Teaching - Università Roma Tre

STORIA DELL'ARTE MEDIEVALE E STORIA DELL'ARTE BIZANTINA - LM (objectives)

Code

20710159

Language

ITA

Type of certificate

Profit certificate

Module: STORIA DELL'ARTE MEDIEVALE E STORIA DELL'ARTE BIZANTINA 1 - LM (objectives)

Code

20710159-1

Language

ITA

Type of certificate

Profit certificate

Credits

Scientific Disciplinary Sector Code

L-ART/01

Contact Hours

Type of Activity

Related or supplementary learning activities

Derived from	20710159 STORIA DELL'ARTE MEDIEVALE E STORIA DELL'ARTE BIZANTINA - LM in History of Art LM-89 (professor to define) (syllabus) The course includes 2 joined modules, equivalent to 12 CFU. The two modules will investigate significant episodes in the artistic production in the West and the East, highlighting similarities and differences in architectural types, decorative systems, concepts in theology and aesthetics from both areas. Therefore, both modules will be addressed, along with buildings, to mosaics, wall painting and icons from 5th to 13th centuries, investigating iconographic themes and systems, formal and stylistic structures, commissions in Rome, Constantinople, and other regions of the Byzantine empire. Visits to some historical complexes in Rome will be an integral part of the exam programme: surveys led by the professor are planned, which will be announced promptly. Direct knowledge of a group of roman churches is also required for the purpose of the exam (see list below). The active participation of students is expected with presentations in class and during visits (reference books) Attending students Module I History of Medieval Art Bibliography • R. Krautheimer, Architettura sacra paleocristiana e medievale e altri saggi su rinascimento e barocco, Torino, Bollati Boringhieri 1993, pp. 66-89 e figg. 10-27. • M. Andaloro, S. Romano, Arte e iconografia a Roma, Milano, Jaca Book 2000: M. Andaloro, S. Romano, L’immagine nell’abside, pp. 93-132. • M. Andaloro, L’Orizzonte tardo antico e le nuove immagini 312-468, v. I, Milano-Roma, Jaca Book-Palombi 2006: F.R. Moretti e Liverani, pp. 87-91; G. Leardi, pp. 358-361; M. Viscontini, pp. 366-378 e 411-415; G. Bordi, pp. 379-407 e 416-418. • G. Gandolfo, La basilica sistina: i mosaici della navata e dell'arco trionfale, in Santa Maria Maggiore a Roma, a cura di C. Pietrangeli, Firenze 1990, pp. 85-123. • G. Curzi, I mosaici dell’Oratorio di S. Venanzio nel Battistero Lateranense: problemi storici e vicende conservative, in “Atti del V colloquio dell’AISCOM”, Ravenna 1998, pp. 267-282. • M. Andaloro, I papi e l’immagine prima e dopo Nicea, in Medioevo: immagini e ideologie, Atti del Convegno Internazionale di Studi (Parma, 23-27 settembre 2002), a cura di A. C. Quintavalle, Milano-Parma, Electa 2005, pp. 525-540. • S. Romano, Riforma e Tradizione. 1050-1198, v. IV, Milano-Roma, Jaca Book-Palombi 2006: S. Romano, pp. 129-150 (S. Clemente, affreschi); J. Croisier, pp. 209-218 (S. Clemente, mosaico absidale); J. Croisier, pp. 305-311 (Santa Maria in Trastevere, mosaico absidale). • E. Parlato, S. Romano, Roma e il Lazio. Il Romanico, Milano, Jaca Book 2001; pp. 29-43 (S. Clemente); 60-75 (S. Maria in Trastevere); 143 (S. Cecilia in Trastevere). • M. Righetti, La nuova facies della basilica: tra Arnolfo e Cavallini, in AA.VV., Santa Cecilia in Trastevere, Roma, Palombi Editori 2007, pp. 84-111. • S. Romano, Il Duecento e la cultura gotica (1198-1287 ca.), v. V, Milano, Jaca Book, 2012: K. Queijo, pp. 77-87 (San Paolo f.l.m., mosaico absidale). • S. Romano, Apogeo e fine del Medioevo.1288-1431, v. VI, Milano, Jaca Book 2017: V. Giesser, pp. 49-57 (San Giovanni in Laterano, Jacopo Torriti, mosaico absidale); V. Giesser, pp. 80-93 (Santa Cecilia in Trastevere, Pietro Cavallini, affreschi navata e controfacciata); V. Giesser, pp. 116-127 (Santa Maria Maggiore, Iacopo Torriti, mosaico absidale); V. Giesser, pp. 171-182 (Santa Cecilia in Trastevere, Pietro Cavallini, Storie della Vergine, mosaico absidale). • The following text is strongly recommended: - M. Andaloro, Atlante. Percorsi visivi, v. I, Jaca Book, Milano-Roma 2006, especially: S. Pietro; S. Paolo f.l.m.; S. Agnese f.l.m.; S. Clemente; Complesso lateranense: San Giovanni in Laterano, Battistero lateranense and Oratorio di S. Venanzio; Santa Maria Maggiore; S. Stefano Rotondo. Non-attending students Must add to the above texts: - M. Andaloro, S. Romano, Roma. Arte e iconografia a Roma. Da Costantino a Cola di Rienzo, Milano, Jaca Book 2000 (whole book). N.B. Apart from whole books, which can be either found at public libraries or bought, and additional readings for non-attending students, any other materials, including the slides, will be available at the end of the course as PDF to all the properly registered students, both attending and non-attending, on the Team channel of Storia dell’arte medievale e storia dell’arte bizantina LM a.a. 2024-2025 prof.ssa Maria Luigia Fobelli, in the section File, folder Materiale del corso.
Dates of beginning and end of teaching activities	From to
Delivery mode	Traditional
Attendance	not mandatory
Evaluation methods	Oral exam

Module: STORIA DELL'ARTE MEDIEVALE E STORIA DELL'ARTE BIZANTINA 2 - LM (objectives) History of medieval art and history of Byzantine art LM It is intended to examine a segment of the artistic manifestations of the West and the East, highlighting similarities and differences between the architectural types, the decorative apparatuses, theological and aesthetic conceptions of the two geographical areas. Both modules, therefore, in parallel with the buildings, will analyze mosaics, murals and icons from the 5th to the 12th century, investigating iconographic themes and systems, stylistic-formal structures and commissions, respectively in Rome, Constantinople and other territories of the Byzantine Empire. Visits to some churches in Rome and Lazio will be an integral part of the examination programme. There will be some visits with the teacher that will be communicated at the beginning of the course.
Code	20710159-2
Language	ITA
Type of certificate	Profit certificate