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Teacher
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LO IACONO CONCETTA
(syllabus)
TITLE: Europe / Russia. The art of dance from classical repertoire to new choreographies
The art of dance in Russia in comparison with the European dance theater, including:
a) the artistic construction of the dancer body in the Western theatre ("Bella Figura", XIX-XXI cent.);
b) the dance repertoire between philology and new versions (in particular: Mats Ek);
c) the artistic and choreographic avant-garde of the early Twentieth Century;
d) Apollo's Angels from Europe to the States: the Russian-American choreographer George Balanchine
TEXTBOOKS
Concetta Lo Iacono, Terpsichore’s Flight. A History of Russian Ballet in Pictures, Massimiliano Piretti Editore, Bologna (in preparation)
OR
Jennifer Homans, Apollo’s Angels: A History of Ballet, Random House, New York, 2010 (Italian edition: Gli angeli di Apollo. Storia del balletto, EDT, Torino, 2015)
FOR NON ATTENDING STUDENTS, IN ADDITION:
Flavia Pappacena, volume 2 [Il Settecento e l'Ottocento], Storia della danza e del balletto (in 3 volumes), Gremese, Rome, 2019
OR
Di Tondo-Pappacena-Pontremoli, Storia della danza e del balletto, Gremese, Rome, 2019 (a single volume: from page 129).
REQUIRED VIDEOGRAPHY. Three videos, to be chosen among the following:
1. Bella figura, choreography Jiri Kylian
2. Giselle, choreography Leonid Lavrovskij (from Coralli-Perrot), with Galina Ulanova (London, 1956)
3. Sleeping Beauty, choreography Mats Ek (or La belle au bois dormant, choreography Marius Petipa, Mariinskij Theatre, Saint Petersburg)
4. Le Sacre du Printemps, choreography Vaslav Nijinsky (or Pina Bausch’s version, with Malou Airaudo)
5. Pétrouchka, choreography Michajl Fokin, with Nureyev (or Les Noces, choreography Bronislava Nijinska)
6. Romeo and Juliet, choreography Leonid Lavrovskij, with Galina Ulanova (or Romeo and Juliet, choreography MacMillan, with Alessandra Ferri)
7. Serenade, and Apollon, choreography Balanchine, New York City Ballet
ORAL TEST
For additional information, please E-MAIL: concetta.loiacono@uniroma3.it
2020 SPRING SEMESTER
(reference books)
TEXTBOOKS
Concetta Lo Iacono, Terpsichore’s Flight. A History of Russian Ballet in Pictures, Massimiliano Piretti Editore, Bologna (in preparation)
Or
Jennifer Homans, Apollo’s Angels: A History of Ballet, Random House, New York, 2010 (Italian edition: Gli angeli di Apollo. Storia del balletto, EDT, Torino, 2015)
FOR NON ATTENDING STUDENTS, IN ADDITION:
Flavia Pappacena, volume 2 [Il Settecento e l'Ottocento], Storia della danza e del balletto (in 3 volumes), Gremese, Rome, 2019
OR
Di Tondo-Pappacena-Pontremoli, Storia della danza e del balletto, Gremese, Rome, 2019 (a single volume: from page 129).
REQUIRED VIDEOGRAPHY. Three videos, to be chosen among the following:
1. Bella figura, choreography Jiri Kylian
2. Giselle, choreography Leonid Lavrovskij (from Coralli-Perrot), with Galina Ulanova (London, 1956)
3. Sleeping Beauty, choreography Mats Ek (or La belle au bois dormant, choreography Marius Petipa, Mariinskij Theatre, Saint Petersburg)
4. Le Sacre du Printemps, choreography Vaslav Nijinsky (or Pina Bausch’s version, with malou Airaudo)
5. Pétrouchka, choreography Michajl Fokin, with Nureyev (or Les Noces, choreography Bronislava Nijinska)
6. Romeo and Juliet, choreography Leonid Lavrovskij, with Galina Ulanova (or Romeo and Juliet, choreography MacMillan, with Alessandra Ferri)
7. Serenade, and Apollon, choreography Balanchine, New York City Ballet
For additional information, please E-MAIL: concetta.loiacono@uniroma3.it
2020 SPRING SEMESTER
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Università Roma Tre