Teacher
|
ARGANO LUCIANO
(syllabus)
- The theories: culture as a production of immaterial wealth (human capital, knowledge, social value), the organizational perimeter of the theater and live performance (the design fields, the complexity, the professional skills involved, the teamwork, the languages of production), the design work (the trigger, the starting requirements, the organizational translation of the artistic concept, the system of constraints as opportunities, the production feasibility, marketing, economic and financial, markets and distribution, public funding / private); - The practices: production management, staging, technical, administrative, economic, communication and promotion aspects, tour management, various theatrical production and live performance models; - The experiences: the analysis of case study and experiences able to narrate specific and critical aspects of the production process in the performing arts and the connection with artistic and creative practices
(reference books)
Per gli studenti frequentanti: - Lucio Argano "La gestione dei progetti di spettacolo", FrancoAngeli, Milano, edizione 2019 (pp. 331). - Francesca D’Ippolito, “Produrre teatro in Italia oggi”, Audino Ed., Roma, 2022 (pp. 128).
Per gli studenti non frequentanti: - Lucio Argano "La gestione dei progetti di spettacolo", FrancoAngeli, Milano, edizione 2019 (pp. 331). - Francesca D’Ippolito, “Produrre teatro in Italia oggi”, Audino Ed., Roma, 2022 (pp. 128). Aggiungere un libro a scelta tra: Alessandro Pontremoli e Gerarda Ventura, "La danza: organizzare per creare", FrancoAngeli, Milano, 2019, oppure Minetto Andrea, Tarassi Silvia, “I festival diffusi. Un nuovo formato organizzativo per le politiche culturali”, FrancoAngeli, Milano, 2024, oppure Lamberti Elena, “La distribuzione degli spettacoli dal vivo. Un percorso di curatela”, Titivillus, Corazzano, 2024
|