Teacher
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CECCHINI SILVIA
(syllabus)
Which theoretical and cultural paradigms does the restoration of works of art refer to in the society in which we are now living? The course begins by analysing recent cases of conservation restoration, grasping the links with similar thematic areas that connote the outlook of our time (contemporary art, museology, diagnostic tools, digital reproduction of works of art and virtual restoration). The lectures therefore explore - in the classroom, in museums, in the field, in restoration workshops - the history of conservation restoration between the 19th and 21st centuries, with reference to both the national and international context. Particular attention is paid to historical sources and material traces of the conservation history of works of art, in order to understand the changes of practices and specific vocabulary. Seminars and conferences by professionals involved in restoration work will be part of the course.
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