CONTEMPORARY ART - L.M.
(objectives)
Contemporary Art - Laurea Triennale - L/ART 03 Prof. Stefano Chiodi
Course 2011-12 Crisis and transformation of the medium
In the second half of the Twentieth Century, artistic movements definitively dismantled the notion of the “specificity” of various media (painting, sculpture etc.), which had been one of the pilasters of the modernist esthetic. From new dada to pop art, from Fluxus to the movements born in the second half of the 1960s, distinctions between expressive means, techniques and languages were torn down and replaced by a creative practice in which conceptual, procedural and performative dictates imposed a radical redefinition of the work of art and its theoretical and concrete characteristics. This course deals with key moments in this process over the thirty-year period of the 1950s to the 1980s through close examination of key works, exhibitions and figures from the period and readings of critical essays on the subject.
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Code
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20702970 |
Language
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ITA |
Type of certificate
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Profit certificate
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Credits
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6
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Scientific Disciplinary Sector Code
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L-ART/03
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Contact Hours
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36
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Type of Activity
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Core compulsory activities
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Teacher
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CHIODI STEFANO
(syllabus)
IL CORSO AFFRONTA L’EVOLUZIONE DEL CONCETTO DI “REALISMO” NELL’ARTE VISIVA TRA OTTO E NOVECENTO, ESPLORANDO CRITICAMENTE LE CONNESSIONI TRA POETICHE, STILI E TEMATICHE ARTISTICHE E I MUTEVOLI RIFERIMENTI FILOSOFICI, STORICI, POLITICI E SOCIALI CHE LE HANNO VIA VIA SOSTANZIATE. PARTICOLARE ATTENZIONE SARÀ DATA ALLA PRATICA DELLA FOTOGRAFIA E AI SUOI SCAMBI CON LA PITTURA COSÌ COME ALLE RELAZIONI TRA CORRENTI “REALISTE” E IL PIÙ AMPIO SCENARIO DELL’ARTE D’AVANGUARDIA.
(reference books)
LINDA NOCHLIN, IL REALISMO NELLA PITTURA EUROPEA DEL XIX SECOLO, EINAUDI; ALTRI TESTI SARANNO INDICATI NEL CORSO DELLE LEZIONI. PER LA PREPARAZIONE GENERALE, UN MANUALE DI STORIA DELL’ARTE A SCELTA DELLO STUDENTE.
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Dates of beginning and end of teaching activities
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From to |
Attendance
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not mandatory
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