURAL ANTHROPOLOGY
|
Also available in another semester or year
|
20711397 -
PHILOSOPHY OF LITERATURE
|
Also available in another semester or year
|
20710006 -
methods of communication sciences
(objectives)
The course aims to: • introduce the main concepts of the methodology of research in the field of social and communication sciences; • consolidate the skills in research methodology, through the design and implementation of ethnographic investigation paths; • enhance critical analysis skills through interactive and laboratory teaching; • encourage the active participation of the students with exercises and presentations during the lessons, in order to improve their verbal abilities and communication skills.
|
6
|
SPS/08
|
30
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20710588 -
Fisica del suono e della luce
(objectives)
The main educational objectives of the course are the following: - providing the basics of sound and light physics; - providing a historical and theoretical panorama on the nature of light, from the ancient world to modern theories and applications; - providing a historical and theoretical panorama on the nature of sound, from the ancient world to modern theories and applications; - illustrating the phenomena connected with generation and propagation of sound waves, with particular reference to the voice and musical instruments; - illustrating the phenomena connected with generation and propagation of light waves, with particular reference to artificial light; - understanding the perceptual processes of sound and light in relation to the physical aspects and the nature of the human ear and eye; - illustrating the fundamental mechanisms which are at the base of sound and light technical applications in the entertainment field.
|
6
|
ING-IND/11
|
36
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' A SCELTA DELLO STUDENTE - In questa sezione non è possibile inserire Laboratori di filmmaking, Tirocinio formativo e idoneità sostitutive di laboratorio - (show)
|
24
|
|
|
|
|
|
|
|
20702652 -
CULTURAL ANTHROPOLOGY
|
Also available in another semester or year
|
20710202 -
Attività esterna proposta dall'Ateneo 1
|
Also available in another semester or year
|
20710414 -
ATTIVITA' ESTERNA PROPOSTA DALL'ATENEO 2
(objectives)
The activity aims to provide students with the opportunity to broaden the horizon of their theoretical and practical knowledge in the entertainment sectors by comparing them with external institutions and institutions with a high cultural profile. The activity includes the organization of seminars, meetings and laboratories, with mandatory attendance and with the participation of eminent personalities active in the field of performative and audiovisual arts. The conformity of the contents and the educational objectives of the proposed external activities and the adequacy of the institutional and professional profiles of the bodies and subjects involved are established by the Dams Didactic Commission, subject to specific evaluation of the individual projects. The number of hours of attendance required by the activity cannot be less than 15 and the number of scheduled meetings cannot be less than 5.
|
3
|
|
-
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710397 -
Contemporary cinema and television series
(objectives)
The course of Contemporary Cinema and Serial Television is part of the activities that each student of the DAMS BA can choose in the free section of his/her study plan and is taught explicitly for the Film and Media Studies program. If the program generally gives the historical and theoretical background to understand all audiovisual forms, the aim of this class is the analysis of audiovisual fiction narratives produced after 1989 in Europe and the US and of their contexts. The course is dedicated to students that have already passed the classes of film and media history and analysis, and it focuses upon the most significant changes within the cultural scenario of media industries and uses, and how such transformation falls upon narratives and the experience configuration. The course aims to give to its students the framework needed to analyze the complexity of contemporary production, also considering the cultural and socio-economic context of globalization, the configuration of subjects, and the main aesthetics and theoretical tendencies.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710693 -
AVANT-GARDE AND EXPERIMENTAL CINEMA
|
Also available in another semester or year
|
20702644 -
DOCUMENTARY CINEMA
(objectives)
The educational objectives of the course include a chronological knowledge of the history of documentary cinema in such a way that the student can move comfortably through authoritative paths, movements, aesthetic forms of a genre scarcely studied in the preparatory courses of cinema history. In addition, from year to year, the course will focus on a specific theme, proposing a moment of deepening and analysis. A further objective of the course is to bring the student into contact with the professionals of the sector, through the organization of periodic projections of documentaries followed by meetings with the authors.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20711400 -
Cinema and landscape
|
Also available in another semester or year
|
20710416 -
CONVEGNO CINEMA
|
Also available in another semester or year
|
20709109 -
FILOSOFIA DEL LINGUAGGIO
(objectives)
The course aims to highlight the convergence or even the substantial identity between the two famous Aristotelian definition of Homo sapiens animal that has language and the political animal. Through the study of the texts of some important linguists and philosophers of language, as well as the major work of Hannah Arendt, Vita Active, we would like to clarify the reasons for which the verbal language can be considered the biological organ of public praxis.
