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Teacher
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GALLETTI MARINA
(syllabus)
FRENCH CONTEMPORARY LITERATURE.
6cfu
Second semester
PROGRAM
André Breton and the Surrealism. Through the critical analysis of the novel Nadja (1928), this course focuses on the issues of the Surrealist movement as portrayed by Breton in the first Surrealist Manifesto, especially as far as the notions of dream, madness, marvelous and fantastic are concerned.
SYLLABUS:
1. HISTORY OF LITERATURE:
1.Il romanzo francese del Novecento edited by Sandra Teroni, Bari, Laterza, 2008.
2. G. Macchia, M. Colesanti, E Guaraldo, G, Marchi, G. Rubino; G. Violato, La letteratura francese del Novecento, Milano, Biblioteca universale Rizzoli (chapters I, III, IV, VII).
2. PRIMARY WORKS:
André Breton, Nadja, Torino, Einaudi, 1972.
André Breton, Manifesto del surrealismo; Id., Secondo manifesto del surrealismo; Id., I vasi comunicanti (estratto); Come in un bosco, in Per conoscere André Breton a cura di Ivos Margoni, Mondadori, 1976.
3. TEXT SELECTION:
Other texts will be provided throughout.
4. CRITICISM:
Beside the Introduction by Ivos Margoni to the essai Per conoscere André Breton, students must study the following texts (those attending lessons regularly only have to choose 2 texts)
-James Clifford, I frutti puri impazziscono, Torino, Bollati Boringhieri, 1993 (part I and II);
-Maurice Nadeau, Storia e antologia del surrealismo, Mondadori, 1980 ( for literary criticism).
-Traiettorie della modernità. Il surrealismo all’alba del terzo millennio edited by Germana Orlandi Cerenza, Torino, Lindau, 2003.
Those students who do attend lessons on a regular basis also have to study: Marina Galletti, Nadja di Breton ovvero in meraviglioso adulto, in AA.VV., Le soglie del fantastico II. A cura di Marina Galletti, Roma, Lithos, 2001; Mario Richter, Nadja di André Breton, analisi della prima sequenza, “Rivista di letterature moderne e comparate”, volume XXXVI, 1983, pp. 261-277,
5. FILMOGRAPHY:
Man Ray, Le Retour à la raison (1923), Emak Bakia (1927), , Le Mystère du château du Dé (1929); Francis Picabia, René Clair, Entr’Acte (1924); Marcel Duchamp, Man Ray Anémic cinéma (1926); Germaine Dulac, Antonin Artaud,, La coquille et le clergyman (1927); Man Ray, Robert Desnos, L’Etoile de mer (1928); Luis Buñuel, Un chien andalou (1928); L’Age d’or (1930).
NOTES / OTHER INFORMATION
All texts are available at Apollinaire’s library, which is located in Centro Studi italo-francesi of Roma Tre University (Piazza Campitelli, 3).
The exam will be conducted orally. In order to be admitted at the exam, students must first enroll on line and print the enrollment form.
(reference books)
SYLLABUS:
1. HISTORY OF LITERATURE:
1.Il romanzo francese del Novecento edited by Sandra Teroni, Bari, Laterza, 2008.
2. G. Macchia, M. Colesanti, E Guaraldo, G, Marchi, G. Rubino; G. Violato, La letteratura francese del Novecento, Milano, Biblioteca universale Rizzoli (chapters I, III, IV, VII).
2. PRIMARY WORKS:
André Breton, Nadja, Torino, Einaudi, 1972.
André Breton, Manifesto del surrealismo; Id., Secondo manifesto del surrealismo; Id., I vasi comunicanti (estratto); Come in un bosco, in Per conoscere André Breton a cura di Ivos Margoni, Mondadori, 1976.
3. TEXT SELECTION:
Other texts will be provided throughout.
4. CRITICISM:
Beside the Introduction by Ivos Margoni to the essai Per conoscere André Breton, students must study the following texts (those attending lessons regularly only have to choose 2 texts)
-James Clifford, I frutti puri impazziscono, Torino, Bollati Boringhieri, 1993 (part I and II);
-Maurice Nadeau, Storia e antologia del surrealismo, Mondadori, 1980 ( for literary criticism).
-Traiettorie della modernità. Il surrealismo all’alba del terzo millennio edited by Germana Orlandi Cerenza, Torino, Lindau, 2003.
Those students who do attend lessons on a regular basis also have to study: Marina Galletti, Nadja di Breton ovvero in meraviglioso adulto, in AA.VV., Le soglie del fantastico II. A cura di Marina Galletti, Roma, Lithos, 2001; Mario Richter, Nadja di André Breton, analisi della prima sequenza, “Rivista di letterature moderne e comparate”, volume XXXVI, 1983, pp. 261-277,
5. FILMOGRAPHY:
Man Ray, Le Retour à la raison (1923), Emak Bakia (1927), , Le Mystère du château du Dé (1929); Francis Picabia, René Clair, Entr’Acte (1924); Marcel Duchamp, Man Ray Anémic cinéma (1926); Germaine Dulac, Antonin Artaud,, La coquille et le clergyman (1927); Man Ray, Robert Desnos, L’Etoile de mer (1928); Luis Buñuel, Un chien andalou (1928); L’Age d’or (1930).
NOTES / OTHER INFORMATION
All texts are available at Apollinaire’s library, which is located in Centro Studi italo-francesi of Roma Tre University (Piazza Campitelli, 3).
The exam will be conducted orally. In order to be admitted at the exam, students must first enroll on line and print the enrollment form.
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Università Roma Tre