Università Roma Tre

Genesis, development and aesthetic-philosophical implications of electroacoustics: from the pioneering experiences in the early Twentieth Century to the dissemination of musical genres based exclusively on artificial, denatured sounds. Will be also illustrated the metamorphoses of a musical panorama shaped by an increasingly accentuated electrification and digitization of sound, starting from the musical poetics of the historical Avant-garde up to current events. Finally, the preparatory approach to the treatment of sound in its various digital formats will also be implemented in laboratory form.

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