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Teacher
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SOFIA GABRIELE
(syllabus)
The course will be made up of three sections:
- In the first part the course will present and analyse the principles of scenic composition through the new perspectives opened by the cognitive sciences and the theories of embodied cognition.
- Then, the works and the theories of Edward Gordon Craig will be analysed.
- In the last part the methodologies of scenic composition of the Odin Teatret and the theoretical writings of Eugenio Barba will be studied.
(reference books)
- Gabriele Sofia, “Le acrobazie dello spettatore. Dal teatro alle neuroscienze e ritorno”, Roma, Bulzoni, 2013.
- Edward Gordon Craig, “L’arte del teatro. Il mio teatro” a cura di Ferruccio Marotti, Cue Press, 2016.
- Selection of writings by Eugenio Barba. This document can be requested sending an email to gabriele.sofia@uniroma3.it
FOR NON-ATTENDING STUDENTS
- Eugenio Barba, “La Canoa di Carta. Trattato di Antropologia teatrale”, Bologna, Il Mulino, 1993.
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Università Roma Tre