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Derived from
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20702670 HISTORY AND ANALYSIS OF MUSICAL INTERPRETATION L.M. in DAMS - Theatre - Music - Dance LM-65 N0 AVERSANO LUCA
(syllabus)
THE FIRST PART OF THE COURSE WILL BE DEDICATED TO THE HISTORY OF VOCAL AND INSTRUMENTAL MUSICAL PRAXIS. THE SECOND PART WILL DISCUSS THEORETICAL PROBLEMS RELATED TO PERFORMING MUSIC, ALSO THROUGH VARIOUS MUSICAL EXAMPLES. THE RELATIONSHIPS BETWEEN MUSICAL AND THEATRAL PERFOMANCE WILL BE PARTICULARLY FOCUSED, WITH REGARD TO IMAGES, TEXTS, PHYSICAL AND ACOUSTICAL ENVIRONMENTS.
(reference books)
GENERAL PART: ESSAYS AND MATERIALS INDICATED BY THE TEACHER AT THE BEGINNING OF THE LESSONS; VOLUME "MARIA CALLAS", A CURA DI LUCA AVERSANO E JACOPO PELLEGRINI, QUODLIBET, MACERATA, 2015.
MONOGRAPHIC PART:
FOR ATTENDING STUDENTS: A WRITTEN WORK (BETWEEN 10.000 AND 15.000 CHARACTERS) ON A TOPIC RELATED TO THE COURSE;
FOR NON ATTENDING STUDENTS: A BOOK CHOICED BETWEEN:HANS-HEINRICH UNGER, MUSICA E RETORICA FRA XVI E XVIII SECOLO, A CURA DI ELISABETTA ZONI, ALINEA EDITRICE, FIRENZE 2003; IVANO CAVALLINI, IL DIRETTORE D’ORCHESTRA. GENESI E STORIA DI UN’ARTE, MARSILIO, VENEZIA 1998; PIERO RATTALINO, STORIA DEL PIANOFORTE, IL SAGGIATORE, MILANO 2008; BERNARD SHERMAN, INTERVISTE SULLA MUSICA ANTICA. DAL CANTO GREGORIANO A MONTEVERDI, EDT, TORINO 2002; INTERPRETARE MOZART, A CURA DI MARIA TERESA DELLABORRA, GUIDO SALVETTI, CLAUDIO TOSCANI, ATTI DEL CONVEGNO INTERNAZIONALE DI STUDI, LIM, LUCCA 2008.
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Università Roma Tre