(objectives)
The course is focused on the analysis of buildings, as resulting from a design and construction process. A focal point will be given to ruined buildings, which give the opportunity for a unique understanding about their construction, being their masonry visible in all its components. On site and class practice exercise will introduce to analysis of the materials used in construction, the way they were transformed and assembled, the dimensioning of walls and the building phases. This course aims at enhancing the skills in interpreting built heritage also under other point of views: the design process underlying the construction, the form expressed in terms of interior and exterior architecture, the formal expression given to the surfaces. The representation of architecture thus will be not only considered as a graphic process but as a fundamental tool for interpretation of architecture, from a general level to the very detail, as a complementary tool to other ones, such as photography or computer design. Hand drawing will be the main tool for the cognitive process which makes possible in depth observation of the building and its fabric.
|
Code
|
21010020 |
Language
|
ITA |
Type of certificate
|
Profit certificate
|
Module:
(objectives)
The course is focused on the analysis of buildings, as resulting from a design and construction process. A focal point will be given to ruined buildings, which give the opportunity for a unique understanding about their construction, being their masonry visible in all its components. On site and class practice exercise will introduce to analysis of the materials used in construction, the way they were transformed and assembled, the dimensioning of walls and the building phases. This course aims at enhancing the skills in interpreting built heritage also under other point of views: the design process underlying the construction, the form expressed in terms of interior and exterior architecture, the formal expression given to the surfaces. The representation of architecture thus will be not only considered as a graphic process but as a fundamental tool for interpretation of architecture, from a general level to the very detail, as a complementary tool to other ones, such as photography or computer design. Hand drawing will be the main tool for the cognitive process which makes possible in depth observation of the building and its fabric.
|
Code
|
21010020-1 |
Language
|
ITA |
Type of certificate
|
Profit certificate
|
Credits
|
1
|
Scientific Disciplinary Sector Code
|
ICAR/17
|
Contact Hours
|
12,5
|
Type of Activity
|
Elective activities
|
Derived from
|
21010020-1 DISEGNO in Master of Science - Architecture LM-4 vitti paolo,
(syllabus)
The course includes class lectures and on-site and class exercises. In order to enhance the capacity to observe and interpret architecture the students will be given the possibility to gather information through autoptic observations with minimal measurements, and then transfer them into a series of diagrammatic drawings. This will be achieved through two stages of analysis. On site observations. Some lessons will be held in the field where the students will be asked to take notes on structural, architectural and construction elements. It will be necessary to observe in detail buildings, select significant elements of their fabric, understand the plan and elevation, analyse the overall plan of the building to reconstruct the design concept. All observations will be transferred to a sketchbook. Class exercises will aim at enhancing the capacity to interpret data collected on-site in a rational and critical way. The aim is to reconstruct the design and construction process, interpret the structural layout of the buildings, understand how a fabric was conceived and executed, analyse the decoration and understand the building phases. Drawings will have the form of diagrams, i.e. abstract representations through line graphs -including maps, plans, sections, elevations and axonometries. They will not be traditional surveys, but a critical reading of the building. Class lectures will be focused on: 1. Use of diagrams in the study of ancient architecture from the Renaissance to nowadays. 2. Understanding of the design of ancient architecture. 3. Study of the principles of design of ancient architectural orders. 4. Analysis of construction and structural layout of ancient buildings.
