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Derived from
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20702668 MODI DI PRODUZIONE E STILE NEL CINEMA E NELLA TELEVISIONE LM in CINEMA, TELEVISIONE E PRODUZIONE MULTIMEDIALE LM-65 N0 ZAGARRIO VITO
(syllabus)
Poe.
The “walks”:
1) Video game logic and contemporary post-media aesthetics
2) Jason Bourne’s aesthetics: intensified cinema, and the end of découpage
3) James Bond and the new auteur-hero.
4) The universe of surveillance. Jack Bauer and 24.
5) Neo-neo Baroque cinema complementary to a nostalgia for the analogue cinema
6) Digital-Resistance, Low Budget and Anti-System Cinema. The "out of the ordinary" film.
These trends, amongst the many strategies of the present, should be analyzed in the context of a more general gap between high definition and low definition, between mainstream cinema and “difficult film” , both characterized by an implosion of the narrative system and a desire for experimentation brought by both the modes of production and the cinematic texts.
The students are required to follow the projections of the Roma Tre Film Festival at the Palladium Theater.
(reference books)
Elio Ugenti, Immagini nella rete, Milano, Mimesis, 2016
Dispense a cura del docente
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Università Roma Tre