Università Roma Tre

The course aims to explore the history and present of journalistic photography, its role as a 'window on the world' in modern visual culture and in the formation of what can be considered a 'global consciousness'.

The work of the main personalities who have marked the history of photojournalism will be retraced, as well as the relationship between myth and reality of the profession, between the aspiration to objectivity and the compromises of the editorial chain, between denunciation and censorship, from its origins to the present day. From the golden age of magazines to war photography. The current crisis of the profession. The new challenges of information through images to the aestheticisation and decontextualisation of journalistic photography in the digital age.

Elements of knowledge will be provided on the themes of digital manipulation, debunking of 'hoaxes' in the age of fakenews, political storytelling and post-truth, with an emphasis on the ethics of photography, the main codes of ethics, the legal rules for the use of images and copyright.

The workshop will make students measure themselves directly with the analysis of the snapshots of the major photoreporters and the most significant magazines, enabling them to read them also in relation to the era, the economy, the publishing market, figurative art and the history of the mentality of the societies in which they were taken, so as to contribute to consolidating their overall knowledge of the modern and contemporary age.

Mario Dondero con Emanuele Giordana, Lo scatto umano. Viaggio nel fotogiornalismo da Budapest a New York, Laterza, Bari 2017

Susan Sontag, Davanti al dolore degli altri, Nottetempo, Milano 2021

André Gunthert, L’image partagée. La photographie numérique, ed. Textuel, Parigi 2015 (fornito agli studenti in pdf)

Michel Pastoureau, Dizionario dei colori del nostro tempo, Ponte alle Grazie, Milano 2018

Uliano Lucas e Tatiana Agliani, La realtà e lo sguardo. Storia del fotogiornalismo in Italia, Einaudi, Torino 2016

Robert Capa, Leggermente fuori fuoco, Contrasto, Roma 2002

Peter Arnett, prefazione al volume di Vincent Alabiso, ‘Flash! The Associated Press Covers the World’, New York, Harry N. Abrams Inc., 1998 (verrà fornita agli studenti in pdf)

John G. Morris, Get the Picture. Una storia molto personale del fotogiornalismo, Contrasto, Roma 2011

I pdf (o gli appunti) delle lezioni in aula