(reference books)
Auguste Choisy, L'art de bâtir chez les Romains, Paris 1873 Mario Docci, Diego Maestri, Manuale di rilevamento architettonico e urbano, Roma 1998 Mark Wilson Jones, Principles of Roman Architecture, New Haven, London 2000 Gian Pietro Brogiolo, Aurora Cagnana ( cura di), Archeologia dell’architettura metodi e interpretazioni, Firenze 2012. Carolyn Y. Yerkes, Drawings of the Pantheon in the Metropolitan Museum's Goldschmidt Scrapbook, Metropolitan Museum Journal, 48, 2013 Paolo Vitti, Survey of historical heritage in the era of computers: a matter of aims and methodology, in "AΡΧΙΤΕΚΤΩΝ : studies on Ancient Greek Architecture dedicated to Manolis Korres Greek Architecture dedicated to Manolis Korres", Athens 2016. Paolo Vitti, Building Roman Greece, Roma 2016 Mario Docci-Emanuela Chiavoni, Saper leggere l'architettura, Bari 2017
|
Dates of beginning and end of teaching activities
|
From 01/03/2018 to 30/09/2018 |
Delivery mode
|
Traditional
|
Attendance
|
Mandatory
|
Evaluation methods
|
Oral exam
|
|
|
Module:
(objectives)
The course is focused on the analysis of buildings, as resulting from a design and construction process. A focal point will be given to ruined buildings, which give the opportunity for a unique understanding about their construction, being their masonry visible in all its components. On site and class practice exercise will introduce to analysis of the materials used in construction, the way they were transformed and assembled, the dimensioning of walls and the building phases. This course aims at enhancing the skills in interpreting built heritage also under other point of views: the design process underlying the construction, the form expressed in terms of interior and exterior architecture, the formal expression given to the surfaces. The representation of architecture thus will be not only considered as a graphic process but as a fundamental tool for interpretation of architecture, from a general level to the very detail, as a complementary tool to other ones, such as photography or computer design. Hand drawing will be the main tool for the cognitive process which makes possible in depth observation of the building and its fabric.
|
Code
|
21010020-2 |
Language
|
ITA |
Type of certificate
|
Profit certificate
|
Credits
|
2
|
Scientific Disciplinary Sector Code
|
ICAR/18
|
Contact Hours
|
25
|
Type of Activity
|
Elective activities
|
Derived from
|
21010020-2 STORIA in Master of Science - Architecture LM-4 vitti paolo,
(syllabus)
The course includes class lectures and on-site and class exercises. In order to enhance the capacity to observe and interpret architecture the students will be given the possibility to gather information through autoptic observations with minimal measurements, and then transfer them into a series of diagrammatic drawings. This will be achieved through two stages of analysis. On site observations. Some lessons will be held in the field where the students will be asked to take notes on structural, architectural and construction elements. It will be necessary to observe in detail buildings, select significant elements of their fabric, understand the plan and elevation, analyse the overall plan of the building to reconstruct the design concept. All observations will be transferred to a sketchbook. Class exercises will aim at enhancing the capacity to interpret data collected on-site in a rational and critical way. The aim is to reconstruct the design and construction process, interpret the structural layout of the buildings, understand how a fabric was conceived and executed, analyse the decoration and understand the building phases. Drawings will have the form of diagrams, i.e. abstract representations through line graphs -including maps, plans, sections, elevations and axonometries. They will not be traditional surveys, but a critical reading of the building. Class lectures will be focused on: 1. Use of diagrams in the study of ancient architecture from the Renaissance to nowadays. 2. Understanding of the design of ancient architecture. 3. Study of the principles of design of ancient architectural orders. 4. Analysis of construction and structural layout of ancient buildings.
