RUSSIAN LITERATURE II MASTER'S LEVEL COURSE
(objectives)
The course aims at offering the students thorough knowledge of Russian Literary Criticism, in particular of semiotic approach. The course aims also at offering the students methodological instruments they need to analyse literary complex and diversified texts. Students will be able to develop autonomously further cultural and literary knowledge and competences of a higher level applying them to other, specific literary texts.
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Code
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20703545 |
Language
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RUS |
Type of certificate
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Profit certificate
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Credits
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12
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Scientific Disciplinary Sector Code
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L-LIN/21
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Contact Hours
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72
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Type of Activity
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Related or supplementary learning activities
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Teacher
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PICCOLO LAURA
(syllabus)
The course is divided into two modules. The first module will be held by Ilaria Aletto (see the relevant sheet).
The second module will focus on the different types of housing in Russia, in particular on usad'ba and kommunal'naja kvartira through cultural, literary and filmic texts.
(reference books)
The course is divided into two modules. For the module held by Prof. Aletto, see the relevant sheet. For the module held by Prof.ssa Piccolo, the references are given below.
Readings N.V. Gogol’, Starosvetskie pomeščiki I.S. Turgenev, Dvorjanskoe gnezdo A.P. Čechov, rasskazy (selected texts), Vyšnevyj sad M. A. Bulgakov, Master i Margarita, Zojkina kvartira, Traktakt o žilišče Ju. V. Trifonov, Dom na naberežnoj V. Sorokin, Roman V. Makanin, Andegraund ili geroj našego vremeni
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Dates of beginning and end of teaching activities
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From to |
Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Oral exam
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Teacher
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Aletto Ilaria
(syllabus)
From expressive movement to pathos: Sergei Mikhailovich Eisenstein's theory of montage
The module, part of Prof. Laura Piccolo's course, aims at providing an overview of the types of the eisenstenian montage. The lectures will trace the different definitions of montage elaborated by Eisenstein, between an experimentation carried throughout the directorial practice, and a theoretical reflection characterized by the search for a "universal" and, at the same time, protean methodological criterion. The starting point will be the analysis of theories on cinema developed by the Formal school during the Twenties, to which Eisenstein, although strongly influenced by them, relates in an original way.
(reference books)
Filmography Dnevnik Glumova (1923) Stačka (1924) Bronenosec Potemkin (1925) Oktjabr’ (1927-28) Que viva Mexico! (1930-1932) General’naja linija (Staroe i novoe, 1926-29) Bežin lug (1935-36) Aleksandr Nevskij (1938) Ivan Groznyj 1-aja (1941-1944) i 2-aja serija (1945)
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Dates of beginning and end of teaching activities
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From to |
Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Oral exam
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