| ITALIAN CINEMA
(objectives)
The teaching of "Italian Cinema" is part of the training activities that characterise the degree course in Dams (path "Cinema, television and new media"). It proposes to deal with the history of Italian cinema according to a multiplicity of perspectives concerning the cultural context, economic and legislative institutions, stylistic forms, critical and theoretical reflections, the interpretation of films, the relationships of cinema with other arts and other media. The goal is to provide knowledge and methodological tools that allow the student to measure himself critically with the history of Italian cinema and with the analysis of filmic texts.
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Code
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20709130 |
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Language
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ITA |
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Type of certificate
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Profit certificate
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Credits
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12
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Scientific Disciplinary Sector Code
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L-ART/06
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Contact Hours
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72
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Type of Activity
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Elective activities
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Group: A - L
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Derived from
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20709130 ITALIAN CINEMA in DAMS - Studies in Performing Arts L-3 A - L PARIGI STEFANIA
(syllabus)
ITALIAN CINEMA. FROM POSTWAR TO THE 60s
Program: The course examines two of the most significant periods in the history of Italian cinema: the post-war period and the 1960s. The first part is dedicated to the most emblematic theories, authors, figures and styles of neorealism. The major works of Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Giuseppe De Santis, Pietro Germi are analyzed. Particular emphasis is given to the thought and practices of Cesare Zavattini. The second part deals with the auteur cinema of the old and new generations of the Sixties: Michelangelo Antonioni, Federico Fellini, Marco Ferreri, Ermanno Olmi, Pier Paolo Pasolini, Bernardo Bertolucci, Marco Bellocchio. Historical-critical reflection are accompanied by the aesthetic analysis of films.
(reference books)
TEXTS: Gian Piero Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, Torino 2003 (in particular chapters III and IV); Stefania Parigi, Immagini del neorealismo, Marsilio, Venezia 2014; Emiliano Morreale, Cinema d'autore degli anni Sessanta, Il Castoro, Milano 2011; a compilation of texts on neorealism by the teacher (you can find it at the beginning of the course at the shop in Via G. Rocco, n. 11). Non-attending students must also read Stefania Parigi, Pier Paolo Pasolini. Accattone, Lindau, Turin 2008. FILMOGRAPHY: Ossessione (1943) by L.Visconti; Paisà (1946) by R. Rossellini; Germania anno zero (1948) by R. Rossellini; Ladri di biciclette (1948) by V. De Sica; La terra trema (1948) by L. Visconti; Riso amaro (1949) by G. De Santis; Miracolo a Milano (1950) by V. De Sica; Il cammino della speranza (1950) by P. Germi; Due soldi di speranza (1951) by R. Castellani; Pane amore e fantasia (1953) by L. Comencini; Il grido (1957) by M. Antonioni; L’avventura (1960) by M. Antonioni; La dolce vita (1960) by F. Fellini; Accattone (1961) by P. P. Pasolini; I fidanzati (1963) by E. Olmi; Prima della rivoluzione (1964) by B. Bertolucci; I pugni in tasca (1965) by M. Bellocchio; Blow-up (1967) by M. Antonioni; Dillinger è morto (1969) by M. Ferreri. Films will be shown in full or in part during lessons. Dvd copies will be available at the Biblioteca "Lino Miccichè", via Ostiense 139.
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Dates of beginning and end of teaching activities
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From to |
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Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Written test
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Group: M - Z
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Derived from
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20709130 ITALIAN CINEMA in DAMS - Studies in Performing Arts L-3 M - Z UVA CHRISTIAN
(syllabus)
The course examines the period from the post-war to the present, focusing in the first part on the main stages that have marked the history of Italian cinema in terms of films, authors and genres. In the second part, we will focus instead on a particular topos, that of the beach, which has always been central to the national imagination and of course also in our cinematographic tradition. We will therefore examine the aesthetic, narrative, productive and cultural peculiarities of some cinematographic works in which the "bathing condition" has become a privileged occasion to investigate the main historical, social and anthropological changes experienced by our country in more than half a century.
(reference books)
G.P. Brunetta, Guida alla storia del cinema italiano 1905-2003, Einaudi, Torino 2003 (dal cap. III in poi);
E. Giacovelli, C’era una volta la commedia all’italiana, Gremese, Roma 2015;
F. Montini, V. Zagarrio, Istantanee sul cinema italiano: film, volti, idee del nuovo millennio, Rubbettino, Soveria Mannelli (CZ) 2012;
Selection of texts by the teacher (available at the print shop in Via G. Rocco, 11).
FILMOGRAPHY
Paisà (1946) di R. Rossellini; Ladri di biciclette (1948) di V. De Sica; Domenica d’agosto (1950) di L. Emmer; La spiaggia (1954) di A. Lattuada; Vacanze a Ischia (1957) di M. Camerini; La dolce vita (1960) di F. Fellini; L’avventura (1960) di M. Antonioni; Accattone (1961) di P. P. Pasolini; Il sorpasso (1962) di D. Risi; La voglia matta (1962) di L. Salce; Prima della rivoluzione (1964) di B. Bertolucci; Per un pugno di dollari (1964) di S. Leone; L’ombrellone (1965) di D. Risi; Indagine su un cittadino al di sopra di ogni sospetto (1970) di E. Petri; Morte a Venezia (1971) di L. Visconti; Sapore di mare (1983) di C. Vanzina; Ferie d’agosto (1996) di P. Virzì; Le conseguenze dell'amore (2004) di P. Sorrentino; Il principe di Ostia Bronx (2017) di R. Passerini
The films will be shown fully or partially during the lessons.
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Dates of beginning and end of teaching activities
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From to |
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Delivery mode
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Traditional
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Attendance
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not mandatory
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Evaluation methods
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Written test
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Università Roma Tre