|
6
|
M-FIL/05
|
40
|
-
|
-
|
-
|
Elective activities
|
ITA |
20711397 -
PHILOSOPHY OF LITERATURE
|
Also available in another semester or year
|
20710588 -
Fisica del suono e della luce
(objectives)
The main educational objectives of the course are the following: - providing the basics of sound and light physics; - providing a historical and theoretical panorama on the nature of light, from the ancient world to modern theories and applications; - providing a historical and theoretical panorama on the nature of sound, from the ancient world to modern theories and applications; - illustrating the phenomena connected with generation and propagation of sound waves, with particular reference to the voice and musical instruments; - illustrating the phenomena connected with generation and propagation of light waves, with particular reference to artificial light; - understanding the perceptual processes of sound and light in relation to the physical aspects and the nature of the human ear and eye; - illustrating the fundamental mechanisms which are at the base of sound and light technical applications in the entertainment field.
|
6
|
ING-IND/11
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710388 -
GENDER AND MEDIA
(objectives)
The course deals with a critical analysis of the gender representations in media. The first part gives a literature overview on the role and influence of media in the social construction of male and female identities. In the second part, methodological tools will be provided in order to deepen the gender perspective in the analysis of communication practices in various media environments (whether digital or not). The course aims to: • strengthen the disciplinary knowledge related to the relationship between gender identity and media; • enhance critical analysis skills through interactive and laboratory teaching; • encourage the active participation of students with presentations during the lessons, in order to practice their verbal abilities and communication skills.
|
6
|
SPS/08
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703410 -
LABORATORY: PERFORMING ARTS 1
(objectives)
The proposed learning objective has its cornerstone into the direct involvement of students in the experience of theater practice on the Rebibbia stage: shoulder to shoulder with actors who have found, on the common ground of poetry and art, the lost thread of their existence.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703411 -
LABORATORY: PERFORMING ARTS 2
|
Also available in another semester or year
|
20703412 -
LABORATORY: PERFORMING ARTS 3
(objectives)
The workshop aims to increase the participants' awareness of bodily movement, by inviting them to experience the perception and performance potential of their body. Through physical training, vocal exercises and space work, participants will be able to acquire an approach to movement that uses physical action and imagination, making each movement aware of both its source and its stage effectiveness.
|
6
|
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703415 -
LABORATORY: DIGITAL MEDIA
|
Also available in another semester or year
|
20710585 -
LABORATORIO DI CINEMA DOCUMENTARIO
(objectives)
The course wants to analyse the problems of making a documentary and give to the students the instruments to make a documentary film. The course will discuss problems and the complexity making a documentary. The use of interview, the management of the time, the distance from the subject, the relationship between the observer and who is under observation, the manipulation of reality, are some point necessary to explore an ethical documentary practise.
During the lab the students will realize some individual and common exercises.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20703414 -
LABORATORY: CREATING A CULTURAL BUSINESS
|
Also available in another semester or year
|
20710509 -
LABORATORIO DI DISTRIBUZIONE E DIFFUSIONE DEL PRODOTTO AUDIOVISIVO
(objectives)
The workshop deals with the themes of the distribution and circulation of cinematographic and audiovisual products, from a legal, economic and marketing point of view. The workshop will also provide tools to understand the transformation of the general contexts that, with the development of digital networks, changed the production ways and the nature of the audience.
