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Derived from
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20703437 THEORIES ON IMAGES L.M. in Film, Television and Multimedial Production LM-65 N0 CAROCCI ENRICO
(syllabus)
The course addresses the topic of the efficacy of the images, with particular reference to the cinematic emotional engagement. It provides an overview of the most relevant models of cinematic spectatorship, considering them in the frame of the contemporary debate on image theory.
(reference books)
BIBLIOGRAPHY
1) Enrico Carocci, Attraverso le immagini. Tre saggi sull’emozione cinematografica, Bulzoni, Roma 2012
2) Anthology of essays on cinematic emotion (see https://sites.google.com/site/enricocarocci/corsi-2/teorie-dell-immagine)
FILMOGRAPHY
Stella Dallas (Amore sublime), King Vidor, 1938
Notorious (Notorious – L’amante perduta), Alfred Hitchcock, 1946
Oyū-sama (Miss Oyu), Kenji Mizoguchi, 1951
Il grido, Michelangelo Antonioni, 1957
La battaglia di Algeri, Gillo Pontecorvo, 1966
Beröringen (L’adultera), Ingmar Bergman, 1971
The Elephant Man (Id.), David Lynch, 1980
Kauas pilvet karkaavat (Nuvole in viaggio), Aki Kaurismäki, 1996
Idioterne (Idioti), Lars Von Trier, 1998
Crash (Crash – Contatto fisico), Paul Haggis, 2004
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Università Roma Tre