Università Roma Tre

ITALIAN CINEMA. FROM THE 30s TO '68
Program: A historical, critical and theoretical journey through forty years of Italian cinema, from the fascist period to the era of '68s protests. Genres, authors, figures, apparatuses and films: from the advent of sound to the nouvelle vague of the 60s. Analysis of texts and critical materials. Reflection on the most debated questions of historical and theoretical studies: the cinematographic imaginary in the fascist regime, neorealism, the styles of modernity, counterculture cinema.

TEXTS: Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, Torino 2003 (in particolare le pp. 73-303).
Stefania Parigi (a cura di), Paisà. Analisi del film, Marsilio, Venezia 2005.
Stefania Parigi, Pier Paolo Pasolini. Accattone, Lindau, Torino 2008.
FILMOGRAPHY: Gli uomini, che mascalzoni… (1932) by Mario Camerini; Vecchia guardia (1935) by Alessandro Blasetti; Ossessione (1943) by Luchino Visconti; Paisà (1946) by Roberto Rossellini; Miracolo a Milano (1950) by Vittorio De Sica; Lo sceicco bianco (1952) by Federico Fellini; Il grido (1957) by Michelangelo Antonioni; Accattone (1961) di Pier Paolo Pasolini; Prima della rivoluzione (1964) by Bernardo Bertolucci; I pugni in tasca (1965) by Marco Bellocchio; Dillinger è morto (1969) by Marco Ferreri.