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20710401 -
Tv Format and storytelling Laboratory
|
Also available in another semester or year
|
20711206 -
LABORATORIO DI FOTOGRAFIA
|
Also available in another semester or year
|
20709731 -
LABORATORIO DI OPERATORE RADIOFONICO
|
Also available in another semester or year
|
20710586 -
LABORATORIO DI SCENEGGIATURA PER IL CINEMA 1
|
Also available in another semester or year
|
20710592 -
Laboratorio di sceneggiatura per il cinema 2
(objectives)
The aim of this course is to provide students with tools for both theoretical analysis and practical realization of film scripts, with a particular consideration of different genres and formats, and references to mainstream as well as low budget productions. The course will take into account the main methodologies of scriptwriting; it will address the main stages of the screenwriting process, from the early concept to the script and the final treatment; it will consider the historical evolution of cinematic narrative forms; and it will offer insights into the relationship between cinematic narration and contemporary crossmedia storytelling.
|
6
|
|
-
|
-
|
30
|
-
|
Elective activities
|
ITA |
20710327 -
LABORATORIO DI TECNOLOGIE MUSICALI
(objectives)
Music Technologies Lab The Lab provides students with the basic skills in electroacoustic and multimedia technologies applied to music. In particular, students will be involved in the creation of compositional and performative projects that provide a practical use of the acquired technical skills. The Lab also aims to offer the opportunity to acquire a basic knowledge of music
|
6
|
|
-
|
-
|
36
|
-
|
Elective activities
|
ITA |
20702962 -
LEGISLATION AND PUBLISHING RULES
|
Also available in another semester or year
|
20709107 -
french literature
|
Also available in another semester or year
|
20711207 -
Media and youth music cultures
(objectives)
The course aims to provide a general knowledge of the relationships that bind the various audiovisual media to the articulated contemporary music scene. At the same time, the historical, artistic and linguistic aspects of the main musical cultures now widespread among young people will be studied.
|
6
|
L-ART/08
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710006 -
methods of communication sciences
(objectives)
The course aims to: • introduce the main concepts of the methodology of research in the field of social and communication sciences; • consolidate the skills in research methodology, through the design and implementation of ethnographic investigation paths; • enhance critical analysis skills through interactive and laboratory teaching; • encourage the active participation of the students with exercises and presentations during the lessons, in order to improve their verbal abilities and communication skills.
|
6
|
SPS/08
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20709685 -
MOVEMENTS AND WRITORS IN ITALIAN LITERATURE OF XX CENTURY
|
Also available in another semester or year
|
20710590 -
Musica e immagine
(objectives)
The course aims to offer historical-critical knowledge about the relationships between music and pictures. After an introduction on the presence of music in visual arts (musical iconography) the course will focus on the harder to grasp relationship between music and moving images, with particular attention on cinematography.
|
6
|
L-ART/07
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710404 -
ORDINAMENTO DEL SETTORE CINEMATOGRAFICO E AUDIOVISIVO IN ITALIA E IN EUROPA
(objectives)
The objectives of the course concern the legislation of cinema and audiovisual sector, in Italy and in Europe, with particular reference to the protection of content, copyright and related rights.
|
6
|
SECS-P/10
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710403 -
ORGANIZZAZIONE E GESTIONE DELL'IMPRESA CINEMATOGRAFICA E AUDIOVISIVA
(objectives)
The course illustrates the structure, the operation and the functioning of the companies active in the production, distribution, theatrical, television and web, of films and audiovisuals. This knowledge is not useful to those students who propose to engage in these economic activities, but also to others. Even those who want to express themselves more in terms of creativity and authorship need to better interface with those who then have to manage a film product towards the market. The course will deal with these themes, also projecting into the new digital and Internet scenarios that concern not only the production chain but also the marketing and the possible analysis with big data.
|
6
|
SECS-P/10
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710687 -
Palladium Film Festival
|
Also available in another semester or year
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
(objectives)
The aim of the course is to give the student the knowledge of aspects, moments, issues of Italian linguistic history with a specific attention to the history of music, in an overview that highlights the distinctive features of the link between language and music: a very close link and, as regards the Italian situation, secular, prestigious and distinctive. The intentions will be descriptive with a methodological training and cannot ignore the analysis of texts (literary and other) and musical compositions considered paradigmatic from various points of view.
|
6
|
L-FIL-LET/12
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710709 -
HISTORY OF MUSICAL PERFORMANCE
(objectives)
The course aims to offer historical and critical knowledge on the performance of Western art music, from the seventeenth century to the present day. The course will also address the performance methods (instruments, techniques, practices, organic), the respective contexts (spaces, public, institutions), the relationship of the performance with the musical texts and with the genres of the repertoire, the protagonists of the history of the performance. musical (virtuosos, singers, conductors).
