| New musical technologies: Aesthetics and Utilizations
(objectives)
Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
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Code
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20710386 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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| Module: New musical technologies: Aesthetics and Utilizations 1
(objectives)
Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
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Code
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20710386-1 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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Credits
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6
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Scientific Disciplinary Sector Code
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L-ART/07
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Contact Hours
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36
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Type of Activity
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Teacher
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GUANTI GIOVANNI
(syllabus)
Genesis, development and aesthetic-philosophical implications of electroacoustics: from the pioneering experiences in the early Twentieth Century to the dissemination of musical genres based exclusively on artificial, denatured sounds
(reference books)
FRONZI, Giacomo, Electrosound. Storia ed estetica della musica elettroacustica, EDT, Torino 2013
Non-attending students: please contact the teacher to receive information on additional texts.
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Dates of beginning and end of teaching activities
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From to |
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Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Oral exam
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| Module: New musical technologies: Aesthetics and Utilizations 2
(objectives)
Historiographic, aesthetic and pragmatic rudiments in the creation and interpretation of electronic and electroacoustic music with a primary reference to soundtrack and multisensoriality
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Code
|
20710386-2 |
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Language
|
ITA |
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Type of certificate
|
Profit certificate
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|
Credits
|
6
|
|
Scientific Disciplinary Sector Code
|
L-ART/07
|
|
Contact Hours
|
36
|
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Type of Activity
|
|
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Teacher
|
GUANTI GIOVANNI
(syllabus)
illustrate metamorphosis of a musical landscape shaped by a electrification and digitization of sounds increasingly accentuated. This course also develops aesthetic issues relating to synergies / discrepancies between sounds and movie pictures
(reference books)
Fabbri, Franco, Il suono in cui viviamo: saggi sulla popular music, Milano, Il Saggiatore 2008
Non-attending students: please contact the teacher to receive information on additional texts.
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|
Dates of beginning and end of teaching activities
|
From to |
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Delivery mode
|
Traditional
|
|
Attendance
|
not mandatory
|
|
Evaluation methods
|
Oral exam
|
|
|
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Università Roma Tre