TEORIA E CRITICA DELL'ARTE CONTEMPORANEA - LM |
Code
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20710160 |
Language
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ITA |
Type of certificate
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Profit certificate
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Module: TEORIA E CRITICA DELL'ARTE CONTEMPORANEA 1 - LM |
Code
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20710160-1 |
Language
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ITA |
Type of certificate
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Profit certificate
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Credits
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6
|
Scientific Disciplinary Sector Code
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L-ART/03
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Contact Hours
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36
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Type of Activity
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Core compulsory activities
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Teacher
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CHIODI STEFANO
(syllabus)
Atlas of Postmodernity
The course deals with the transformations of the artistic field in the second half of the twentieth century. Through the analysis of works and texts it addresses the differences and transformations between modernism and postmodernism. Particular attention will be given to some specific links such as the city's experience, the relationship between artistic languages, the media and mass culture, the relationship with the political and the social sphere.
(reference books)
Gaetano Chiurazzi (a cura di), Il postmoderno, Bruno Mondadori 2007 Fredric Jameson, Postmodernism, or The Cultural Logic of Late Capitalism (1991) [parts] Essays Clement Greenberg, Avant-garde and kitsch (1939) Douglas Crimp, The Photographic Activity of Postmodernism, “October”, 15 (1980) Hal Foster, The Return of the Real (1993) [parts] Craig Owens, The Allegorical impulse: Toward a Theory of Postmodernism (1980), in B. Wallis (a cura di), Art after Modernism: Rethinking Representation, New York 1984 Leo Steinberg, Neodada e pop: il paradigma del “pianale” (1972), in G. Di Giacomo, C. Zambianchi (a cura di), Alle origini dell’opera d’arte contemporanea, Laterza 2008. Altri saggi saranno indicati nel corso delle lezioni
In general, it is very useful to consult an art history textbook such as: Hal Foster et al., Art since 1900, Thames & Hudson Images of the artworks, as well as videos and artist's films, are easily found on the net and in particular at the sites of the major international museums (MoMA, Tate, Center Pompidou etc.), as well as YouTube, Vimeo and Ubu. Images of artworks, as well as videos and artist's films, are easily found on the net and in particular at the sites of the major international museums (MoMA, Tate, Center Pompidou etc.), as well as on YouTube, Vimeo and Ubu
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Dates of beginning and end of teaching activities
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From to |
Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Written test
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|
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Module: TEORIA E CRITICA DELL'ARTE CONTEMPORANEA 2 - LM |
Code
|
20710160-2 |
Language
|
ITA |
Type of certificate
|
Profit certificate
|
Credits
|
6
|
Scientific Disciplinary Sector Code
|
L-ART/03
|
Contact Hours
|
36
|
Type of Activity
|
Core compulsory activities
|
Teacher
|
CHIODI STEFANO
(syllabus)
Atlas of Postmodernity
The course deals with the transformations of the artistic field in the second half of the twentieth century. Through the analysis of works and texts it addresses the differences and transformations between modernism and postmodernism. Particular attention will be given to some specific links such as the city's experience, the relationship between artistic languages, the media and mass culture, the relationship with the political and the social sphere.
(reference books)
Testi generali
Gaetano Chiurazzi (a cura di), Il postmoderno, Bruno Mondadori 2007 Fredric Jameson, Postmodernism, or The Cultural Logic of Late Capitalism (1991) [parti scelte]
Saggi specifici
Clement Greenberg, Avanguardia e kitsch, in L’avventura del modernismo, Johan & Levi, Monza 2011. Douglas Crimp, The Photographic Activity of Postmodernism, “October”, 15 (1980) Hal Foster, The Return of the Real (1993) [parti scelte] Craig Owens, The Allegorical impulse: Toward a Theory of Postmodernism (1980), in B. Wallis (a cura di), Art after Modernism: Rethinking Representation, New York 1984 Leo Steinberg, Neodada e pop: il paradigma del “pianale” (1972), in G. Di Giacomo, C. Zambianchi (a cura di), Alle origini dell’opera d’arte contemporanea, Laterza 2008. Altri saggi saranno indicati nel corso delle lezioni
Some of these texts are downloadable at: http://romatrecontemporanea.blogspot.it/
For general preparation, it is very useful to consult an art history textbook such as: Hal Foster et al., Art since 1900, Thames & Hudson Images of the artworks, as well as videos and artist's films, are easily found on the net and in particular at the sites of the major international museums (MoMA, Tate, Center Pompidou etc.), as well as YouTube, Vimeo and Ubu.
|
Dates of beginning and end of teaching activities
|
From to |
Delivery mode
|
Traditional
|
Attendance
|
not mandatory
|
Evaluation methods
|
Written test
|
|
|
|