|
12
|
L-ART/07
|
60
|
-
|
-
|
-
|
Elective activities
|
ITA |
20703403 -
HISTORY AND CRITICISM OF PHOTOGRAPHY
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20705079 -
HISTORY AND ART OF THE ACTOR
|
Also available in another semester or year
|
20710399 -
Food Cultures History
(objectives)
The teaching of History of food cultures is part of the free educational activities of the historical disciplines of the Degree Course in DAMS. The Degree Course aims to offer a wide humanistic education, accompanied by methodological, critical and professional tools related to the fields of theater, cinema, television, digital media, music, dance and figurative arts. The Degree Course also develops useful skills in the field of organizing cultural events and live entertainment, cinema and audiovisual. As part of this educational path, teaching aims: to introduce students to the scientific and methodological foundations of cultural history (material and immaterial cultures); to deepen the main historical processes of formation of food cultures in the contemporary age; to develop a critical attitude in the analysis and interpretation of historical sources; to equip students with an adequate lexical and conceptual heritage. The course aims to provide historical knowledge and skills aimed at developing contextualization skills, communication skills and independent judgment consistent with the educational objectives of the course.
|
6
|
M-STO/04
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710412 -
POST COLONIAL FILM AND MEDIA STUDIES
(objectives)
The course of Postcolonial Film and Media Studies is part of the formative activities at free disposal of the students of the Degree Course in DAMS (Arts, Music and Drama). This Degree Course aims at offering an adequate foundation training, an extensive knowledge and appropriate methodological and critical instruments in performing arts and film, television and digital media, offering as well an adequate know how for the organization of cultural, performing arts, film and audiovisual events. The course of Postcolonial Film and Media Studies is intended to provide 1) a foundation training of key concepts and main lines of research that characterised postcolonial studies, with a specific reference to the experiences that involved the domain of film and media studies and the historical-cultural and artistic scenes in Italy; 2) the ability to contextualise, compare and critically analyse films, according to a postcolonial perspective, film texts and media narratives on the basis of a plurality of references (theoretical articles, critical contributions, interviews) and in the light of the direct vision of works; 3) the historic, critical and methodological key concepts necessary to the study of postcolonial critical thinking and to the analysis of an audiovisual narrative in a postcolonial lens.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20711208 -
Popular music theory and analysis
(objectives)
The course intends to provide the basic knowledge and critical-analytical skills in the field of popular music.
|
6
|
L-ART/08
|
30
|
-
|
-
|
-
|
Elective activities
|
ITA |
|
Optional Group:
CINEMA, TELEVISIONE E NUOVI MEDIA - ATTIVITA' ALTRE LABORATORIO 1 - (show)
|
6
|
|
|
|
|
|
|
|
20705082 -
Laboratory of filmmaking 1
|
Also available in another semester or year
|
20709145 -
Laboratory of filmmaking 2
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20709146 -
Laboratory of filmmaking 3
|
Also available in another semester or year
|
20709148 -
Laboratory of filmmaking 4
(objectives)
The course aims to provide students with the basic knowledge about the realization of an audiovisual product, through the direct involvement of the participants. In particular, it aims to provide knowledge concerning: 1) the three production steps of writing, production, post-production; 2) the functioning of audiovisual language, including its rhetoric; 3) the making of short audiovisual stories through easily accessible technological devices.
|
6
|
|
-
|
-
|
36
|
-
|
Other activities
|
ITA |
20710050 -
IDONEITA' SOSTITUTIVA LABORATORIO 1
(objectives)
Acquisition of related skills and / or replacement of the contents of curricular workshops
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
|
Optional Group:
ABILITA' LINGUISTICHE - (show)
|
6
|
|
|
|
|
|
|
|
|
20710328 -
TEATRO, SPETTACOLO, PERFORMANCE
(objectives)
This course aims to provide students with tools of theoretical and historical knowledge concerning artistic, social, material and relational aspects of theatre arts, in the broader sense of the performative dimensions of human behaviour. The central objective is a wide and inclusive knowledge of the past and present of the scenic arts, oriented to enable the student to recognize, to experience and to activate creative processes, research actions and skills of practical organization within the horizon of performing arts. The first part of the course provides direct approaches to texts, profiles, documents and phenomena that during the last century changed the notion of theatre and transformed traditions, skills, values, concepts and terms of the theatre practices. In the final part the course will share materials, documents, meetings and fieldworks, in order to orientate the students to take part in ongoing projects of their cultural context.
