|
Derived from
|
20703427 POSTCOLONIAL THEORIES AND PRACTICES OF CINEMA AND THE MEDIA in Film, Television and Multimedial Production LM-65 N0 DE FRANCESCHI LEONARDO
(syllabus)
Black Hollywood on the Tiber: actors, production intersections, modes of representation. The course is intended to frame the image projected by Italian film on the United States, analyzing, through modes of production and representation, the role played by African American actors and characters - with different modalities, along the gender axes - in the progressive reconfiguration of this image.
(reference books)
BIBLIOGRAPHY
- L’Africa in Italia: Per una controstoria postcoloniale del cinema italiano, edited by Leonardo De Franceschi, Roma, Aracne editrice, 2013
- Joy Nwosu, Cinema e Africa: L'immagine dei neri nel cinema bianco e il primo cinema africano visti nel 1968, Roma, Aracne Editrice, 2014
- a reader of contributions, edited by the teacher
FILMOGRAPHY
Harlem (C. Gallone, 1943), Paisà, ep. Napoli (R. Rossellini, 1946), Without Pity (A. Lattuada, 1948), Il mulatto (F. De Robertis, 1950), Il nero (G. Vento, 1966), Faustina (L. Magni, 1968), Three Tough Guys (D. Tessari, 1974), Miracle in St. Anna (S. Lee, 2008). The list of films is under revision.
|
Università Roma Tre