| ITALIAN CINEMA |
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Code
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20709130 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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Credits
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12
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Scientific Disciplinary Sector Code
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L-ART/06
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Contact Hours
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72
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Type of Activity
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Related or supplementary learning activities
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Group: A - L
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Derived from
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20709130 ITALIAN CINEMA in DAMS - Studies in Performing Arts L-3 A - L PARIGI STEFANIA
(syllabus)
ITALIAN CINEMA. FROM POSTWAR TO THE 60s
Program: The course examines two of the most significant periods in the history of Italian cinema: the post-war period and the 1960s. The first part is dedicated to the most emblematic theories, authors, figures and styles of neorealism. The major works of Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Giuseppe De Santis, Pietro Germi are analyzed. Particular emphasis is given to the thought and practices of Cesare Zavattini. The second part deals with the auteur cinema of the old and new generations of the Sixties: Michelangelo Antonioni, Federico Fellini, Marco Ferreri, Ermanno Olmi, Pier Paolo Pasolini, Bernardo Bertolucci, Marco Bellocchio. Historical-critical reflection are accompanied by the aesthetic analysis of films.
(reference books)
TEXTS: Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, Torino 2003 (in particular chapters III and IV); Stefania Parigi, Immagini del neorealismo, Marsilio, Venezia 2014; Emiliano Morreale, Cinema d'autore degli anni Sessanta, Il Castoro, Milano 2011; a compilation of texts on neorealism by the teacher (you can find it at the beginning of the course at the shop in Via G. Rocco, n. 11). Non-attending students must also read Stefania Parigi, Pier Paolo Pasolini. Accattone, Lindau, Turin 2008. FILMOGRAPHY: Ossessione (1943) by L.Visconti; Paisà (1946) by R. Rossellini; Germania anno zero (1948) by R. Rossellini; Ladri di biciclette (1948) by V. De Sica; La terra trema (1948) by L. Visconti; Riso amaro (1949) by G. De Santis; Miracolo a Milano (1950) by V. De Sica; Il cammino della speranza (1950) by P. Germi; Due soldi di speranza (1951) by R. Castellani; Pane amore e fantasia (1953) by L. Comencini; Il grido (1957) by M. Antonioni; L’avventura (1960) by M. Antonioni; La dolce vita (1960) by F. Fellini; Accattone (1961) by P. P. Pasolini; I fidanzati (1963) by E. Olmi; Prima della rivoluzione (1964) by B. Bertolucci; I pugni in tasca (1965) by M. Bellocchio; Blow-up (1967) by M. Antonioni; Dillinger è morto (1969) by M. Ferreri. Films will be shown in full or in part during lessons. Dvd copies will be available at the Biblioteca "Lino Miccichè", via Ostiense 139.
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Dates of beginning and end of teaching activities
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From to |
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Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Written test
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Group: M - Z
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Derived from
|
20709130 ITALIAN CINEMA in DAMS - Studies in Performing Arts L-3 A - L PARIGI STEFANIA
(syllabus)
ITALIAN CINEMA. FROM POSTWAR TO THE 60s
Program: The course examines two of the most significant periods in the history of Italian cinema: the post-war period and the 1960s. The first part is dedicated to the most emblematic theories, authors, figures and styles of neorealism. The major works of Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Giuseppe De Santis, Pietro Germi are analyzed. Particular emphasis is given to the thought and practices of Cesare Zavattini. The second part deals with the auteur cinema of the old and new generations of the Sixties: Michelangelo Antonioni, Federico Fellini, Marco Ferreri, Ermanno Olmi, Pier Paolo Pasolini, Bernardo Bertolucci, Marco Bellocchio. Historical-critical reflection are accompanied by the aesthetic analysis of films.
(reference books)
TEXTS: Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, Torino 2003 (in particular chapters III and IV); Stefania Parigi, Immagini del neorealismo, Marsilio, Venezia 2014; Emiliano Morreale, Cinema d'autore degli anni Sessanta, Il Castoro, Milano 2011; a compilation of texts on neorealism by the teacher (you can find it at the beginning of the course at the shop in Via G. Rocco, n. 11). Non-attending students must also read Stefania Parigi, Pier Paolo Pasolini. Accattone, Lindau, Turin 2008. FILMOGRAPHY: Ossessione (1943) by L.Visconti; Paisà (1946) by R. Rossellini; Germania anno zero (1948) by R. Rossellini; Ladri di biciclette (1948) by V. De Sica; La terra trema (1948) by L. Visconti; Riso amaro (1949) by G. De Santis; Miracolo a Milano (1950) by V. De Sica; Il cammino della speranza (1950) by P. Germi; Due soldi di speranza (1951) by R. Castellani; Pane amore e fantasia (1953) by L. Comencini; Il grido (1957) by M. Antonioni; L’avventura (1960) by M. Antonioni; La dolce vita (1960) by F. Fellini; Accattone (1961) by P. P. Pasolini; I fidanzati (1963) by E. Olmi; Prima della rivoluzione (1964) by B. Bertolucci; I pugni in tasca (1965) by M. Bellocchio; Blow-up (1967) by M. Antonioni; Dillinger è morto (1969) by M. Ferreri. Films will be shown in full or in part during lessons. Dvd copies will be available at the Biblioteca "Lino Miccichè", via Ostiense 139.
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|
Dates of beginning and end of teaching activities
|
From to |
|
Delivery mode
|
Traditional
|
|
Attendance
|
not mandatory
|
|
Evaluation methods
|
Written test
|
|
|
Università Roma Tre