|
12
|
L-ART/05
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Nuove professioni dell'audiovisivo
First semester
Course
|
Credits
|
Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
|
Type of Activity
|
Language
|
20702626 -
Contemporary Hystory
(objectives)
The course of Contemporary History is part of the basic educational activities of the historical disciplines of the Degree Course in DAMS. The Degree Course aims to offer a wide humanistic education, accompanied by methodological, critical and professional tools related to the fields of theater, cinema, television, digital media, music, dance and figurative arts. The Degree Course also develops useful skills in the field of organizing cultural events and live entertainment, cinema and audiovisual. As part of this educational path, teaching aims: to introduce students to the scientific and methodological foundations of contemporary history; to deepen the main historical formation processes of the contemporary age; to develop a critical attitude in the analysis and interpretation of historical sources; to give students an adequate lexical and conceptual heritage. The course aims to provide historical knowledge and skills aimed at developing contextualization skills, communication skills and independent judgment consistent with the educational objectives of the Course.
|
6
|
M-STO/04
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20702970 -
HISTORY OF CONTEMPORARY ART
(objectives)
The course provides the critical methodologies and basic historical skills essential to the study of the artistic languages of modernity. The class and lectures selected for the exam program will retrace the main events of contemporary visual arts, in order to propose a methodology for the analysis of poetics, movements and different languages characterising contemporary art, and so to provide the necessary tools for reading and interpret the different types of contemporary works of art.
|
6
|
L-ART/03
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20710411 -
Hystory of cinema
(objectives)
The course of Film History is part of the formative activities defined as characteristic of the Degree Course in DAMS (Arts, Music and Drama). This Degree Course aims at offering an adequate foundation training, an extensive knowledge and appropriate methodological and critical instruments in performing arts and film, television and digital media, offering as well an adequate know how for the organization of cultural, performing arts, film and audiovisual events. In the context of the two training courses offered by the Degree Course, the course of Film History is intended to provide 1) a foundation training of the film language, of the reference experiences and authors/authoresses in the world film history; 2) the ability to contextualize, compare and critically analyze films according to a plurality of references (a handbook, some theoretical articles, critical contributions of the time) and in the light of the direct vision of works; 3) the historic, critical and theoretical concepts necessary to the study of film history and useful to get a good mastery of expression in oral and written form.
|
12
|
L-ART/06
|
72
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20711202 -
NUOVE FORME E TECNICHE DELLA SCENEGGIATURA SERIALE
(objectives)
The course aims to address the specificity of contemporary screenwriting for the series, as they have been the primary narrative model in the last two decades thanks to multiple storylines and complex narratives. The course focuses on specific case studies and analyzes some of the main narrative genres used in contemporary serial narratives, the practices of cross-media worldbuilding, and the transformations that occurred in writing the individual trajectories and subjects' configuration.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20710191 -
Stories and cultures of theatre spaces
(objectives)
Teaching Stories and Cultures of Theatrical Spaces belongs to the set of educational activities that characterise the “Theatre” curriculum of the Degree course in Disciplines of the Arts, Music and Performance. The obligatory starting point of the course is the definition of its object of study and the recognition of different types of sources and documents on which it is based. The course purpose is to introduce the study of theatre in the history, prioritising the analysis of cultural processes leading each civilisation to build specific places, designed in certain ages for the institution/monument theatre and in others for the representative forms. The morphology of these places was strictly conjoined with the society, historical period and geography in which it was born. The lessons aim to achieve the following educational objectives: 1) to enhance the knowledge of some of the historiographic knots linked to the concept of space in theatre: architecture, scenography, the relationship between actors and spectators, the different levels of the dramaturgy; 2) to stimulate students’ critical and interpretative skills by providing them with tools and sources of analysis of different nature and origin; 3) contextualise the study of theatre, in the frame of the specific and historical changes undergone by civilisations throughout time.
