Teacher
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SOFIA GABRIELE
(syllabus)
The course will be focused on three remarkable experiences of the history and practices of the actor:
1 – The actresses and the actors of the Commedia dell’Arte 2 – Stanislavsky and his research on the actor’s pedagogy 3 – Theatre Anthropology and the principles of scenic body behaviour
(reference books)
- Ferdinando Taviani, Mirella Schino, Il segreto della Commedia dell’Arte. La memoria delle compagnie italiane del XVI, XVII, XVIII secolo, Firenze, La casa Usher, 2008.
- Konstantin S. Stanislavskij, Il lavoro dell’attore su se stesso, Roma-Bari, Laterza, 1982.
- Eugenio Barba, La canoa di carta. Trattato di antropologia teatrale, Bologna, Il Mulino, 2004.
FOR NON-ATTENDING STUDENTS:
- Claudio Meldolesi, Pensare l’attore, Roma, Bulzoni, 2010
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