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Teacher
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RESTA ILARIA
(syllabus)
Course programma
The course aims at presenting some texts that have contributed to build the canon of the Spanish theatre between the XVII and the XX centuries. Basic elements of the analysis of the dramatic text will be provided in its relationship with literature and performance. We will discuss the main translation problems it presents.
Didactic material (necessary to attend the course and to do the exam)
1) TEXTS (where a specific edition is indicated, this is the one required for the preparation of the exam):
• Lope de Vega, La dama boba / La dama sciocca, a cura di M. G. Profeti, Venezia, Marsilio;
• Lope de Vega, El caballero de Olmedo, ed. F. Rico, Madrid, Cátedra (Il cavaliere di Olmedo, trad. di F. Antonucci, testo spagnolo a fronte, in Il teatro dei Secoli d’Oro, a cura di M. G. Profeti, Milano, Bompiani, vol. I);
• Pedro Calderón de la Barca, La vita è un sogno (La vida es sueño), a cura di F. Antonucci, Venezia, Marsilio;
• Antonio García Gutiérrez, El Trovador, ed. C. Ruiz Silva, Madrid, Cátedra;
• Ramón del Valle-Inclán, Los cuernos de don Friolera (in R. del Valle-Inclán, Martes de
Carnaval, esperpentos, ed. J. Rubio Jiménez, Madrid, Espasa Calpe)
• Federico García Lorca, Bodas de sangre/Nozze di sangue, edizione bilingue a cura di E. Pittarello, Venezia, Marsilio.
2) CRITICS AND NOTIONS OF HISTORY AND LITERATURE HISTORY:
a) Ignacio Arellano, Historia del teatro español del siglo XVII, Madrid, Cátedra (chapters 1, 2, 6);
b) J. L. García-Barrientos, Cómo se comenta una obra de teatro, Madrid, Síntesis (only the parts indicated by the professor);
c) L. Rodríguez Cacho, Manual de historia de la literatura española, vol. II, Siglos XVIII al XX, Madrid, Castalia (only the parts indicated by the professor);
d) F. Antonucci, Il Novecento letterario spagnolo: percorsi, Pisa, ETS (chapters 4, 5, 7);
e) L. Chines, C. Varotti, Che cos’è un testo letterario, Roma, Carocci (chap. 3);
f) The introductions to the recommended editions (see point 1, Texts) and any other critical materials that will be indicated by the professors on their website.
Non-attending students are requested to contact the professors at least two months before the exam date. In addition, they must refer to the professors’ website for additional information and for the Temario of the exam (that is, the thematic guidelines useful for the exam preparation).
(reference books)
Didactic material (necessary to attend the course and to do the exam)
TEXTS (where a specific edition is indicated, this is the one required for the preparation of the exam):
• Lope de Vega, La dama boba / La dama sciocca, a cura di M. G. Profeti, Venezia, Marsilio;
• Lope de Vega, El caballero de Olmedo, ed. F. Rico, Madrid, Cátedra (Il cavaliere di Olmedo, trad. di F. Antonucci, testo spagnolo a fronte, in Il teatro dei Secoli d’Oro, a cura di M. G. Profeti, Milano, Bompiani, vol. I);
• Pedro Calderón de la Barca, La vita è un sogno (La vida es sueño), a cura di F. Antonucci, Venezia, Marsilio;
• Antonio García Gutiérrez, El Trovador, ed. C. Ruiz Silva, Madrid, Cátedra;
• Ramón del Valle-Inclán, Los cuernos de don Friolera (in R. del Valle-Inclán, Martes de
Carnaval, esperpentos, ed. J. Rubio Jiménez, Madrid, Espasa Calpe)
• Federico García Lorca, Bodas de sangre/Nozze di sangue, edizione bilingue a cura di E. Pittarello, Venezia, Marsilio.
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Università Roma Tre