Teacher
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MARENZI SAMANTHA
(syllabus)
The course examines the relationship between the art of movement and the movement of images, analyzing dance and video in cases of documentation of performances or artistic creation and their possible combinations. In the chronological span from the second half of the twentieth century to contemporary experiences, the course is based on the vision, the commentary and the study of the main cases of dance in video.
(reference books)
Videography:
Maya Deren, Dance Films Maurice Bejart, Bolero – Le sacre du Printemps Pina Bausch, Café Muller Wim Wenders, Pina Pier Francesco Aiello, Dancing Dreams. Sui passi di Pina Bausch Bartabas/Ko Murobushi - Le centaure et l'animal Masaki Iwana, Vermilion Souls La La La Human Steps - Amelia Tomer Heymann, Mr. Gaga. Anima e corpo di un genio della danza Teatro Akropolis, La parte maledetta. Viaggio ai confini del teatro. Paola Bianchi
During the course of the lectures other videos and archival materials will be screened and, where possible, made available to non-attending students.
Textes: - Alessandro Amaducci, Screendance. Sperimentazioni visive intorno al corpo tra film, video e computer grafica, Kaplan, Torino 2020 - Lecture notes and materials by the teacher
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