| New musical technologies: Aesthetics and Utilizations
(objectives)
Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
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Code
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20710386 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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| Module: New musical technologies: Aesthetics and Utilizations 1
(objectives)
Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
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Code
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20710386-1 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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Credits
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6
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Scientific Disciplinary Sector Code
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L-ART/07
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Contact Hours
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36
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Type of Activity
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Core compulsory activities
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Teacher
|
GUANTI GIOVANNI
(syllabus)
Genesis, development and aesthetic-philosophical implications of electroacoustics: from the pioneering experiences in the early Twentieth Century to the dissemination of musical genres based exclusively on artificial, denatured sounds. Will be also illustrated the metamorphoses of a musical panorama shaped by an increasingly accentuated electrification and digitization of sound, starting from the musical poetics of the historical Avant-garde up to current events. Finally, the preparatory approach to the treatment of sound in its various digital formats will also be implemented in laboratory form.
(reference books)
Reference text being defined.
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Dates of beginning and end of teaching activities
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From to |
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Delivery mode
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Traditional
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Attendance
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Mandatory
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Evaluation methods
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Oral exam
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| Module: New musical technologies: Aesthetics and Utilizations 2
(objectives)
Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
|
|
Code
|
20710386-2 |
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Language
|
ITA |
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Type of certificate
|
Profit certificate
|
|
Credits
|
6
|
|
Scientific Disciplinary Sector Code
|
L-ART/07
|
|
Contact Hours
|
36
|
|
Type of Activity
|
Core compulsory activities
|
|
Teacher
|
GUANTI GIOVANNI
(syllabus)
Genesis, development and aesthetic-philosophical implications of electroacoustics: from the pioneering experiences in the early Twentieth Century to the dissemination of musical genres based exclusively on artificial, denatured sounds. Will be also illustrated the metamorphoses of a musical panorama shaped by an increasingly accentuated electrification and digitization of sound, starting from the musical poetics of the historical Avant-garde up to current events. Finally, the preparatory approach to the treatment of sound in its various digital formats will also be implemented in laboratory form.
(reference books)
Reference text being defined.
|
|
Dates of beginning and end of teaching activities
|
From to |
|
Delivery mode
|
Traditional
|
|
Attendance
|
Mandatory
|
|
Evaluation methods
|
Oral exam
|
|
|
|
Università Roma Tre