Università Roma Tre

Contemporary dance in the experience of some italian authors who have reinvented the language of the body and the performing art. Founders of traditions and creators of new research trajectories, their coreographic experience and writings constitute a heritage on the border between theory and practice. Despite the great technical and poetic differences, the radical nature of their experimentation unites them and places them in the heart of the investigation into the very nature of movement and the scenic act.

- Il corpo insorto nella pratica performativa di Habillé d’eau , a cura di Ada D’Adamo, Editoria & Spettacolo, Spoleto 2012
- Paola Bianchi, Corpo politico. Distopia del gesto utopia del movimento, a cura di Silvia Bottiroli e Silvia Parlagreco, Editoria & Spettacolo, Spoleto 2014
- Samantha Marenzi, Alessandra Cristiani. Il corpo come radice e l’invenzione di una tradizione, Editoria & Spettacolo, Spoleto 2014 [provisional title, volume in course of publication]
- Lecture notes and materials by the teacher available on the course website http://www.teorieepratichedelladanza.it/

Non-attending students will add to the program additional handouts available on the course website
http://www.teorieepratichedelladanza.it/