HISTORY OF CONTEMPORARY ARCHITECTURE
(objectives)
The course include the 20th century architecture in Europe and in the United States of America, highlighting the different modern tendencies: the one linked to the avant-gardes but also the one established from the intersection of relationships between regional traditions and new languages. Besides, dwelling and urban reforming policies and the importance of the reinforced concrete establishing will be analysed. The course also deals with the Modern Movement crisis and outlines the themes of the beginning of the last century decade.
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Code
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21002035 |
Language
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ITA |
Type of certificate
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Profit certificate
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Credits
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8
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Scientific Disciplinary Sector Code
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ICAR/18
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Contact Hours
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100
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Type of Activity
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Core compulsory activities
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Group: CANALE I
Derived from
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21002035 HISTORY OF CONTEMPORARY ARCHITECTURE in Master of Science - Architecture LM-4 CANALE II SCIMEMI MADDALENA
(syllabus)
This course aims at providing a critical approach towards the “changing ideals” of contemporary architecture, starting from the opposing forces of the notions of classical and modern during the Age of Enlightenment. Through descriptions of different historical and geographical contexts, a selected series of masterworks from XIX to XX Century will be discussed in terms of form, structure, functions, specifically considering how they have contributed to past and contemporary architectural debate. This path will include the "architecture parlante" by C.-N. Ledoux up to Le Corbusier, the Arts and Craft Movement and the organic approach by Frank Lloyd Wright, from the British 2ndPost-war Neoavant-gardes to the Dutch architecture of diagrams in the 1990's.
(reference books)
P. Burger, Teoria dell’avanguardia, Torino 1990 (1974) W.J.R. Curtis, L’architettura moderna dal 1900, Milano 1999 (1982) E. Kaufmann, Da Ledoux a Le Corbusier: origine e sviluppo dell'architettura autonoma, Milano 1973 (1933) R. Middleton, D. Watkin, Architettura dell’Ottocento, Milano 1977 N. Pevsner, J. Fleming, H. Honour, Dizionario di architettura, Torino 1981 (1966) H. Sedlmayr, Perdita del centro: le arti figurative del diciannovesimo e ventesimo secolo come sintomo e simbolo di un'epoca, Torino 1967 (1947) M. Tafuri, La sfera e il labirinto, Torino 1980
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Dates of beginning and end of teaching activities
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From 28/02/2023 to 29/09/2023 |
Delivery mode
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Traditional
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Attendance
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Mandatory
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Evaluation methods
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Oral exam
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Group: CANALE II
Teacher
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SCIMEMI MADDALENA
(syllabus)
This course aims at providing a critical approach towards the “changing ideals” of contemporary architecture, starting from the opposing forces of the notions of classical and modern during the Age of Enlightenment. Through descriptions of different historical and geographical contexts, a selected series of masterworks from XIX to XX Century will be discussed in terms of form, structure, functions, specifically considering how they have contributed to past and contemporary architectural debate. This path will include the "architecture parlante" by C.-N. Ledoux up to Le Corbusier, the Arts and Craft Movement and the organic approach by Frank Lloyd Wright, from the British 2ndPost-war Neoavant-gardes to the Dutch architecture of diagrams in the 1990's.
(reference books)
P. Burger, Teoria dell’avanguardia, Torino 1990 (1974) W.J.R. Curtis, L’architettura moderna dal 1900, Milano 1999 (1982) E. Kaufmann, Da Ledoux a Le Corbusier: origine e sviluppo dell'architettura autonoma, Milano 1973 (1933) R. Middleton, D. Watkin, Architettura dell’Ottocento, Milano 1977 N. Pevsner, J. Fleming, H. Honour, Dizionario di architettura, Torino 1981 (1966) H. Sedlmayr, Perdita del centro: le arti figurative del diciannovesimo e ventesimo secolo come sintomo e simbolo di un'epoca, Torino 1967 (1947) M. Tafuri, La sfera e il labirinto, Torino 1980
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Dates of beginning and end of teaching activities
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From 28/02/2023 to 29/09/2023 |
Delivery mode
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Traditional
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Attendance
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Mandatory
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Evaluation methods
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Oral exam
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|
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