|
6
|
L-ART/05
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
NUOVE PROFESSIONI DELL'AUDIOVISIVO: ATTIVITA' A SCELTA LIBERA - (show)
|
18
|
|
|
|
|
|
|
|
|
Optional Group:
NUOVE PROFESSIONI DELL'AUDIOVISIVO: Attivita' altre- 24 cfu a scelta - (show)
|
24
|
|
|
|
|
|
|
|
|
20711199 -
LINGUA INGLESE PER LE ARTI
(objectives)
The course will provide the basic skills and the specialized terminology of the English language (Level B1) to work in the field of the visual and performative arts.
|
6
|
L-LIN/12
|
30
|
-
|
-
|
-
|
Related or supplementary learning activities
|
ITA |
20710417 -
internship
(objectives)
The formative internships are intended to offer students the opportunity to develop and exploit the theoretical-critical skills acquired in the curricular courses in terms of pratical application, as well as offering the opportunity to get in touch with the productive realities in the field of performative and audiovisual arts.
|
6
|
|
-
|
-
|
-
|
-
|
Other activities
|
ITA |
20711197 -
ESTETICHE DELL'AUDIOVISIVO
(objectives)
The course ‘Audio-visual Aesthetics’ is part of the program in DAMS (BA level) and is included among the complementary training activities. The aim of the course is to provide students with a background knowledge of some of the key aesthetic issues related to the ‘audio-vision’ – meant as a complex system of dynamic iconic and auditory forms. Particular emphasis will be ascribed to the relationship between sensory perceptions, emotions and imagery. The course investigates the influences of sound on the perception of images, by examining contemporary forms of audio-vision as embodied in film music, video-clips, video art, and commercial television. More specifically, the course will analyse the different ways in which film music may create a specific feeling in relation to the scene represented on the screen, either by participating ‘empathically’ to the feeling expressed on the scene, or by creating a contrast with the emotion represented.
Upon completion of the course, students are expected to: (1) be acquainted with the main aesthetic issues related to the audio-visual system in the contemporary context. (2) be able to analyse and understand philosophical texts in aesthetics related to the audio-visual system. (3) be able to clearly outline and discuss the different theoretical and critical positions examined in the course.
|
6
|
M-FIL/04
|
30
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20706081 -
MEDIA SOCIOLOGY
(objectives)
The course aims to introduce students to the theories of media communication and their sociological analysis, promoting a critical comprehension of the relationship between the mass media and the traits of contemporary society.
|
6
|
SPS/08
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20711205 -
FORME E PRATICHE DELLA REGIA TRA CINEMA E MEDIA DIGITALI
(objectives)
The course aims to provide students with essential tools and skills related to film grammar, by focusing on the direction in cinema and the new audiovisual practices that characterise the contemporary media scenario.
|
12
|
L-ART/06
|
60
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20706080 -
SOCIOLOGY OF COMMUNICATION
(objectives)
The course aims: • To introduce the main concepts of the sociology of communication, with particular reference to interpersonal communication. • Strengthen the students’ communicative competences through the participation in class laboratories and group tasks, thus enabling them to also improve their teamwork competencies. • Strengthen students’ capacities of critical analysis through interactive and laboratorial teaching strategies. • Promote the acquisition of the necessary competences to avoid the pathological forms of communication in the daily life and encourage “ecological” discursive practices.
|
6
|
SPS/08
|
30
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
Optional Group:
NUOVE PROFESSIONI DELL'AUDIOVISIVO - disc. linguistiche e letterarie - (show)
|
6
|
|
|
|
|
|
|
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
|
Also available in another semester or year
|
20709107 -
french literature
(objectives)
The aim of the course will be to introduce the student to the thought and works of the Historical Vanguards, in a perspective that links them to the great romantic and anti-bourgeois thought. It seems increasingly evident that an adequate critical training can only be achieved by having a historical-cultural perspective capable of going back to the epistemic novelty marked by Duchamp and company, thanks to their reflections and their works, especially starting from the revolutionary device of the ready-made.