(reference books)
Auguste Choisy, L'art de bâtir chez les Romains, Paris 1873 Mario Docci, Diego Maestri, Manuale di rilevamento architettonico e urbano, Roma 1998 Mark Wilson Jones, Principles of Roman Architecture, New Haven, London 2000 Gian Pietro Brogiolo, Aurora Cagnana (a cura di), Archeologia dell’architettura metodi e interpretazioni, Firenze 2012. Carolyn Y. Yerkes, Drawings of the Pantheon in the Metropolitan Museum's Goldschmidt Scrapbook, Metropolitan Museum Journal, 48, 2013 Paolo Vitti, Survey of historical heritage in the era of computers: a matter of aims and methodology, in "AΡΧΙΤΕΚΤΩΝ : studies on Ancient Greek Architecture dedicated to Manolis Korres Greek Architecture dedicated to Manolis Korres", Athens 2016. Paolo Vitti, Building Roman Greece, Roma 2016 Mario Docci-Emanuela Chiavoni, Saper leggere l'architettura, Bari 2017
|
Dates of beginning and end of teaching activities
|
From 01/03/2018 to 30/09/2018 |
Delivery mode
|
Traditional
|
Attendance
|
Mandatory
|
Evaluation methods
|
Oral exam
|
|
|
Module:
(objectives)
The course is focused on the analysis of buildings, as resulting from a design and construction process. A focal point will be given to ruined buildings, which give the opportunity for a unique understanding about their construction, being their masonry visible in all its components. On site and class practice exercise will introduce to analysis of the materials used in construction, the way they were transformed and assembled, the dimensioning of walls and the building phases. This course aims at enhancing the skills in interpreting built heritage also under other point of views: the design process underlying the construction, the form expressed in terms of interior and exterior architecture, the formal expression given to the surfaces. The representation of architecture thus will be not only considered as a graphic process but as a fundamental tool for interpretation of architecture, from a general level to the very detail, as a complementary tool to other ones, such as photography or computer design. Hand drawing will be the main tool for the cognitive process which makes possible in depth observation of the building and its fabric.
|
Code
|
21010020-3 |
Language
|
ITA |
Type of certificate
|
Profit certificate
|
Credits
|
1
|
Scientific Disciplinary Sector Code
|
ICAR/19
|
Contact Hours
|
12,5
|
Type of Activity
|
Elective activities
|
Derived from
|
21010020-3 RESTAURO in Master of Science - Architecture LM-4 vitti paolo,
(syllabus)
The course includes class lectures and on-site and class exercises. In order to enhance the capacity to observe and interpret architecture the students will be given the possibility to gather information through autoptic observations with minimal measurements, and then transfer them into a series of diagrammatic drawings. This will be achieved through two stages of analysis. On site observations. Some lessons will be held in the field where the students will be asked to take notes on structural, architectural and construction elements. It will be necessary to observe in detail buildings, select significant elements of their fabric, understand the plan and elevation, analyse the overall plan of the building to reconstruct the design concept. All observations will be transferred to a sketchbook. Class exercises will aim at enhancing the capacity to interpret data collected on-site in a rational and critical way. The aim is to reconstruct the design and construction process, interpret the structural layout of the buildings, understand how a fabric was conceived and executed, analyse the decoration and understand the building phases. Drawings will have the form of diagrams, i.e. abstract representations through line graphs -including maps, plans, sections, elevations and axonometries. They will not be traditional surveys, but a critical reading of the building. Class lectures will be focused on: 1. Use of diagrams in the study of ancient architecture from the Renaissance to nowadays. 2. Understanding of the design of ancient architecture. 3. Study of the principles of design of ancient architectural orders. 4. Analysis of construction and structural layout of ancient buildings.
(reference books)
Auguste Choisy, L'art de bâtir chez les Romains, Paris 1873 Mario Docci, Diego Maestri, Manuale di rilevamento architettonico e urbano, Roma 1998 Mark Wilson Jones, Principles of Roman Architecture, New Haven, London 2000 Gian Pietro Brogiolo, Aurora Cagnana (a cura di), Archeologia dell’architettura metodi e interpretazioni, Firenze 2012. Carolyn Y. Yerkes, Drawings of the Pantheon in the Metropolitan Museum's Goldschmidt Scrapbook, Metropolitan Museum Journal, 48, 2013 Paolo Vitti, Survey of historical heritage in the era of computers: a matter of aims and methodology, in "AΡΧΙΤΕΚΤΩΝ : studies on Ancient Greek Architecture dedicated to Manolis Korres Greek Architecture dedicated to Manolis Korres", Athens 2016. Paolo Vitti, Building Roman Greece, Roma 2016 Mario Docci-Emanuela Chiavoni, Saper leggere l'architettura, Bari 2017
|
Dates of beginning and end of teaching activities
|
From 01/03/2018 to 30/09/2018 |
Delivery mode
|
Traditional
|
Attendance
|
Mandatory
|
Evaluation methods
|
Oral exam
|
|
|
|