Università Roma Tre

The course will be divided into two floors;

a) a theoretical one, with the 2 dramaturgical and cinematographic models of the course:

- THE STRUCTURE IN THREE ACTS (which is rooted in Freudian psychology)

- THE HERO'S JOURNEY BY C. VOGLER (which is rooted in Jungian psychology)

b) a practical one, with exercises, on how to move from IDEATION, from the INSIGHT that sparked the initial IDEA, to the SUBJECT (which is the STRUCTURED IDEA, THE PUTTING INTO HISTORY OF THE INSIGHT), to the LADDER (the articulation of the main movements of dramaturgy, the definition of the main NARRATIVE BLOCKS), to TREATMENT (the full-text EXPLORATION of the narrative universe, closer to the novel: where do the scenes happen? What does the protagonist think? We investigate in depth; the characters they objectify themselves other than us: they are alive and autonomous. We understand the MENTAL HORIZON OF THE CHARACTERS), to the SCREENPLAY (all the scenes, scene by scene: what happens in them, the characters, its meaning. It is the "PLACE" where works properly on the definition of the film. Dialogues, images, rhythm, psychology of the characters, narrative arcs find their fulfillment here before filming).