|
6
|
L-LIN/03
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
|
Second semester
Course
|
Credits
|
Scientific Disciplinary Sector Code
|
Contact Hours
|
Exercise Hours
|
Laboratory Hours
|
Personal Study Hours
|
Type of Activity
|
Language
|
20710590 -
Music and pictures
(objectives)
The course aims to offer historical-critical knowledge about the relationships between music and pictures. After an introduction on the presence of music in visual arts (musical iconography) the course will focus on the harder to grasp relationship between music and moving images, with particular attention on cinematography.
|
6
|
L-ART/07
|
30
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20711207 -
MEDIA E CULTURE MUSICALI GIOVANILI
(objectives)
The course aims to provide a general knowledge of the relationships that bind the various audiovisual media to the articulated contemporary music scene. At the same time, the historical, artistic and linguistic aspects of the main musical cultures now widespread among young people will be studied.
|
6
|
L-ART/08
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20711208 -
TEORIA E ANALISI DELLA POPULAR MUSIC
(objectives)
The course intends to provide the basic knowledge and critical-analytical skills in the field of popular music.
|
6
|
L-ART/08
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
Optional Group:
NUOVE PROFESSIONI DELL'AUDIOVISIVO - disc. linguistiche e letterarie - (show)
|
6
|
|
|
|
|
|
|
|
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
(objectives)
The aim of the course is to give the student the knowledge of aspects, moments, issues of Italian linguistic history with a specific attention to the history of music, in an overview that highlights the distinctive features of the link between language and music: a very close link and, as regards the Italian situation, secular, prestigious and distinctive. The intentions will be descriptive with a methodological training and cannot ignore the analysis of texts (literary and other) and musical compositions considered paradigmatic from various points of view.
|
6
|
L-FIL-LET/12
|
36
|
-
|
-
|
-
|
Basic compulsory activities
|
ITA |
20709107 -
french literature
|
Also available in another semester or year
|
|
20702644 -
Documentary Cinema- Reality vs fiction in contemporary documentary cinema
(objectives)
The educational objectives of the course include a chronological knowledge of the history of documentary cinema in such a way that the student can move comfortably through authoritative paths, movements, aesthetic forms of a genre scarcely studied in the preparatory courses of cinema history. In addition, from year to year, the course will focus on a specific theme, proposing a moment of deepening and analysis. A further objective of the course is to bring the student into contact with the professionals of the sector, through the organization of periodic projections of documentaries followed by meetings with the authors.
|
6
|
L-ART/06
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20702648 -
HISTORY OF MUSIC
(objectives)
The course pursues three fundamental learning objectives: 1. to introduce students to listening and to the knowledge of the great classical-romantic orchestral repertoire; 2. to deepen the language, forms and genres of symphonic music through the analysis of some masterpieces of the repertoire; 3. to provide the critical tools to understand the socio-cultural framework and the historical and aesthetic meaning of the symphonic compositions of the classical-romantic era, with particular reference to the Ninth Symphony of L.van Beethoven
|
6
|
L-ART/07
|
36
|
-
|
-
|
-
|
Core compulsory activities
|
ITA |
20711201 -
TEORIE DEI LINGUAGGI E DELLA COMUNICAZIONE MULTIMODALE
(objectives)
The course aims to investigate human communication from a cognitive and semiotic perspective. By exploring the psychological processes involved in its functioning and evolution, the course focuses on the multimodal character of human communication, in which the body plays a central role to account for effective human interaction in real communicative contexts. Both in the light of current studies coming from the “second-generation cognitive sciences” and with reference to experimental research on both typical and clinical individuals, the course aims at highlighting how the centrality of multimodality and corporeality has important implications for reflecting on more general theoretical issues involved in the study of human nature. At the end of the course, participants: - will be able to critically discuss the main theoretical proposals inherent language and human communication; - will be able to identify the main components of verbal and nonverbal communication as well as to identify its cognitive and evolutionary underpinnings; - will acquire knowledge on the main methods of applying experimental research to multimodal communication to construct plausible explanations of the nature and functioning of the multiple expressive formats in which communication takes place.
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6
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M-FIL/05
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30
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-
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-
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-
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Related or supplementary learning activities
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ITA |
20711200 -
Sociology of fashion
(objectives)
The course focuses on the study and the analysis of fashion from a sociological perspective. The first part of the course provides students with the analytical and methodological tools to understand fashion in relation to society, body representations and identities, with particular attention to the social dimensions involved in the processes of meaning construction associated with fashion. The second part of the course, intertwining fashion with artistic performances and digital technologies, will devote specific attention to fashion in the public discourse, in order to analyse fashion as a space of social inclusiveness.
