|
Teacher
|
RAVESI GIACOMO
(syllabus)
The course aims to analyze the role of film festivals within audiovisual cultures. The first part is historical-analytical and aims to investigate the theoretical definition of the film festival-form and retraces its main historical evolutions. The privileged area of investigation will be the Italian case but contextualized in an international frame. The second part explores the aspects related to the organization and management of film events, developing a more openly operational approach attentive to economic issues and territorial repercussions. Particular attention will be paid to the contemporary context, investigating the transformations that have occurred to film festivals as part of their relocation to the web and in synergy with new forms of contemporary spectatorship.
(reference books)
Lucio Argano, Alessandro Bollo, Paolo Dalla Sega, Organizzare eventi culturali. Ideazione, progettazione e gestione strategica del pubblico, Franco Angeli, Milano, 2018
Maria Francesca Piredda, I festival del cinema in Italia. Forme e pratiche dalle origini al Covid-19, Carocci, Roma, 2022
FILMOGRAPHY:
Chambre 666 (1982) Wim Wenders
Nitrato d’argento (1996) Marco Ferreri
Chacun son cinéma (A ciascuno il suo cinema, 2012) Gilles Jacob
The Square (2017) Ruben Östlund
|
Università Roma Tre