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6
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SPS/07
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30
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-
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-
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-
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Related or supplementary learning activities
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ITA |
20711204 -
FESTIVAL CINEMATOGRAFICI E CULTURE DELL'AUDIOVISIVO
(objectives)
The course aims to investigate the role of film festivals within audiovisual cultures, providing the basis for operating in the organization and management of film events and focusing attention on new forms of contemporary spectatorship.
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6
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L-ART/06
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30
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-
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-
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-
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Core compulsory activities
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ITA |
20705270 -
FINAL EXAM
(objectives)
The final exam aims to develop students' abilities to produce a critical essay by consulting primary and secondary textual and / or audiovisual sources.
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6
|
|
36
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-
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-
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-
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Final examination and foreign language test
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ITA |
Optional Group:
NUOVE PROFESSIONI DELL'AUDIOVISIVO: ATTIVITA' A SCELTA LIBERA - (show)
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18
|
|
|
|
|
|
|
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20711203 -
Dance in video
(objectives)
The course examines the relationship between the art of movement and the movement of images, analyzing dance and video in cases of documentation of performances or artistic creation and their possible combinations. In the chronological span from the second half of the twentieth century to contemporary experiences, the course is based on the vision, the commentary and the study of the main cases of dance in video. The objectives of the course are to trace a history of dance and performance of the last decades through video production, recognizing the elements of the single languages and those generated by their grafting. Through a multidisciplinary approach, the course aims at the acquisition of knowledge related to the intermediality of the languages of the scene and to the problems of the documentation of the performative experience.
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6
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L-ART/05
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36
|
-
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-
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-
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Elective activities
|
ITA |
20711210 -
ETICA DELLE ARTI VISIVE E PERFORMATIVE
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Also available in another semester or year
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20711215 -
LABORATORIO DI EDITING DIGITALE
(objectives)
The workshop focuses on editing techniques and competencies and directly interacts with the Post-production Workshop.
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6
|
|
-
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-
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36
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-
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Elective activities
|
ITA |
20711213 -
LABORATORIO DI POST-PRODUZIONE
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Also available in another semester or year
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20711214 -
LABORATORIO DI PROMOZIONE DELLE PROFESSIONI DELLA MUSICA E DELL'AUDIOVISIVO
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Also available in another semester or year
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20711216 -
LABORATORIO DI SOUND DESIGN DIGITALE PER IL WEB
(objectives)
The workshop focuses on acquiring the competencies for sound design, focusing mainly on: the relationship between sound and online distribution of audiovisual products; online reception and use in relation to sound specificities; the models for the organization of sound for the reception of products through the web (considering both the platforms and the devices mainly used by the audience).
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6
|
|
-
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-
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36
|
-
|
Elective activities
|
ITA |
20709107 -
french literature
|
Also available in another semester or year
|
20711209 -
PEDAGOGIA DELLA COMUNICAZIONE
(objectives)
The course aims to deepen the educational aspects connected to communication processes in several life contexts. At the end of the course, students will know the epistemological foundations of communication pedagogy, outline the reference models for managing effective communication, understand the relationship between educational and communication processes.
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6
|
M-PED/01
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36
|
-
|
-
|
-
|
Elective activities
|
ITA |
20710692 -
HISTORY OF THE ITALIAN LANGUAGE FOR MUSIC
(objectives)
The aim of the course is to give the student the knowledge of aspects, moments, issues of Italian linguistic history with a specific attention to the history of music, in an overview that highlights the distinctive features of the link between language and music: a very close link and, as regards the Italian situation, secular, prestigious and distinctive. The intentions will be descriptive with a methodological training and cannot ignore the analysis of texts (literary and other) and musical compositions considered paradigmatic from various points of view.
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6
|
L-FIL-LET/12
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36
|
-
|
-
|
-
|
Elective activities
|
ITA |
|
Optional Group:
NUOVE PROFESSIONI DELL'AUDIOVISIVO: Attivita' altre- 24 cfu a scelta - (show)
|
24
|
|
|
|
|
|
|
|
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